A reissue of the original 1952 Clef recording session, this is one of the few instances in
Charlie Parker's later career where he played with something other than a small bebop group. Under contract at the time to Clef's
Norman Granz,
Parker was encouraged by the label to make recordings that took him out of his familiar settings and put him in with string arrangements, Latin rhythms, and larger band formats. This recording is the result of one of these experiments. Though
Joe Lipman's arrangements are stellar, the musicians assembled for the sessions are an odd mix of pop-oriented big-band players and improvisers. The album also suffers from the pop orientation of the songs themselves: solos are kept short, and songs limited to a three-minute length that was both radio-friendly and compatible with the 78-rpm format. But when
Parker does solo, it is just as magical as any of his earlier recordings. The songs also have a sweet smoothness to them that makes them eminently enjoyable. This record is not perfect, but it still musters up moments of brilliance. The reissue is even more fascinating than the original, containing 10 bonus tracks which are alternative takes of the top singles on the album. ~ Stacia Proefrock