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100 Transcendental Studies: No. 23: Dolcemente scorrevole
Fredrik Ullén
Sorabji, K.: 100 Transcendental Studies, Nos. 1-25
100 Transcendental Studies: No. 69, La punta d'organo. Sotto voce
Sorabji: 100 Transcendental Studies, Nos. 63-71
Transcription in the Light of Harpsichord Technique … of the Chromatic Fantasy of J.S. Bach … (arr. K.S. Sorabji): I. Chromatic Fantasia (BWV 903; 1720)
Michael Habermann
Sorabji: Piano Transcriptions of Ravel / Bach / Chopin
Transcription in the Light of Harpsichord Technique … of the Chromatic Fantasy of J.S. Bach … (arr. K.S. Sorabji): II. Fugue (BWV 948; 1720)
2 Piano Pieces, KSS 17: No. 2, Toccata
Sorabji: Piano Music
3 Pastiches for Piano, KSS 31: No. 2, Habanera (After Bizet's Carmen)
Djâmî, KSS 47
Gulistān, KSS 63 (Live)
Opus Clavicembalisticum, KSS 50: X. Cadenza II
Geoffrey Douglas Madge
Sorabji: Opus Clavicembalisticum
Opus Clavicembalisticum, KSS 50: VII. Cadenza I
John Ogdon
Sorabji: Opus Clavicembalisticum MCMXXX
Opus Clavicembalisticum, KSS 50: VIII. Fuga a tre soggetti
Opus Clavicembalisticum, KSS 50: IX. Interludium Alterum - Toccata
Opus Clavicembalisticum, KSS 50: IX Interludium Alterum - Adagio
Opus Clavicembalisticum, KSS 50: IX. Interludium Alterum - Passacagalia
Opus Clavicembalisticum, KSS 50: XI & XII Fuga a quattro soggetti - Coda Stretta
100 Transcendental Studies: No. 44. Ben cantato. Dolce chiaro
Sorabji: 100 Transcendental Studies, Nos. 44-62
Quære Reliqua Hujus Materiei Inter Secretiora, KSS 62
Donna Amato