Invencible may have been introduced as a sequel to Tito’s 2009 effort,
El Patrón, but besides sharing the same high quality control, the albums are quite different. Here, the reggaeton singer continues to evolve into a versatile Latin pop singer with ballads and polished club numbers dominating. The album is also smaller in scale and crossover potential isn’t the main goal, with
the Neptunes being replaced by producers like
Luis Berrios Nieves and
the Mambo Kingz. With genres like bachata (“Éramos Niños” with
Gilberto Santa Rosa) and salsa (“Ella Es Libre”) being delivered with proper heart and conviction, the only fans who might be disappointed with
Invencible are those who want "El Bambino" to remain firmly in the reggaeton genre. ~ David Jeffries