Duke Robillard's second 2003 release could just as well have been titled
Living With the Blues, Part 2, since it picks up where his 2002 album of that name left off. Returning to the
Roomful of Blues horn sound (where he began his recording career in 1977),
Robillard employs brass on the majority of these rocking blues tracks. In fact, both saxist
Doug James and trombone player
Carl Querfurth (who play on this album) are
Roomful alumni, as is pianist
Matt McCabe. The horns are used more for embellishment, though, in contrast to
Roomful, where they often define the sound. The opening mid-tempo swamp rock of "Down Home Country Girl" kicks things off in tough form with
Robillard's gutsy singing fronting the powerful brass, but a short guitar solo fades out just as it builds up a head of steam.
Robillard then branches out into classic R&B territory when he duets with
Pam Tillis on a sweet and sassy version of "I'll Never Be Free," a tune made popular by
Tennessee Ernie Ford,
Dinah Washington,
Louis Jordan, and others. Rollicking tracks such as "Real Live Wire," "How Long Has It Been" (a crackling vocal and guitar duet with
Debbie Davies, returning the favor of
Robillard producing her
Love the Game album), and a rockabilly-flavored "Love Made a Liar of Me" keep the mood upbeat. The lounge/jazz swing of the title track (with sensual French spoken-word from Aimee Hill along with
Robillard playing a guitar synth that sounds like a trumpet) and "Double X Daddy" brings the disc back to the
Roomful days with swanky horn solos. "Deep Inside" hearkens back to classic blues/R&B that
Robillard does so well. He adds a stinging, staccato,
Albert King-styled solo that stabs through the song and is one of the album's finest leads. A percussion-heavy,
Bo Diddley-ized version of James Wayne's "Travelin' Mood" closes out an album that shows a few different sides of
Robillard, but stays closer to his blues and swing roots. He seems to be having a blast throughout, and even though his voice isn't as polished as his guitar skills, he puts across these songs with exuberance and class. It's another excellent entry to an already strong catalog that continues to improve with age. ~ Hal Horowitz