In her third album,
Suzana Salles faithfully continues discovering her own path, no matter how production trends and gimmicks go. It is refreshing to listen to a Brazilian production devoid of drum machines and other such instruments. Excellent musicians like
Toninho Ferragutti (accordion) and
Célio Barros (bass) contribute to build a solid instrumental foundation over which
Salles can explore her precise and delicate singing. The repertory is another important aspect of this album, featuring "O Velho Francisco"'s outstanding melody (
Chico Buarque) with the folklore-oriented "Foi Boto, Sinhá" (Waldemar Henrique/Antonio Tavernard). It can be said that
Salles is still searching for her own voice, but in great style.