Crimson is the best next step for
Alkaline Trio. It keeps
Good Mourning's blacks and reds and crack melodic sense. But it's also much more accessible with its measured aggression, rich piano (courtesy of
Jellyfish and studio veteran Roger Manning), and production from
Jerry Finn, who's worked with
blink-182 and the very-relevant-to-
Alkaline Trio Jawbreaker. Like those groups
Alkaline Trio has grown away from punk-pop; they've grown up. On 1998's
Goddamnit!,
Matt Skiba and
Dan Andriano let out rowdy "woah-woahs" and wished things like "I wanna wake up naked next to you." But then that happened, and the other side of the bed wasn't as pretty. By
Mourning they were dealing with death metaphors and painful levels of self-medication.
Crimson has a similar sense of emotional brokenness, but things never get so heavy that you'll need the goth eyeliner -- the album's pop sense glimmers steadily beneath its dour shroud. "Poison" and "Time to Waste" downshift into powerful choruses despite lines about dead eyes and meaninglessness, "Mercy Me" and "Dethbed" rock self-hate and cynicism over propulsive beats, and "Prevent This Tragedy" incorporates a keyboard descent that's a perfectly pretty foil for a line like "the flames of hell they give me hope." As great as
Alkaline Trio are at relating their booze and blood-spattered lives to listeners, it does get a little tedious. But
Skiba and
Andriano's interlocking harmonies never flag, and the band's rhythms are just too catchy throughout. Let's see. They're writing smart, bright, punk-derived pop, but they're black and white and blocky-featured, and they like
Depeche Mode much more than
Duran Duran. That settles it --
Alkaline Trio are the bizarro-world
Killers. ~ Johnny Loftus