Nashville's retro-soul band
the Dynamites has two things going for it. The first is its leader, guitarist Leo Black (real name Bill Elder), who writes new material steeped in the traditions of 1960s and '70s soul and funk, giving the group a repertoire that is familiar but not too familiar. The second is featured lead singer Charles Walker, the 65-year-old soul veteran who gives
the Dynamites a direct connection to the music and time they honor. These are, however, also the elements that
the Dynamites have going against them. Black's basic template is the
James Brown band, but he also creates music and arrangements that recall
Curtis Mayfield ("Can't Have Enough"), the smooth soul of various vocal groups ("I Got Love [For You]"), and even early-'60s Jamaican rocksteady ("The Real Deal"). But every time he brings to mind some established artist or style of the glory days of R&B, he competes with it unsuccessfully (a problem that is more apparent on record than in concert, admittedly). And while Walker has the authentic sound of a soul singer of his era, it's no accident that he never became a star. He lacks the quality of uniqueness that set apart each of the great soul singers and made them memorable. It's perhaps not surprising, then, that the album's mix does not favor him. He is audible, certainly, but no more so than the rhythm section or the horns. It's appropriate that the billing for this band is
the Dynamites Featuring Charles Walker, not
Charles Walker & the Dynamites, because that's what Walker sounds like on this disc, a featured performer rather than a dominating one. Thus, an album by the group is basically a calling card or souvenir of their live show more than a standalone entity.