An improvement on tenor saxophonist
Gato Barbieri's previous Columbia debut, this outing mostly features his romantic and passionate horn in the spotlight. One song is primarily a vocal feature for
Gato. His backup band (which usually includes bassist
Mark Egan and guitarist
Chuck Loeb) is generally quite spirited, but it is the tenor who stars throughout. Even when sticking to the melody (
Gato and
Loeb wrote most of the material), there is so much feeling in
Barbieri's playing that he largely possesses each song, even an oddly memorable rendition of "Auld Lang Syne." And, although the performances are a bit commercial in spots,
Barbieri's sincere emotionalism consistently uplifts this recording. ~ Scott Yanow