19 & Dangerous

After an impressive, self-titled 2021 EP that placed her among the vanguard of rising Nigerian pop stars, Ayra Starr delivers her official debut album. Exploring relationships, betrayal, and self-assurance on 19 & Dangerous, the artist chronicles the transition from adolescence to adulthood. “One day, it just struck me that I’m not scared of failing, I’m not scared of mistakes—I’m ready to work hard to get to where I want to,” she tells Apple Music. “No matter how much I fall, I’m prepared for it. When you know that you’re not scared of mistakes, you become dangerous, because you have nothing to lose, really. I’m 19 and I’m dangerous. I’m ready for everything.”
Throughout 19 & Dangerous, Starr remains bold and unapologetic, whether exhibiting her grandeur in banging earworms or acknowledging her vulnerabilities in heartfelt ballads. She showcases her vocal and emotional range as the project’s mood shifts from sunny to gloomy when her lyrics dictate. Ranging from R&B to pop, soul, and Afropop, the album features production by London, Kel-P Vibes, and Don Jazzy while Ayra and her brother, Dami Aderibigbe (aka Milar), penned most of the songs. Here, she takes us through her coming-of-age story, track by track.
“Cast (Gen Z Anthem)” “In Nigeria, when we say somebody is ‘cast,’ it’s like, ‘Everybody knows her. She’s been around.’ So, I always get a lot of advice: ‘Ayra, don’t go and cast.’ Even with the smallest thing, a woman has to be a hundred times more careful than a guy. She can’t go to this place; she can’t do that because she doesn’t want to cast. The smallest thing can ruin a woman’s reputation. But I’ve come to this industry to break boundaries. So, if I cast, let me cast. In the beginning of the song, I used an Eartha Kitt interview, one of my favorite interviews of all time. She said, ‘Life is not problematic. We make it problematic.’”
“Fashion Killer” “I wrote this song with my brother. We are fashion-obsessed. My brother is an A$AP Rocky fan, I’m a Rihanna fan, so we grew up with a lot of fashion. ‘Fashion Killa’ by A$AP Rocky, we loved that song. So, when London sent us the beat, we wanted something hard, something people would feel themselves, too. I could just see people on the runway to this beat.”
“Lonely” “‘Lonely’ is a sweet love song. The album has different moods: You have the badass, ‘Cast,’ then you have the vulnerability—that’s where ‘Lonely’ comes in. ‘Lonely’ is me telling a guy, ‘If you don’t like me back, remember that I’m only human. Watch the way you talk to me and all that. Let’s vibe and all that.’ So, ‘Lonely’ is like a lost-love heartbreak song.”
“Snitch” (feat. Fousheé) “‘Snitch’ features one of my favorite artists, Fousheé. I love her with all my heart. She’s such an amazing musician. The whole song was a freestyle. She had sent me a DM that she thinks I’m dope. Just imagine me seeing a DM from one of my favorite artists of all time. I was like, ‘I have this song that I really want you on.’ I shot my shot and she was down with it, so that was great.”
“Toxic” “I wrote the song with my brother and posted it in December 2019. Don Jazzy saw it and he was like, ‘Come to the studio and let me see what you can do.’ I recorded it in studio properly in January 2020. The song is about genuine heartbreak, the type of love that breaks you. When you become obsessed with someone but don’t know how obsessed you are until the person leaves you and you can’t function without this person. Growing up, I moved from one place to another, [and] I experienced that, leaving friends behind and all that. I also watched a lot of people’s experiences. I put that pain into the music.”
“In Between” “I wrote ‘In Between’ in my sleep. I was depressed and I remember I was singing it in my head. I was like, ‘Two feet and I’m under/I feel my body.’ It was around 3 am. I got up and I took my phone and I recorded the whole thing from the beginning to the end, without a beat. I was just pouring my emotions out. I went to the studio the next day, and London and I made a beat to the song.”
“Beggie Beggie” (feat. Ckay) “‘Beggie Beggie’ is almost like ‘Lonely.’ It’s almost the same topic. The chorus means, ‘See the way I’m begging you. Do I look like those people on the streets begging for money? You’re making me feel like I’m one of those people because of the way I’m begging you. And I know you are a fine guy and all the girls like you, but I’m also a badass—some other guys like me. So, don’t use me.’ It’s a from-friends-to-lovers type of story. And I remember when I was in the studio recording it. I was like, ‘I want, like, a male POV on this story.’”
“Karma” “My brother and I wrote this song in 2018 when we were still in school. This was one of the first songs we finished writing. Just thinking about it now, back then, we didn’t know that this was going to be our life. We didn’t even know we were going to record it one day. It was just something we did for fun. My brother wrote the first verse, I wrote the second one. We would imagine that he featured me on the song. We would write the whole music video treatments. Then, when Don Jazzy signed me, the first day in the studio, I started to record ‘Karma’ and I was like, this song is such an amazing song. It’s my love story with karma. Karma is such a good lover, because I didn’t ask him to do the revenge—he did it for me.”
“Bloody Samaritan” “I’m used to very slow beats and all that. I’m just singing my heart out. But when it comes to ‘Bloody Samaritan,’ it was a whole different case. I had this beat for six months and I kept begging the producer, ‘London, please don’t give it to anybody. I’m sure I can do this. I’m sure I can work on this beat.’ We know the story of the good Samaritan. Bloody Samaritan is the opposite—people that pretend to be good Samaritans, but they’re hypocrites, people that judge you and criticize you. So, it’s like, you can’t kill my vibe. I’m going to do what I want to do. I’m dangerous. Nobody should come to me with bad energy.”
“Bridgertn” “‘Bridgertn’ was inspired by the series Bridgerton. Seeing a Black queen ruling and all that, we didn’t get to see that growing up. As a teenager now, watching that and how I even put it in a song, I can just imagine how confident I would have been if I’d seen it when I was younger.
“Amin” “‘Amin’ means ‘amen’ in Islam, and also in Yoruba, which is one of the native tongues in Nigeria. I wrote this song last year before I ever knew what it meant. It was just something I wrote and just recorded. But now, listening to the song, it speaks so much to me. It’s just like, ‘Don’t let the fame take you away. Just always pray for what you want.’ It’s also like my future self is speaking to me in the verse. It’s like, ‘Do you really want it all? Say you have it all. Say you have all the things you want. Do you really need it?’ Because I remember when I was younger, wanting and that. Then, growing up, you realize life is not about that. Life is not about these materialistic things. It’s just about love and just who you love.”