Written by a young and ambitious
Chopin as self-promotional vehicle to demonstrate his performance capabilities and, to a lesser degree, his compositional skills, the two piano concertos have remained as an important part of the instrument's repertoire. Often derided for their somewhat trite orchestral parts, these concertos are nevertheless beautiful, thoroughly enjoyable works. While there are countless recordings of the piano works of
Beethoven and
Mozart on period instruments, this inclination has found its way to
Chopin's works with less frequency. This album, produced by The
Fryderyk Chopin Institute, makes use of an 1849 Erard fortepiano made in Paris, very similar to the instruments
Chopin himself would have used. While it lacks the same resonance and projection as the modern concert grand piano, it more than makes up for this with its clarity and intimacy of tone, unique sound colors, and expressivity of dynamics. In the hands of pianist
Dang Thai Son, this instrument casts a whole new light on
Chopin's concertos with which many listeners may be completely unfamiliar.
Son's intricate, detailed interpretation is translated into a much more personal, intimate listening experience. Accompanied by the sensitive and refined
Orchestra of the Eighteenth Century,
Son and conductor
Frans Brüggen give listeners a splendid and unique reading of these lush concertos.