"Sweet Jenny Lee" opens the album
Frost Music like some unholy marriage between
the Zombies and
Ted Nugent's
Amboy Dukes. And that sums up nicely this wonderful amalgam of British and Detroit rock, a surprisingly poppy effort from
Dick Wagner and company. As a future purveyor of hard rock, and within the decade, eventual producer of his friend
Mark Farner, the English sounds of bands like
Kaleidoscope (U.K.) reverberate through songs like "Stand in the Shadows." With hints of very early
Pink Floyd meets
Strawberry Alarm Clock in track two, "The Family,"
Frost Music is more than a respectable effort from the young
Wagner, and an adventurous offering from the label famous for
Buddy Guy,
Joan Baez,
Eric Andersen, and
Mimi & Richard Farina. Outside of Circus Maximus,
the Frost are the deviation on this legendary folk label.
Wagner's voice is strong on the venturesome "Stand in the Shadows," but it is the song with different titles on the album jacket and disc, "Susy Singer" or "Little Susie Singer (Music to Chew Gum By)," which is the album's highlight. A very psychedelic combination of ideas and sound effects that both the Alice Cooper Group and
the Velvet Underground were playing with at the time.
Wagner's eventual impact on the leaders of both groups would emerge in just four years when he co-led the Rock & Roll Animal Band with
Steve Hunter for
Lou Reed, and when that group went on to backup
Alice Cooper, becoming in some paradoxical fashion, a macho foundation for one of music's most influential glitter/glam rock ensembles. The song "First Day of May" is a return to the Brit-pop sound that is the underlying theme here. Just a few years later,
Blue Öyster Cult would produce a song with similar atmosphere entitled "Then Came the Last Days of May" on their Columbia debut, tempo a bit more subdued, but with B.O.C.'s awareness of what was going on in rock & roll, it hardly seems like a coincidence. The Frost were certainly more influential than they ever got credit for. "Who Are You" is really
Syd Barrett/Floyd come to America. Hearing this music makes one wonder why
Frost Music isn't as sought after as Moulty & the Barbarian's first album or
Chocolate Watch Band. If
Paul Revere & the Raiders and
Leslie West's
the Vagrants got immortalized on the Nuggets compilation, it makes the obscurity of
the Frost all the more obliging. "Baby Once You Got It" is vintage '60s pop that bands like
the Lyres and
the Fleshtones have made a career out of emulating. In fact, this album is a delight for the '60s connoisseur and it shares a rare distinction with
Alice Cooper's
Easy Action, released in 1969 as well, both important and largely forgotten albums by artists who later proved their mettle,
Wagner eventually becoming
Alice Cooper's lead guitarist and co-songwriter. "A Long Way Down From Mobile" might throw the listener for a loop, sounding more like an outtake from James Taylor's backing band, but that's the curve
Dick Wagner has always thrown. The Frost keep shifting from the garage rock of "Baby Once You Got It" to the English psychedelia of "Stand in the Shadows." The rest of the album, especially "Take My Hand," triggers again the comparison to Cooper's
Easy Action. "Take My Hand" is as blatant a rip of
the Byrds' "Eight Miles High" as the song "See the Light" by
Extreme during their formative years.
The Who and
Byrds influences abound, and that
Alice and
Dick Wagner would join forces was only logical, as evidenced here in this very important and hard to find record. ~ Joe Viglione