In the initial round of promotion for 2007's
La Cucaracha,
Ween's first album for Rounder and first in four years,
Dean Ween called it a "party record, unlike our last record (
Quebec) which was more of a Jonestown type party vibe," which is about as accurate a self-criticism as an artist has ever given.
Quebec left a hazy, narcotic aftertaste that the giddy
La Cucaracha blows away as the band reverts back to all their signatures: they never stay in one place too long, they spike most songs with their impish humor, and every track shows their knack for savvy, sly, odd arrangements. In that sense, the record could almost be seen as a back-to-basics album, as it's pitched somewhere between the sonics of
Pure Guava and the sensibility of
Chocolate and Cheese, but that's misleading, as it suggests that
Ween are self-consciously striving to recapture past glories. Nothing could be further from the truth.
La Cucaracha is the sound of
Ween cutting loose, reveling in the lower budget and expectations an indie label brings, and playing music that simply sounds good. And, make no mistake, this is a party record -- quite literally so, as it's bookended with the spangly, mariachi rock & roll instrumental "Fiesta" and the decadently suave "Your Party," two songs that explicitly celebrate parties. The latter features a divine cameo from
David Sanborn, whose alto saxophone gives this lounge party precisely the right sense of velvet flair, and whose very presence signals just how far
Ween have come as musicians since the heyday of
The Pod and
Pure Guava. Back then, they were wildly imaginative young punks, creating their own world on a four-track, but they continued to expand their horizons with each successive album for Elektra in the '90s, growing as writers and musicians with each LP.