Name: Essential Gilbert & Sullivan by Sir Malcolm Sargent
Brand: Sir Malcolm Sargent
SKU: 5099932786156
Price: 9.9 USD
Availability: OnlineOnly
Rating: 3 (350 reviews)

1. The Mikado or The Town of Titipu, Act 1: No. 2b, Song with Chorus, "A Wand'ring Minstrel I" (Nanki-Poo, Nobles)

by Richard Lewis/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Richard Lewis/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: Raymond Leppard
David Bicknell; Production

2. The Mikado or The Town of Titipu, Act 1: No. 5, Chorus with Song, "Behold the Lord High Executioner!" (Nobles, Ko-Ko)

by Sir Geraint Evans/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Geraint Evans; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: Raymond Leppard
David Bicknell; Production

3. The Mikado or The Town of Titipu, Act 1: No. 5a, Song, "As some day it may happen" (Ko-Ko, Nobles)

by Sir Geraint Evans/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Geraint Evans; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: Raymond Leppard
David Bicknell; Production

4. The Mikado or The Town of Titipu, Act 1: No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls)

by Elsie Morison/jeannette Sinclair/marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Contralto: Marjorie Thomas; Performer
Primary Artist: Elsie Morison/jeannette Sinclair/marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Soprano: Elsie Morison
Jeannette Sinclair; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: Raymond Leppard
David Bicknell; Production

5. The Mikado or The Town of Titipu, Act 2: No. 13, Song, "The sun, whose rays are all ablaze" (Yum-Yum)

by Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Soprano: Elsie Morison; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: Raymond Leppard
David Bicknell; Production

6. The Mikado or The Town of Titipu, Act 2: No. 15, Trio, "Here's a how-de-do!" (Yum-Yum, Nanki-Poo, Ko-Ko)

by Elsie Morison/richard Lewis/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/richard Lewis/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Geraint Evans; Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

7. The Mikado or The Town of Titipu, Act 2: No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles)

by Owen Brannigan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Owen Brannigan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Bass (vocal): Owen Brannigan; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: Raymond Leppard
David Bicknell; Production

8. The Mikado or The Town of Titipu, Act 2: No. 18, Trio and Chorus, "The criminal cried" (Ko-Ko, Nobles, Pitti-Sing, Pooh-Bah)

by Sir Geraint Evans/marjorie Thomas/ian Wallace/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Baritone: Geraint Evans
Ian Wallace; Performer
Primary Artist: Sir Geraint Evans/marjorie Thomas/ian Wallace/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Contralto: Marjorie Thomas; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: Raymond Leppard
David Bicknell; Production

9. The Mikado or The Town of Titipu, Act 2: No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)

by Richard Lewis/elsie Morison/marjorie Thomas/ian Wallace/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent

Baritone: Geraint Evans
Ian Wallace; Performer
Primary Artist: Richard Lewis/elsie Morison/marjorie Thomas/ian Wallace/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Contralto: Marjorie Thomas; Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

10. The Mikado or The Town of Titipu, Act 2: No. 22, Song, "On a tree by a river a little tom-tit" (Ko-Ko)

by Sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Geraint Evans; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: Raymond Leppard
David Bicknell; Production

11. The Mikado or The Town of Titipu, Act 2: No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko)

by Monica Sinclair/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent

Baritone: Geraint Evans; Performer
Primary Artist: Monica Sinclair/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Contralto: Monica Sinclair; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: Raymond Leppard
David Bicknell; Production

12. The Mikado or The Town of Titipu, Act 2: No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)

by Marjorie Thomas/sir Geraint Evans/richard Lewis/elsie Morison/owen Brannigan/ian Wallace/john Cameron/jeannette Sinclair/monica Sinclair/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Marjorie Thomas/sir Geraint Evans/richard Lewis/elsie Morison/owen Brannigan/ian Wallace/john Cameron/jeannette Sinclair/monica Sinclair/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
Geraint Evans
Ian Wallace; Performer
Bass (vocal): Owen Brannigan; Performer
Contralto: Marjorie Thomas
Monica Sinclair; Performer
Soprano: Jeannette Sinclair
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: Raymond Leppard
David Bicknell; Production

13. Trial by Jury: When I, good friends, was called to the Bar (Judge, Others)

by George Baker/glyndebourne Chorus/peter Gellhorn/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Baritone: George Baker
Bernard Turgeon
John Cameron; Performer
Bass: Owen Brannigan (bass); Performer
Bass Baritone: George Baker; Performer
Lead Vocals: Glyndebourne Chorus
Sir Malcolm Sargent
Pro Arte Orchestra
George Baker
Peter Gellhorn; Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus
Glyndebourne Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Edward Huntley; Production
Primary Artist: George Baker/glyndebourne Chorus/peter Gellhorn/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Ronald Kinloch Anderson
Colin Graham; Production

14. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: I'm called Little Buttercup (Buttercup)

by Monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Marjorie Thomas
Monica Sinclair; Performer
Baritone: John Cameron
George Baker; Performer
Bass: James Milligan (bass-bariton)
Owen Brannigan (bass); Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Librettist: W. S. Gilbert; Composer
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Harold Davidson; Production
Primary Artist: Monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

15. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: I am the captain of the Pinafore (Captain Corcoran, Sailors)

by John Cameron/glyndebourne Chorus/peter Gellhorn/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Marjorie Thomas
Monica Sinclair; Performer
Primary Artist: John Cameron/glyndebourne Chorus/peter Gellhorn/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
George Baker; Performer
Bass: James Milligan (bass-bariton)
Owen Brannigan (bass); Performer
Bass Baritone: John Cameron; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus
Glyndebourne Chorus; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Glyndebourne Chorus
Sir Malcolm Sargent
Pro Arte Orchestra
John Cameron
Peter Gellhorn; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

16. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Sorry her lot who loves too well (Josephine)

by Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent

Alto: Marjorie Thomas
Monica Sinclair; Performer
Baritone: John Cameron
George Baker; Performer
Bass: James Milligan (bass-bariton)
Owen Brannigan (bass); Performer
Boy Soprano: Elsie Morison; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Librettist: W. S. Gilbert; Composer
Composer: Arthur Sullivan; Composer
Primary Artist: Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Pro Arte Orchestra
Sir Malcolm Sargent
Elsie Morison; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

17. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: When I was a lad I served a term (Sir Joseph, Relatives, Sailors)

by George Baker/glyndebourne Chorus/peter Gellhorn/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Marjorie Thomas
Monica Sinclair; Performer
Primary Artist: George Baker/glyndebourne Chorus/peter Gellhorn/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
George Baker; Performer
Bass: James Milligan (bass-bariton)
Owen Brannigan (bass); Performer
Bass Baritone: George Baker; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus
Glyndebourne Chorus; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Glyndebourne Chorus
Sir Malcolm Sargent
Pro Arte Orchestra
George Baker
Peter Gellhorn; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

18. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine)

by George Baker/john Cameron/elsie Morison/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/john Cameron/elsie Morison/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Marjorie Thomas
Monica Sinclair; Performer
Baritone: John Cameron
George Baker; Performer
Bass: James Milligan (bass-bariton)
Owen Brannigan (bass); Performer
Bass Baritone: John Cameron
George Baker; Performer
Boy Soprano: Elsie Morison; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Pro Arte Orchestra
George Baker
John Cameron
Elsie Morison
Sir Malcolm Sargent; Performer
Librettist: W. S. Gilbert; Composer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

19. The Pirates of Penzance or The Slave of Duty, Act 1: No. 3, Song, "Oh, better far to live and die" (Pirate King, Pirates)

by James Milligan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: James Milligan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: James Milligan; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

20. The Pirates of Penzance or The Slave of Duty, Act 1: No. 7, Air and Chorus, "Oh, is there not one maiden breast?" (Frederic, Mabel, Girls)

by Richard Lewis/elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Tenor: Richard Lewis; Performer
Primary Artist: Richard Lewis/elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Soprano: Elsie Morison; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

21. The Pirates of Penzance or The Slave of Duty, Act 1: No. 8, Air, "Poor wand'ring one" (Mabel, Girls)

by Elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Soprano: Elsie Morison; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

22. The Pirates of Penzance or The Slave of Duty, Act 1: No. 13, Song with Chorus, "I am the very model of a modern Major-General" (Major-General, Girls, Pirates)

by George Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: George Baker; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

23. The Pirates of Penzance or The Slave of Duty, Act 2: No. 17, Chorus with Soli, "When the foeman bears his steel" (Sergeant of Police, Mabel, Edith, Policemen, Girls)

by Owen Brannigan/elsie Morison/heather Harper/george Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Bass (vocal): Owen Brannigan; Performer
Primary Artist: Owen Brannigan/elsie Morison/heather Harper/george Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Soprano: Elsie Morison
Heather Harper; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

24. The Pirates of Penzance or The Slave of Duty, Act 2: "Ah, leave me not to pine" (Mabel, Frederic)

by Elsie Morison/richard Lewis/pro Arte Orchestra/sir Malcolm Sargent

Tenor: Richard Lewis; Performer
Primary Artist: Elsie Morison/richard Lewis/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Soprano: Elsie Morison; Performer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

25. The Pirates of Penzance or The Slave of Duty, Act 2: No. 24, Song and Chorus, "When a felon's not engaged" (Sergeant, Policemen)

by Owen Brannigan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Owen Brannigan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Bass (vocal): Owen Brannigan; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

26. The Pirates of Penzance or The Slave of Duty, Act 2: No. 26, Chorus, "With cat-like tread" (Pirates, Policemen, Samuel)

by James Milligan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: James Milligan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

1. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: The soldiers of our Queen (Dragoons, Colonel Calverley)

by John Shaw/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Primary Artist: John Shaw/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: George Baker
John Shaw
John Cameron; Performer
Bass: Trevor Anthony (bass); Performer
Bass Baritone: John Shaw; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus
Glyndebourne Chorus; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Sir Malcolm Sargent
John Shaw
Pro Arte Orchestra
Glyndebourne Chorus; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: Elsie Morison
Heather Harper
Elizabeth Harwood; Performer
Tenor: Alexander Young; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry
Malcolm Walker; Production

2. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: Am I alone and unobserved? (Bunthorne)

by George Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Primary Artist: George Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: George Baker
John Shaw
John Cameron; Performer
Bass: Trevor Anthony (bass); Performer
Bass Baritone: George Baker; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus
Glyndebourne Chorus; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Sir Malcolm Sargent
George Baker
Pro Arte Orchestra
Glyndebourne Chorus; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: Elsie Morison
Heather Harper
Elizabeth Harwood; Performer
Tenor: Alexander Young; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry
Malcolm Walker; Production

3. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: Sad is that woman's lot (Jane)

by Monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: George Baker
John Shaw
John Cameron; Performer
Bass: Trevor Anthony (bass); Performer
Lead Vocals: Pro Arte Orchestra
Sir Malcolm Sargent; Performer
Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Tenor: Alexander Young; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Librettist: W. S. Gilbert; Composer
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Harold Davidson; Production
Primary Artist: Monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry
Malcolm Walker; Production

4. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: A magnet hung in a hardware shop (Grosvenor, Maidens)

by John Cameron/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Primary Artist: John Cameron/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: George Baker
John Shaw
John Cameron; Performer
Bass: Trevor Anthony (bass); Performer
Bass Baritone: John Cameron; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus
Glyndebourne Chorus; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Sir Malcolm Sargent
John Cameron
Pro Arte Orchestra
Glyndebourne Chorus; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: Elsie Morison
Heather Harper
Elizabeth Harwood; Performer
Tenor: Alexander Young; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry
Malcolm Walker; Production

5. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: So go to him and say to him (Jane, Bunthorne)

by Monica Sinclair/george Baker/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Primary Artist: Monica Sinclair/george Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: George Baker
John Shaw
John Cameron; Performer
Bass: Trevor Anthony (bass); Performer
Bass Baritone: George Baker; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
George Baker; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: Elsie Morison
Heather Harper
Elizabeth Harwood; Performer
Tenor: Alexander Young; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry
Malcolm Walker; Production

6. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: When I go out of door (Bunthorne, Grosvenor)

by George Baker/john Cameron/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Primary Artist: George Baker/john Cameron/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: George Baker
John Shaw
John Cameron; Performer
Bass: Trevor Anthony (bass); Performer
Bass Baritone: George Baker
John Cameron; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: John Cameron
George Baker
Pro Arte Orchestra
Sir Malcolm Sargent; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: Elsie Morison
Heather Harper
Elizabeth Harwood; Performer
Tenor: Alexander Young; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry
Malcolm Walker; Production

7. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: After much debate internal (Duke, Bunthorne, All)

by Alexander Young/george Baker/john Shaw/trevor Anthony/john Cameron/elsie Morison/marjorie Thomas/monica Sinclair/elizabeth Harwood/heather Harper/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Alexander Young/george Baker/john Shaw/trevor Anthony/john Cameron/elsie Morison/marjorie Thomas/monica Sinclair/elizabeth Harwood/heather Harper/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Composer: Arthur Sullivan; Composer
Alto: Marjorie Thomas
Monica Sinclair; Performer
Baritone: John Shaw
George Baker
John Cameron; Performer
Bass: Trevor Anthony
Trevor Anthony (bass); Performer
Bass Baritone: John Shaw
John Cameron
George Baker; Performer
Boy Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn
Glyndebourne Chorus; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Elizabeth Harwood
Sir Malcolm Sargent
Pro Arte Orchestra
George Baker
John Cameron
Glyndebourne Chorus
Elsie Morison
Heather Harper
John Shaw
Trevor Anthony; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: Elsie Morison
Elizabeth Harwood
Heather Harper; Performer
Tenor: Alexander Young; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry
Malcolm Walker; Production

8. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: When I went to the Bar as a very young man (Lord Chancellor)

by George Baker/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Marjorie Thomas
Monica Sinclair; Performer
Primary Artist: George Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
George Baker; Performer
Bass: Ian Wallace (bass)
Owen Brannigan (bass); Performer
Bass Baritone: George Baker; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: George Baker
Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: April Cantelo
Heather Harper
Elsie Morison; Performer
Tenor: Alexander Young; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Ronald Kinloch Anderson; Production

9. Iolanthe (or, The Peer and the Peri) - Finale Act 1 (The lady of my love....) (1987 Remastered Version)

by Sir Malcolm Sargent/pro Arte Orchestra

Primary Artist: Sir Malcolm Sargent/pro Arte Orchestra; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer

10. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When all night long a chap remains (Sentry Song) (Private Willis)

by Owen Brannigan/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Marjorie Thomas
Monica Sinclair; Performer
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan
Ian Wallace (bass)
Owen Brannigan (bass); Performer
Lead Vocals: Owen Brannigan
Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Soprano: April Cantelo
Heather Harper
Elsie Morison; Performer
Tenor: Alexander Young; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Librettist: W. S. Gilbert; Composer
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Harold Davidson; Production
Primary Artist: Owen Brannigan/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Ronald Kinloch Anderson; Production

11. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When Britain really ruled the waves (Mountararat, Fairies, Peers)

by Ian Wallace/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Marjorie Thomas
Monica Sinclair; Performer
Primary Artist: Ian Wallace/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
George Baker; Performer
Bass: Ian Wallace (bass)
Owen Brannigan (bass); Performer
Bass Baritone: Ian Wallace; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus
Glyndebourne Chorus; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Glyndebourne Chorus
Sir Malcolm Sargent
Pro Arte Orchestra
Ian Wallace; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: April Cantelo
Heather Harper
Elsie Morison; Performer
Tenor: Alexander Young; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Ronald Kinloch Anderson; Production

12. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When you're lying awake with a dismal headache (Nightmare Song) (Lord Chancellor)

by George Baker/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Marjorie Thomas
Monica Sinclair; Performer
Primary Artist: George Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
George Baker; Performer
Bass: Ian Wallace (bass)
Owen Brannigan (bass); Performer
Bass Baritone: George Baker; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: George Baker
Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: April Cantelo
Heather Harper
Elsie Morison; Performer
Tenor: Alexander Young; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Ronald Kinloch Anderson; Production

13. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: If you go in, you're sure to win (Tolloller, Mountararat, Lord Chancellor)

by Alexander Young/ian Wallace/george Baker/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Marjorie Thomas
Monica Sinclair; Performer
Primary Artist: Alexander Young/ian Wallace/george Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
George Baker; Performer
Bass: Ian Wallace (bass)
Owen Brannigan (bass); Performer
Bass Baritone: George Baker
Ian Wallace; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Ian Wallace
Sir Malcolm Sargent
Pro Arte Orchestra
George Baker; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: April Cantelo
Heather Harper
Elsie Morison; Performer
Tenor: Alexander Young; Performer
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Ronald Kinloch Anderson; Production

14. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: In sailing o'er life's ocean wide (Rose, Richard, Robin)

by Elsie Morison/richard Lewis/george Baker/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/richard Lewis/george Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Pamela Bowden; Performer
Baritone: George Baker; Performer
Bass: Harold Blackburn (bass)
Joseph Rouleau (bass)
Owen Brannigan (bass); Performer
Bass Baritone: George Baker; Performer
Boy Soprano: Elsie Morison; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: George Baker
Sir Malcolm Sargent
Pro Arte Orchestra
Elsie Morison; Performer
Librettist: W. S. Gilbert; Composer
Soprano: Elizabeth Harwood
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Audio Engineer: Christopher Parker; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Ronald Kinloch Anderson; Production

15. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: When the night wind howls (Roderic, Ancestors)

by Joseph Rouleau/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Pamela Bowden
Monica Sinclair; Performer
Baritone: George Baker; Performer
Bass: Joseph Rouleau
Harold Blackburn (bass)
Joseph Rouleau (bass)
Owen Brannigan (bass); Performer
Lead Vocals: Pro Arte Orchestra
Sir Malcolm Sargent
Joseph Rouleau
Glyndebourne Chorus; Performer
Soprano: Elizabeth Harwood
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn
Glyndebourne Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Christopher Parker; Production
Primary Artist: Joseph Rouleau/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Ronald Kinloch Anderson; Production

16. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: My eyes are fully open (Robin, Margaret, Sir Despard)

by George Baker/pamela Bowden/owen Brannigan/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Pamela Bowden
Monica Sinclair; Performer
Primary Artist: George Baker/pamela Bowden/owen Brannigan/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: George Baker; Performer
Bass: Owen Brannigan
Harold Blackburn (bass)
Joseph Rouleau (bass)
Owen Brannigan (bass); Performer
Bass Baritone: George Baker; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Pro Arte Orchestra
Sir Malcolm Sargent
Owen Brannigan
George Baker; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Librettist: W. S. Gilbert; Composer
Soprano: Elizabeth Harwood
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Audio Engineer: Christopher Parker; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Ronald Kinloch Anderson; Production

17. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: From the sunny Spanish shore (Duke, Duchess, Casilda, Luiz)

by Sir Geraint Evans/monica Sinclair/edna Graham/alexander Young/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/monica Sinclair/edna Graham/alexander Young/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Helen Watts
Marjorie Thomas
Monica Sinclair; Performer
Baritone: John Cameron; Performer
Bass: James Milligan (bass-bariton)
Owen Brannigan (bass); Performer
Bass Baritone: Sir Geraint Evans; Performer
Boy Soprano: Edna Graham; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Pro Arte Orchestra
Sir Geraint Evans
Sir Malcolm Sargent
Edna Graham; Performer
Librettist: W. S. Gilbert; Composer
Soprano: Lavinia Renton
Edna Graham
Stella Hitchens
Elsie Morison; Performer
Tenor: Alexander Young
Sir Geraint Evans
Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Audio Engineer: Edward Huntley; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

18. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: When a merry maiden marries (Tessa, Chorus)

by Marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Helen Watts
Marjorie Thomas
Monica Sinclair; Performer
Baritone: John Cameron; Performer
Bass: James Milligan (bass-bariton)
Owen Brannigan (bass); Performer
Lead Vocals: Glyndebourne Chorus
Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Soprano: Stella Hitchens
Elsie Morison
Lavinia Renton
Edna Graham; Performer
Tenor: Alexander Young
Richard Lewis
Sir Geraint Evans; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn
Glyndebourne Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Edward Huntley; Production
Primary Artist: Marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

19. The Gondoliers 'The King of Barataria', Act II: Take a pair of sparkling eyes (Marco)

by Richard Lewis, Pro Arte Orchestra, Sir Malcolm Sargent

Primary Artist: Richard Lewis
Sir Malcolm Sargent
Pro Arte Orchestra; Main Performer
Baritone: John Cameron; Performer
Bass (vocal): Owen Brannigan; Performer
Bass Baritone: James Milligan; Performer
Contralto: Marjorie Thomas
Monica Sinclair
Helen Watts; Performer
Soprano: Stella Hitchens
Lavinia Renton
Edna Graham
Elsie Morison; Performer
Tenor: Alexander Young
Richard Lewis
Sir Geraint Evans; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Director: Peter Gellhorn; Production

20. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: Dance a cachucha, fandango, bolero (Chorus)

by Glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Helen Watts
Marjorie Thomas
Monica Sinclair; Performer
Baritone: John Cameron; Performer
Bass: James Milligan (bass-bariton)
Owen Brannigan (bass); Performer
Lead Vocals: Glyndebourne Chorus
Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Soprano: Stella Hitchens
Elsie Morison
Lavinia Renton
Edna Graham; Performer
Tenor: Alexander Young
Richard Lewis
Sir Geraint Evans; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn
Glyndebourne Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Edward Huntley; Production
Primary Artist: Glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent
Glyndebourne Chorus; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

21. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: I am a courtier grave and serious (Casilda, Duchess, Marco, Giuseppe, Duke)

by Edna Graham/monica Sinclair/richard Lewis/john Cameron/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Edna Graham/monica Sinclair/richard Lewis/john Cameron/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Helen Watts
Marjorie Thomas
Monica Sinclair; Performer
Baritone: John Cameron; Performer
Bass: James Milligan (bass-bariton)
Owen Brannigan (bass); Performer
Bass Baritone: Sir Geraint Evans
John Cameron; Performer
Boy Soprano: Edna Graham; Performer
Choir/chorus: Glyndebourne Festival Chorus
Peter Gellhorn; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Pro Arte Orchestra
John Cameron
Edna Graham
Sir Geraint Evans
Sir Malcolm Sargent; Performer
Librettist: W. S. Gilbert; Composer
Soprano: Edna Graham
Stella Hitchens
Elsie Morison
Lavinia Renton; Performer
Tenor: Alexander Young
Sir Geraint Evans
Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Audio Engineer: Edward Huntley; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

22. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I: I have a song to sing, O! (Elsie, Point, Crowd)

by Sir Geraint Evans/elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
Denis Dowling
John Carol Case; Performer
Bass: Owen Brannigan (bass); Performer
Bass Baritone: Sir Geraint Evans; Performer
Boy Soprano: Elsie Morison; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus
Glyndebourne Chorus; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Sir Malcolm Sargent
Glyndebourne Chorus
Elsie Morison
Pro Arte Orchestra
Sir Geraint Evans; Performer
Librettist: W. S. Gilbert; Composer
Soprano: Elsie Morison
Doreen Hume; Performer
Tenor: Alexander Young
Sir Geraint Evans
Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

23. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I: Were I thy bride (Phoebe)

by Marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
Denis Dowling
John Carol Case; Performer
Bass: Owen Brannigan (bass); Performer
Lead Vocals: Glyndebourne Chorus
Pro Arte Orchestra
Sir Malcolm Sargent; Performer
Soprano: Elsie Morison
Doreen Hume; Performer
Tenor: Alexander Young
Richard Lewis
Sir Geraint Evans; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus
Glyndebourne Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Harold Davidson; Production
Primary Artist: Marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

24. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act II: Comes the pretty young bride (All)

by Denis Dowling/richard Lewis/john Cameron/alexander Young/sir Geraint Evans/owen Brannigan/john Carol Case/elsie Morison/marjorie Thomas/monica Sinclair/doreen Hume/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Denis Dowling/richard Lewis/john Cameron/alexander Young/sir Geraint Evans/owen Brannigan/john Carol Case/elsie Morison/marjorie Thomas/monica Sinclair/doreen Hume/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Carol Case
Denis Dowling
John Cameron; Performer
Bass: Owen Brannigan (bass)
Owen Brannigan; Performer
Bass Baritone: John Cameron
John Carol Case
Sir Geraint Evans
Denis Dowling; Performer
Boy Soprano: Doreen Hume
Elsie Morison; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus
Glyndebourne Chorus; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Owen Brannigan
John Cameron
Doreen Hume
Elsie Morison
John Carol Case
Glyndebourne Chorus
Sir Geraint Evans
Denis Dowling
Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Librettist: W. S. Gilbert; Composer
Soprano: Doreen Hume
Elsie Morison; Performer
Tenor: Sir Geraint Evans
Richard Lewis
Alexander Young; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Audio Engineer: Harold Davidson; Production
Remastering Engineer: John Holland; Production
Lyricist: W. S.gilbert; Composer
Producer: Peter Andry; Production

Essential Gilbert & Sullivan

Product information

Release options

Volume 1

Volume 2

Volume 1

1. The Mikado or The Town of Titipu, Act 1: No. 2b, Song with Chorus, "A Wand'ring Minstrel I" (Nanki-Poo, Nobles)

2. The Mikado or The Town of Titipu, Act 1: No. 5, Chorus with Song, "Behold the Lord High Executioner!" (Nobles, Ko-Ko)

3. The Mikado or The Town of Titipu, Act 1: No. 5a, Song, "As some day it may happen" (Ko-Ko, Nobles)

4. The Mikado or The Town of Titipu, Act 1: No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls)

5. The Mikado or The Town of Titipu, Act 2: No. 13, Song, "The sun, whose rays are all ablaze" (Yum-Yum)

6. The Mikado or The Town of Titipu, Act 2: No. 15, Trio, "Here's a how-de-do!" (Yum-Yum, Nanki-Poo, Ko-Ko)

7. The Mikado or The Town of Titipu, Act 2: No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles)

8. The Mikado or The Town of Titipu, Act 2: No. 18, Trio and Chorus, "The criminal cried" (Ko-Ko, Nobles, Pitti-Sing, Pooh-Bah)

9. The Mikado or The Town of Titipu, Act 2: No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)

10. The Mikado or The Town of Titipu, Act 2: No. 22, Song, "On a tree by a river a little tom-tit" (Ko-Ko)

11. The Mikado or The Town of Titipu, Act 2: No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko)

12. The Mikado or The Town of Titipu, Act 2: No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)

13. Trial by Jury: When I, good friends, was called to the Bar (Judge, Others)

14. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: I'm called Little Buttercup (Buttercup)

15. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: I am the captain of the Pinafore (Captain Corcoran, Sailors)

16. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Sorry her lot who loves too well (Josephine)

17. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: When I was a lad I served a term (Sir Joseph, Relatives, Sailors)

18. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine)

19. The Pirates of Penzance or The Slave of Duty, Act 1: No. 3, Song, "Oh, better far to live and die" (Pirate King, Pirates)

20. The Pirates of Penzance or The Slave of Duty, Act 1: No. 7, Air and Chorus, "Oh, is there not one maiden breast?" (Frederic, Mabel, Girls)

21. The Pirates of Penzance or The Slave of Duty, Act 1: No. 8, Air, "Poor wand'ring one" (Mabel, Girls)

22. The Pirates of Penzance or The Slave of Duty, Act 1: No. 13, Song with Chorus, "I am the very model of a modern Major-General" (Major-General, Girls, Pirates)

23. The Pirates of Penzance or The Slave of Duty, Act 2: No. 17, Chorus with Soli, "When the foeman bears his steel" (Sergeant of Police, Mabel, Edith, Policemen, Girls)

24. The Pirates of Penzance or The Slave of Duty, Act 2: "Ah, leave me not to pine" (Mabel, Frederic)

25. The Pirates of Penzance or The Slave of Duty, Act 2: No. 24, Song and Chorus, "When a felon's not engaged" (Sergeant, Policemen)

26. The Pirates of Penzance or The Slave of Duty, Act 2: No. 26, Chorus, "With cat-like tread" (Pirates, Policemen, Samuel)

Volume 2

1. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: The soldiers of our Queen (Dragoons, Colonel Calverley)

2. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: Am I alone and unobserved? (Bunthorne)

3. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: Sad is that woman's lot (Jane)

4. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: A magnet hung in a hardware shop (Grosvenor, Maidens)

5. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: So go to him and say to him (Jane, Bunthorne)

6. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: When I go out of door (Bunthorne, Grosvenor)

7. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: After much debate internal (Duke, Bunthorne, All)

8. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: When I went to the Bar as a very young man (Lord Chancellor)

9. Iolanthe (or, The Peer and the Peri) - Finale Act 1 (The lady of my love....) (1987 Remastered Version)

10. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When all night long a chap remains (Sentry Song) (Private Willis)

11. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When Britain really ruled the waves (Mountararat, Fairies, Peers)

12. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When you're lying awake with a dismal headache (Nightmare Song) (Lord Chancellor)

13. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: If you go in, you're sure to win (Tolloller, Mountararat, Lord Chancellor)

14. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: In sailing o'er life's ocean wide (Rose, Richard, Robin)

15. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: When the night wind howls (Roderic, Ancestors)

16. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: My eyes are fully open (Robin, Margaret, Sir Despard)

17. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: From the sunny Spanish shore (Duke, Duchess, Casilda, Luiz)

18. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: When a merry maiden marries (Tessa, Chorus)

19. The Gondoliers 'The King of Barataria', Act II: Take a pair of sparkling eyes (Marco)

20. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: Dance a cachucha, fandango, bolero (Chorus)

21. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: I am a courtier grave and serious (Casilda, Duchess, Marco, Giuseppe, Duke)

22. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I: I have a song to sing, O! (Elsie, Point, Crowd)

23. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I: Were I thy bride (Phoebe)

24. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act II: Comes the pretty young bride (All)

Technical Specifications