Toronto-based jazz trio
BadBadNotGood's third album is their first on the
Innovative Leisure label and also the first full-length to feature all their own compositions. The Canadians first made waves early in the 2010s while posting videos of them playing jazz covers of hip-hop tracks by the likes of
Odd Future and
MF Doom. They maintained this ethos into their first two records, BBNG and BBNG2, by covering the likes of
A Tribe Called Quest and
Kanye West as well as
My Bloody Valentine and
Feist.
III captures the raw energy, togetherness, and musicianship of a live concert, at points drifting off at a tangent and then rejoining to climactic chord structures and beautiful jazz melodies. One thing that is very clear is that
Matthew Tavares (keyboards, synths),
Chester Hansen (bass), and Alexander Sowinski (drums) are all fantastic musicians and rightly sought-after, being cherry-picked by the likes of
Frank Ocean to be his backing band. The groove here is tight and so many intricate details unravel over the nine tracks, fluidly drifting in among each other with some wonderful solo jazz freakouts, while each member takes his turn. The album kicks off with "Triangle," perhaps the most traditionally jazz-sounding number on the album, flowing into "Can't Leave the Night," which is different but still creates a coherent opening to the album and is a precursor of how things will pan out, gelling genres such as hip-hop, jazz, and electronica effortlessly. "Can't Leave the Night" has the feel of a mid-'90s dance groove from
DJ Shadow's
Endtroducing... era before a sub-friendly climactic ending built up of arpeggiated synths and straight drum rhythms. Saxophonist and frequent collaborator
Leland Whitty features on the track "Confessions," which is a smoky jazz number a little bit reminiscent of the early
Bonobo records. "Kaleidoscope" is possibly the best track on the record, especially the latter part for its bass freakout and the way in which the group twists toward the blissful, beautiful jazz brass section and whistle-inducing melody line. "Since You Asked Kindly" could be the strangest inclusion here, as it's almost a different style altogether. As a whole, this is a great inclusion to an already impressive catalog and it's good to see a full-length of their own material. [
III was also released on LP.] ~ James Pearce