With 69 string quartets to his name, it's easy to understand how some of them might occasionally be forgotten or lost in the shuffle, especially the very early contributions to the genre that may mistakenly be labeled as immature or underdeveloped. In a performance of the 10 quartets (technically divertimenti) of Opp. 1 and 2, the
Buchberger Quartet proves nothing could be further from the truth. Composed while still in his twenties, this set of quartets clearly demonstrates that Haydn already had a complete command of the sophisticated and challenging genre. Fast movements are rhythmically vital and harmonically interesting, while Adagios demonstrate an already mature level of refinement and introspection. The
Buchberger Quartet offers listeners everything they need to be able to appreciate and understand these often forgotten works. The playing is committed throughout, with the utmost integrity to the score being immediately obvious. First violinist
Hubert Buchberger plays with intense passion (though never over-indulgent) and a soaring, crystal-clear sound. The remainder of the quartet balances out the performance nicely, always allowing inner voices to be heard. Adding to the understanding of the historical and musical significance of these works is a set of well-written, easily comprehensible liner notes. Vol. 6 of the
Buchberger's Haydn set proves that none of Haydn's contributions to this genre should be overlooked.