Ars Nova's first release was intermittently intriguing eclectic psychedelic rock with a slight classical influence, as well as some unusual instrumentation in the bass trombone of lead singer
Jon Pierson and the trumpet and string bass of
Bill Folwell. The songs -- often linked by brief interludes -- are a mixed bag, though, that seem to indicate a confusion over direction, or a bit of a psychedelic throw-in-everything-but-the-kitchen-sink approach. There are haunting tunes with a folk-rock base and a faint Renaissance ballad melodic influence, jaunty narratives with a vaudevillian air that bear the mark of then-recent albums such as
Sgt. Pepper's Lonely Hearts Club Band, and harder-rocking period psychedelic tracks with a bent for unpredictable bittersweet progressions and vocal harmonies. It's unusual, and in some senses attractive. But to be less charitable, there's a sense of listening to a generic psychedelic band that sounds better than many such acts mostly by virtue of benefiting from Elektra's high-class production, here handled by
Paul Rothchild of
Doors fame. Put another way, the songs themselves aren't as good as their arrangements. "Fields of People," about the best of those songs, might be the most famous one here due to getting covered in an elongated treatment by
the Move, who did a better job with it than
Ars Nova. [The 2004 CD reissue on Sundazed adds historical liner notes by
Jon Pierson.]