Recording
Into the Blues, writes
Joan Armatrading on the back sleeve of her first-ever blues album, "has given me so much pleasure," and that pleasure is evident in the grooves. But that doesn't make it a particularly good blues album, or even one of the more notable entries in a discography that stretches back more than 30 years. Her enthusiasm aside, it's ultimately a fairly erratic and mostly tepid affair, jumping around from the autobiographical "Mama Papa," one of the more poignant tracks, to the throwaway "Deep Down," which consists almost entirely of the title phrase repeated ad infinitum over an equally repetitive riff. While no one would claim that a successful blues tune requires profundity in its lyrical content, the problem with too many of
Armatrading's compositions here, as well as her production, is that they are not worthy of her proven talent. She's at her most viable as a writer when she covers ground she's already displayed she can handle with panache, as in the naked emotions of "Liza," "Empty Highway" and "Baby Blue Eyes." But when she turns in a marginal track like "My Baby's Gone (Come Back Baby)," it doesn't become her:
Lightnin' Hopkins singing "Come Back Baby" is one thing, but on
Armatrading, lines as sophomoric as "Don't you know I can't live without you" and "My baby's gone/My baby's gone away" sound disingenuous. Perhaps someone of
Armatrading's caliber might have gotten away with faux blues lyrics if they were placed within meatier contexts, but all too often
Armatrading's melodies and guitar riffs -- she plays all instruments on the record except for drums and percussion -- are out of the "Blues 101 Songbook," uninspired mimics of
Muddy Waters,
B.B. King and the like. Some of the most successful tracks here are, in fact, the least bluesy; for example, the ironically gospelized "Secular Songs" and the countrified, mandolin-driven "Baby Blue Eyes."
Armatrading is an important singer/songwriter with a soulful touch, but as much as she might have enjoyed cutting a blues album,
Into the Blues only proves that the genre is not her forte. This CD was nominated for a Grammy award in 2007 for Best Contemporary Blues Album.