Down There, the first solo album from
Animal Collective's
Avey Tare (except for a collaborative album with his wife,
múm's
Kría Brekkan), is naturally going to remind listeners of a quieter, more plaintive
Animal Collective LP. That's not to say that
Tare (aka Dave Portner), the group's primary writer, is a folkie singer/songwriter at heart, content to strum away at his guitar and sing about his feelings.
Down There is virtually as experimental as
Animal Collective. The beats are adventurous, sometimes so aqueous and damp that you can feel the splash, other times pin-point sharp. The rest of the musical backing is hazy and nearly unidentifiable, except when tones that are bell-like or chime-like rise above.
Tare is similarly adventurous with his vocals, often multi-tracking and sampling it until his voice becomes just another element of the swampy, murky production. The obvious reference point here, aside from
Animal Collective itself, would be his bandmate
Panda Bear’s 2007 album
Person Pitch, one of the most critically praised records of the year.
Down There reveals that
Avey Tare and
Panda Bear have very similar musical visions, a function of the supportive nature of their record-making (both together and apart).
Tare isn’t simply the songwriter/vocalist and
Panda Bear the soundscape creator in some sort of
Ferry/
Eno dichotomy.
Person Pitch proved that
Panda Bear has an ear for melody, and
Tare’s
Down There has not only the same woodsy, pixilated folk-pop of
AC but also much of its fractured production smarts. Still, quiet and reflective where
Animal Collective has become epic and dense, the album is unique, a mellow gem of experimental folk. ~ John Bush