If you're a hard bopper with soul-jazz leanings, it is important to have sidemen who have a similar mentality; that is, musicians who like to swing aggressively but also like to groove -- musicians who value chops and virtuosity but realize that feeling and soulfulness are also important.
Randy Johnston feels that way; he's a guitar-playing virtuoso who values feeling as well as technique. And thankfully, he has very like-minded support on Detour Ahead, including tenor saxman
David "Fathead" Newman, organist
Joey DeFrancesco, and Philadelphia drummer
Byron Landham. All of these improvisers have both hard bop and soul-jazz credentials, as does tenor saxophonist
Houston Person (who produced the album).
Person is featured on the opener, "Blues for Edward G.," a groove-oriented item that
Johnston wrote in memory of the late Edward G. Robinson (one of the finest actors of the 20th century). But
Person isn't featured on any of the other tracks; on Detour Ahead, the tenor veteran does a lot more producing than playing.
Person's admirers will no doubt wish that he was featured more prominently, but
Newman is also a major saxophone heavyweight -- and
Johnston employs him on four of the CD's eight selections (including
Johnston's
Grant Green-ish "The Triangle Pose," the above-mentioned "Blues for Edward G.," and an interesting version of
Burt Bacharach's "They Long to Be Close to You").
Johnston also turns his attention to
Bacharach's "A House Is Not a Home," and it's nice to see the guitarist paying this much attention to the
Bacharach/
Hal David songbook -- a lot of hard boppers suffer from the delusion that worthwhile popular music ended with Tin Pan Alley pop and, unlike
Johnston, ignore
Bacharach's contributions. Detour Ahead is a solid album that
Johnston should be proud to have in his catalog. ~ Alex Henderson