Cykle produced one album's worth of solid garage rock, and it certainly proves that the band was an enthusiastic bunch of musicians. Despite claims to the contrary,
Cykle's music cannot be called psychedelia; instead, it's closer in sound to the garage punk that started to come out a couple years before the album was released, in 1969. The record is not as distinctive as the work of top-tier rock bands of the day, nor is it on par with the best garage from a few years before, but that is not to say it is unworthy. Jimmy Sossamon came up with decent songs, and the band played the hell out of them.
Cykle may have been somewhat derivative, but they could occasionally be thrilling, too, and their playing sometimes bursts with a teenage energy that makes the songs fun to listen to. Rave-ups like "If You Can," "Walkout," "Walkin' Through My Mind," and "It's Her" are exciting punkers full of scorching guitar along the lines of
the Chocolate Watchband and the great, final raga-fied incarnation of the Vejtables, although Ken Allen's near-spoken vocals flatten out the sound too much. But it is easy to see why the music probably made the teenage girls of Lumberton, North Carolina scream and swoon as if they were watching
the Rolling Stones. [A Gear Fab reissue adds some recordings from Sossamon's pre-
Cykle band, the Young Ones, who were certainly of their day, combining hints of
the Beatles, instrumental party music, soul, and beach music. The album is filled out with a couple of songs Sossamon wrote for and helped record with the Rhodes Scholars. A distinct departure from
Cykle, the Rhodes Scholars played straight pop/rock with full brass arrangements -- much closer to the sound of bands like
Chicago and
the Buckinghams -- and their songs were actually pretty solid, with quite a bit of commercial potential.] ~ Stanton Swihart