From the beginning of
Blues Dream, the listener knows that something special is going on. The spare notes of
Ron Miles' trumpet and the relaxed guitar work of
Greg Leisz lay the groundwork for a spacious sound on the title cut. This openness remains throughout the album, even when alto and trombone are added into the mix. The instrumental "Ron Carter" begins with the loose, electrified feel of an early
Miles Davis fusion piece, with
Bill Frisell's distorted guitar exploring the space of the piece without resorting to excessive volume. The short and sweet "Pretty Stars Were Made to Shine" leans heavier on the country side, with steel guitar and
Chet Atkins' fingerpicking dominating. The arrangements on
Blues Dream are a big change from last year's solo effort,
Ghost Town. An essential part of the overall sound is
Leisz' steel guitar and lap steel work. He also played with
Frisell on
Good Dog, Happy Man, and helps to set the mood and pace throughout
Blues Dream.
Ron Miles plays a smaller role, but it is fascinating how well his relaxed trumpet, with its carefully chosen notes, fits into the mix on the title cut and the short "Episode."
Blues Dream is a perfectly chosen title: the material, steeped in the blues, is approached in a lazy, dreamlike fashion.
Frisell's fondness for putting unusual combinations of instruments together adds to the overall effect, leaving the listener to wonder why no one has ever tried this before.
Blues Dream is a lovely release that should satisfy
Frisell fans as well as jazz, country, and blues fans looking for a genre-bending experience. ~ Ronnie D. Lankford, Jr.