Name: La Voix Des Anges by Various Artists
Brand: Various Artists
SKU: 5099962759052
Price: 9.9 USD
Availability: OnlineOnly
Rating: 3 (175 reviews)

1. L'Orfeo, favola in musica, SV 318, Prologue: "Hor mentre i canti alterno" (La Musica)

by Emmanuelle Haïm/le Concert D`astrée/natalie Dessay

Primary Artist: Emmanuelle Haïm/le Concert D`astrée/natalie Dessay
Emmanuelle Haïm; Main Performer
Ensemble: Le Concert D'astrée; Ensemble
Soprano: Natalie Dessay; Performer
Composer: Claudio Monteverdi; Composer
Conductor: Emmanuelle Haïm; Conductor
Balance Engineer: Jean Chatauret; Production
Executive Producer: Alain Lanceron; Production
Producer: Daniel Zalay; Production

2. La Resurrezione, HWV 47, Pt. 1: No. 10, Duetto, "Dolci, chiodi, amate spine" (Maddalena, Cleofe)

by Emmanuelle Haïm

Primary Artist: Emmanuelle Haim; Main Performer
Contralto: Sonia Prina; Performer
Soprano: Kate Royal; Performer
Ensemble: Le Concert D'astrée; Ensemble
Composer: George Frideric Handel; Composer
Conductor: Emmanuelle Haïm; Conductor
Balance Engineer: Michel Pierre; Production
Executive Producer: Alain Lanceron; Production
Producer: Daniel Zalay; Production

3. La Resurrezione, HWV 47, Pt. 1: No. 14, Aria, "Ho un non so che nel cor" (Maddalena)

by Emmanuelle Haïm

Ensemble: Le Concert D'astrée; Ensemble
Primary Artist: Emmanuelle Haim; Main Performer
Soprano: Kate Royal; Performer
Composer: George Frideric Handel; Composer
Conductor: Emmanuelle Haïm; Conductor
Balance Engineer: Michel Pierre; Production
Executive Producer: Alain Lanceron; Production
Producer: Daniel Zalay; Production

4. Giulio Cesare in Egitto, HWV 17, Act 3 Scene 4: No. 26, Recitativo accompagnato ed Aria, "Dall'ondoso periglio … Aure, deh, per pieta" (Giulio Cesare)

by Stephanie Blythe/emmanuelle Haïm/john Nelson/ensemble Orchestral De Paris

Harpsichord: Emmanuelle Haim; Performer
Primary Artist: Stephanie Blythe/emmanuelle Haïm/john Nelson/ensemble Orchestral De Paris
Emmanuelle Haïm
John Nelson
Orchestre De Chambre De Paris
Stephanie Blythe; Main Performer
Lead Vocals: Ensemble Orchestral De Paris
John Nelson
Emmanuelle Haïm; Performer
Vocals: Stephanie Blythe; Performer
Ensemble: Ensemble Orchestral De Paris; Ensemble
Composer: George Frideric Handel; Composer
Conductor: John Nelson; Conductor
Producer: Etiénne Collard; Production
Produced By: Etienne Collard; Other
Produced By: Etiénne Collard; Other

5. La Passione di Gesù Cristo Signor Nostro (La Passion de Jésus-Christ Notre Seigneur): Aria: Giacché mi tremi in seno (Pietro)

by Patricia Petibon/francesca Pedaci/laura Polverelli/sergio Foresti/athestis Chorus/europa Galante/fabio Biondi

Alto: Laura Polverelli; Performer
Composer: Antonio Caldara; Composer
Bass: Sergio Foresti
Sergio Foresti (baß); Performer
Boy Soprano: Francesca Pedaci
Laura Polverelli
Patricia Petibon; Performer
Harpsichord: Sergio Ciomei; Performer
Lead Vocals: Francesca Pedaci
Fabio Biondi
Athestis Chorus
Sergio Foresti
Laura Polverelli
Europa Galante
Patricia Petibon; Performer
Lute: Tiziano Bagnati; Performer
Mezzo-soprano: Laura Polverelli; Performer
Organ: Fabio Bonizzoni; Performer
Choir/chorus: Athestis Chorus
Filippo Maria Bressan; Ensemble
Ensemble: Europa Galante; Ensemble
Conductor: Fabio Biondi; Conductor
Assistant: Hugues Deschaux (musica Numeris); Production
Editor: Anne Fontigny (musica Numeris)
Marianne Populer (musica Numeris)
Hugues Deschaux (musica Numeris); Production
Musician: Maurizio Naddeo
Sergio Ciomei
Fabio Biondi
Enrico Casazza
Fabio Bonizzoni
Silvia Rinaldi
Robert Brown
Antonio Fantinuoli
Tiziano Bagnati
Raffaello Negri
Angelo Bartoletti
Ettore Scimemi
Giancarlo Pavan
Silvia Falavigna
Stéfan Legée; Performer
Produced & Engineered By: Nicolas Bartholomée; Other
Primary Artist: Patricia Petibon/francesca Pedaci/laura Polverelli/sergio Foresti/athestis Chorus/europa Galante/fabio Biondi
Patricia Petibon; Main Performer
Soloist: Fabio Biondi
Enrico Casazza; Main Performer
Producer: Alain Lanceron
Nicolas Bartholomee; Production
Cello: Maurizio Naddeo
Antonio Fantinuoli; Performer
Soprano: Patricia Petibon
Francesca Pedaci; Performer
Trombone: Stéfan Legée; Performer
Viola: Angelo Bartoletti
Robert Brown; Performer
Violin: Ettore Scimemi
Giancarlo Pavan
Raffaello Negri
Silvia Rinaldi
Silvia Falavigna; Performer
Audio Engineer: Nicolas Bartholomée; Production
Produced & Engineered By: Nicolas Bartholomée; Other

6. La fida ninfa, RV 714, Act 2: "Destin nemico .... Destin avaro" (Morasto)

by Vivica Genaux

Primary Artist: Vivica Genaux; Main Performer
Mezzo-soprano: Vivica Genaux; Performer
Orchestra: Europa Galante; Ensemble
Composer: Antonio Vivaldi; Composer
Conductor: Fabio Biondi; Conductor

7. Bajazet, RV 703, Act 2 Scene 7: No. 15, Aria, "Sposa, son disprezzata" (Irene)

by Marijana Mijanovic, Vivica Genaux, Elina Garanca, Europa Galante, Ildebrando D'arcangelo, David Daniels, Patrizia Ciofi, Fabio Biondi

Primary Artist: Ildebrando D'arcangelo /patrizia Ciofi/david Daniels/elina Garanca/vivica Genaux/marijana Mijanovic/europa Galante/fabio Biondi
Ildebrando D'arcangelo; Main Performer
Mezzo-soprano: Vivica Genaux; Performer
Orchestra: Europa Galante; Ensemble
Composer: Antonio Vivaldi; Composer
Conductor: Fabio Biondi; Conductor
Balance Engineer: Frédéric Briant
Koichiro Hattori; Production
Executive Producer: Alain Lanceron; Production
Producer: Nicolas Bartholomée; Production

8. Bajazet, RV 703, Act 3 Scene 4: No. 21, Aria, "Spesso tra vaghe rose" (Andronico)

by Fabio Biondi

Primary Artist: Fabio Biondi; Main Performer
Mezzo-soprano: Elina Garanca; Performer
Orchestra: Europa Galante; Ensemble
Composer: Antonio Vivaldi; Composer
Poetry: Agostino Piovene; Composer
Conductor: Fabio Biondi; Conductor
Balance Engineer: Frédéric Briant
Koichiro Hattori; Production
Executive Producer: Alain Lanceron; Production
Producer: Nicolas Bartholomée; Production

9. Bajazet, RV 703, Act 2 Scene 2: No. 10, Aria, "Anch' il mar par che sommerga" (Idaspe)

by Marijana Mijanovic, Vivica Genaux, Elina Garanca, Europa Galante, Ildebrando D'arcangelo, David Daniels, Patrizia Ciofi, Fabio Biondi

Primary Artist: Ildebrando D'arcangelo /patrizia Ciofi/david Daniels/elina Garanca/vivica Genaux/marijana Mijanovic/europa Galante/fabio Biondi
Ildebrando D'arcangelo; Main Performer
Orchestra: Europa Galante; Ensemble
Soprano: Patrizia Ciofi; Performer
Composer: Antonio Vivaldi; Composer
Conductor: Fabio Biondi; Conductor
Balance Engineer: Frédéric Briant
Koichiro Hattori; Production
Executive Producer: Alain Lanceron; Production
Producer: Nicolas Bartholomée; Production

10. Ariodante, HWV 33, Act 2 Scene 3: No. 23, Aria, "Scherza infida! in grembo al drudo" (Ariodante)

by Joyce Didonato, Christophe Rousset, Les Talens Lyriques

Primary Artist: Joyce Didonato/christophe Rousset/les Talens Lyriques
Joyce Didonato; Main Performer
Boy Soprano: Joyce Didonato; Performer
Lead Vocals: Les Talens Lyriques
Christophe Rousset
Joyce Di Donato; Performer
Mezzo-soprano: Joyce Di Donato
Joyce Didonato; Performer
Orchestra: Les Talens Lyriques; Ensemble
Composer: Georg Friedrich Händel
George Frideric Handel; Composer
Conductor: Christophe Rousset; Conductor
Producer: Laurence Heym; Production
Produced & Engineered By: Laurence Heym; Other
Produced & Engineered By: Laurence Heym; Other

11. Alcina - Opera in three acts HWV34, Act II, Scene 3: Aria: Mi lusinga il dolce affetto (Ruggiero)

by Ian Watson, Simon Standage, Dorothy Linell, Della Jones, Richard Hickox, John Heley, City Of London Baroque Sinfonia

Boy Soprano: Della Jones; Performer
Composer: George Frideric Handel; Composer
Cello: John Heley; Performer
Harpsichord: Ian Watson; Performer
Lead Vocals: Richard Hickox
Ian Watson
City Of London Baroque Sinfonia
Della Jones
John Heley
Simon Standage
Dorothy Linell; Performer
Leader: Simon Standage; Performer
Lute: Dorothy Linell; Performer
Mezzo-soprano: Della Jones; Performer
Orchestra Leader: Simon Standage; Performer
Orchestra: City Of London Baroque Sinfonia; Ensemble
Lyricist: 18th-century Italian; Composer
Conductor: Richard Hickox; Conductor
Primary Artist: Della Jones/city Of London Baroque Sinfonia/simon Standage/ian Watson/john Heley/dorothy Linell/richard Hickox; Main Performer
Producer: David R. Murray; Production

12. Serse, HWV 40, Act 3: "Crude furie degl'orridi abissi" (Serse)

by Joyce Didonato

Primary Artist: Joyce Didonato; Main Performer
Mezzo-soprano: Joyce Didonato; Performer
Orchestra: Les Talens Lyriques; Ensemble
Composer: George Frideric Handel; Composer
Conductor: Christophe Rousset; Conductor
Producer: Laurence Heym; Production

13. Serse: Atto primo, Scena 1 - Accompagnato: Frondi tenere - Arioso: Ombra mai fu

by William Christie/choeurs Et Orchestre Des Arts Florissants/anne Sofie Von Otter/lawrence Zazzo/sylvia Tro Santafé/giovanni Furlanetto/elizabeth Norberg-schulz/sandrine Piau/antonio Abete

Bass: Antonio Abete; Performer
Primary Artist: William Christie/choeurs Et Orchestre Des Arts Florissants/anne Sofie Von Otter/lawrence Zazzo/sylvia Tro Santafé/giovanni Furlanetto/elizabeth Norberg-schulz/sandrine Piau/antonio Abete
William Christie; Main Performer
Bass Baritone: Giovanni Furlanetto; Performer
Boy Soprano: Anne Sofie Von Otter
Sylvia Tro Santafé
Elizabeth Norberg-schulz
Sandrine Piau; Performer
Lead Vocals: Antonio Abete
Choeurs Et Orchestre Des Arts Florissants
Giovanni Furlanetto
Elizabeth Norberg-schulz
Sandrine Piau
Anne Sofie Von Otter
William Christie; Performer
Mezzo-soprano: Anne Sofie Von Otter
Sylvia Tro Santafé; Performer
Soprano: Sandrine Piau
Elizabeth Norberg-schulz; Performer
Vocals: Lawrence Zazzo; Performer
Composer: Georg Frideric Haendel
George Frideric Handel; Composer
Conductor: William Christie; Conductor
Producer: Daniel Zalay; Production

14. La Clemenza di Tito K621

by Véronique Gens, Orchestra Of The Age Of Enlightenment, Ivor Bolton

Boy Soprano: Veronique Gens; Performer
Primary Artist: Ivor Bolton
Orchestra Of The Age Of Enlightenment
Veronique Gens; Main Performer
Lead Vocals: Véronique Gens
Ivor Bolton
Orchestra Of The Age Of Enlightenment; Performer
Soprano: Véronique Gens; Performer
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Composer: Wolfgang Amadeus Mozart; Composer
Conductor: Ivor Bolton; Conductor
Director: Ivor Bolton; Production
Producer: Alain Lanceron
Daniel Zalay; Production
Recording: Arne Akselberg; Production
Vocal Coach: Tina Ruta; Production
Produced By: Daniel Zalay; Other
Produced By: Daniel Zalay; Other

1. Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio)

by Philippe Jaroussky

Primary Artist: Philippe Jaroussky; Main Performer
Countertenor: Philippe Jaroussky; Performer
Ensemble: Ensemble Matheus; Ensemble
Composer: Antonio Vivaldi; Composer
Conductor: Jean-christophe Spinosi; Conductor

2. Admeto, rè di Tessaglia, HWV 22, Act 1 Scene 9: No. 12, Aria, "Se l'arco avessi e i strali" (Trasimede)

by René Jacobs/rachel Yakar/ulrik Cold/rita Dams/james Bowman/jill Gomez/max Van Egmond/il Complesso Barocco/alan Curtis

Primary Artist: René Jacobs/rachel Yakar/ulrik Cold/rita Dams/james Bowman/jill Gomez/max Van Egmond/il Complesso Barocco/alan Curtis
René Jacobs; Main Performer
Countertenor: James Bowman; Performer
Orchestra: Il Complesso Barocco; Ensemble
Composer: George Frideric Handel; Composer
Lyricist: George Frideric Handel; Composer
Conductor: Alan Curtis; Conductor
Balance Engineer: Johann-nikolaus Matthes; Production
Producer: Gerd Berg; Production

3. Quivi tra questi solitarii orrori / Ah, si, morro (Recitativo & Aria des Admeto, Act 2, Scene 8) from 'Admeto, re di Tessaglia'

by René Jacobs/il Complesso Barocco/alan Curtis

Countertenor: René Jacobs; Performer
Lead Vocals: Alan Curtis
Il Complesso Barocco; Performer
Ensemble: Il Complesso Barocco; Ensemble
Composer: Georg Friedrich Händel
George Frideric Handel; Composer
Librettist: Paolo Antonio Rolli
Nicola Francesco Haym; Composer
Lyricist: Aurelio Aureli
Nicola Francesco Haym
Paolo Antonio Rolli; Composer
Conductor: Alan Curtis; Conductor
Engineer: Johann-nikolaus Matthes; Production
Primary Artist: René Jacobs/il Complesso Barocco/alan Curtis
René Jacobs; Main Performer
Producer: Gerd Berg; Production
Vocals: Rene Jacobs; Performer
Vocal Ensemble: Il Complesso Barocco; Ensemble
Produced & Engineered By: Gerd Berg; Other
Produced & Engineered By: Gerd Berg; Other
Produced By: Gerd Berg; Other
Produced By: Gerd Berg; Other

4. Fernando, rè di Castiglia, HWV 30, Act 2 Scene 13: No. 21, Aria, "In mille dolci modi" (Fernando)

by Alan Curtis

Countertenor: Lawrence Zazzo; Performer
Primary Artist: Alan Curtis; Main Performer
Orchestra: Il Complesso Barocco; Ensemble
Composer: George Frideric Handel; Composer
Conductor: Alan Curtis; Conductor
Balance Engineer: Laurence Heym; Production
Executive Producer: Alain Lanceron; Production
Producer: Laurence Heym
Alain Lanceron; Production

5. La clemenza di Tito: "Se mai senti" (Sextus)

by Philippe Jaroussky, Emmanuelle Haïm, Le Concert D'astrée

Primary Artist: Le Concert D'astrée
Emmanuelle Haim
Philippe Jaroussky; Main Performer
Countertenor: Philippe Jaroussky; Performer
Lead Vocals: Emmanuelle Haim; Performer
Vocals: Le Concert D`astrée; Performer
Orchestra: Le Concert D`astrée; Ensemble
Composer: Johann Adolf Hasse; Composer
Conductor: Emmanuelle Haïm; Conductor
Producer: Daniel Zalay; Production

6. Faramondo - Atto terzo - Scena 4 - Recitativo: Ritorna pur, ritorna - Scena 5 - Aria: Voglio che sia l'indegno

by Max Emanuel Cencic/sophie Karthäuser/marina De Liso/in-sung Sim/philippe Jaroussky/xavier Sabata/fulvio Bettini/terry Wey/coro Della Radio Svizzera/i Barocchisti/diego Fasolis

Bass: In-sung Sim; Performer
Composer: Georg Frideric Haendel
George Frideric Handel; Composer
Bass Baritone: Fulvio Bettini; Performer
Boy Soprano: Sophie Karthäuser
Marina De Liso; Performer
Countertenor: Max Emmanuel Cencic; Performer
Choir/chorus: Coro Della Radio Svizzera; Ensemble
Ensemble: I Barocchisti; Ensemble
Conductor: Diego Fasolis; Conductor
Lead Vocals: I Barocchisti
Coro Della Radio Svizzera
Marina De Liso
Diego Fasolis
In-sung Sim
Fulvio Bettini
Max Emmanuel Cencic
Sophie Karthäuser; Performer
Produced & Engineered By: Ulrich Ruscher; Other
Produced By: Ulrich Ruscher; Other
Mezzo-soprano: Marina De Liso; Performer
Soprano: Sophie Karthäuser; Performer
Vocals: Terry Wey
Xavier Sabata
Max Emanuel Cencic
Philippe Jaroussky; Performer
Produced & Engineered By: Ulrich Ruscher; Other
Produced By: Ulrich Ruscher; Other
Primary Artist: Max Emanuel Cencic/sophie Karthäuser/marina De Liso/in-sung Sim/philippe Jaroussky/xavier Sabata/fulvio Bettini/terry Wey/coro Della Radio Svizzera/i Barocchisti/diego Fasolis
Max Emanuel Cenčić; Main Performer
Producer: Ulrich Ruscher; Production

7. Serse - Acte I - Récit : Frondi tenere e belle - Aria : Ombra mai fu

by Gérard Lesne - Il Seminario Musicale

Primary Artist: Il Seminario Musicale
Gérard Lesne, Il Seminario Musicale; Main Performer
Countertenor: Gérard Lesne; Performer
Ensemble: Il Seminario Musicale; Ensemble
Composer: Georg Frideric Haendel
George Frideric Handel; Composer

8. Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo)

by David Daniels

Primary Artist: David Daniels; Main Performer
Vocals: David Daniels; Performer
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Composer: Christoph Willibald Gluck; Composer
Conductor: Harry Bicket; Conductor

9. Aria: Venga pur (Mitridate, re di Ponto)

by David Daniels, Orchestra Of The Age Of Enlightenment, Harry Bicket

Countertenor: David Daniels; Performer
Primary Artist: Harry Bicket
Orchestra Of The Age Of Enlightenment
David Daniels; Main Performer
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Composer: Wolfgang Amadeus Mozart; Composer
Conductor: Harry Bicket; Conductor
Balance Engineer: Arne Akselberg; Production
Executive Producer: Alain Lanceron; Production
Producer: John Fraser; Production

10. Ebben si vada .... lo ti lascio, T. 250/2: "lo ti lascio"

by Philippe Jaroussky

Primary Artist: Philippe Jaroussky; Main Performer
Countertenor: Philippe Jaroussky; Performer
Orchestra: Le Cercle De L'harmonie; Ensemble
Composer: Johann Christian Bach; Composer
Conductor: Jérémie Rhorer; Conductor

11. Aureliano in Palmira, Act 2 Scene 6: No. 14, Recitativo e Cavatina, "Dolci silvestri orrori … Perché mai le luci aprimmo" (Arsace)

by Max Emanuel Cencic/orchestre De Chambre De Lausanne/michael Hofstetter

Primary Artist: Max Emanuel Cencic/orchestre De Chambre De Lausanne/michael Hofstetter
Max Emanuel Cenčić; Main Performer
Countertenor: Max Emanuel Cencic; Performer
Orchestra: Orchestre De Chambre De Genève; Ensemble
Composer: Gioachino Rossini; Composer
Conductor: Michael Hofstetter; Conductor
Balance Engineer: Jakob Händel; Production
Producer: Dr. Christiane Lehnigk
Wolfgang D. Stengel; Production

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Notification

La Voix Des Anges

Volume 1

Volume 2

Volume 1

1. L'Orfeo, favola in musica, SV 318, Prologue: "Hor mentre i canti alterno" (La Musica)

2. La Resurrezione, HWV 47, Pt. 1: No. 10, Duetto, "Dolci, chiodi, amate spine" (Maddalena, Cleofe)

3. La Resurrezione, HWV 47, Pt. 1: No. 14, Aria, "Ho un non so che nel cor" (Maddalena)

4. Giulio Cesare in Egitto, HWV 17, Act 3 Scene 4: No. 26, Recitativo accompagnato ed Aria, "Dall'ondoso periglio … Aure, deh, per pieta" (Giulio Cesare)

5. La Passione di Gesù Cristo Signor Nostro (La Passion de Jésus-Christ Notre Seigneur): Aria: Giacché mi tremi in seno (Pietro)

6. La fida ninfa, RV 714, Act 2: "Destin nemico .... Destin avaro" (Morasto)

7. Bajazet, RV 703, Act 2 Scene 7: No. 15, Aria, "Sposa, son disprezzata" (Irene)

8. Bajazet, RV 703, Act 3 Scene 4: No. 21, Aria, "Spesso tra vaghe rose" (Andronico)

9. Bajazet, RV 703, Act 2 Scene 2: No. 10, Aria, "Anch' il mar par che sommerga" (Idaspe)

10. Ariodante, HWV 33, Act 2 Scene 3: No. 23, Aria, "Scherza infida! in grembo al drudo" (Ariodante)

11. Alcina - Opera in three acts HWV34, Act II, Scene 3: Aria: Mi lusinga il dolce affetto (Ruggiero)

12. Serse, HWV 40, Act 3: "Crude furie degl'orridi abissi" (Serse)

13. Serse: Atto primo, Scena 1 - Accompagnato: Frondi tenere - Arioso: Ombra mai fu

14. La Clemenza di Tito K621

Volume 2

1. Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio)

2. Admeto, rè di Tessaglia, HWV 22, Act 1 Scene 9: No. 12, Aria, "Se l'arco avessi e i strali" (Trasimede)

3. Quivi tra questi solitarii orrori / Ah, si, morro (Recitativo & Aria des Admeto, Act 2, Scene 8) from 'Admeto, re di Tessaglia'

4. Fernando, rè di Castiglia, HWV 30, Act 2 Scene 13: No. 21, Aria, "In mille dolci modi" (Fernando)

5. La clemenza di Tito: "Se mai senti" (Sextus)

6. Faramondo - Atto terzo - Scena 4 - Recitativo: Ritorna pur, ritorna - Scena 5 - Aria: Voglio che sia l'indegno

7. Serse - Acte I - Récit : Frondi tenere e belle - Aria : Ombra mai fu

8. Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo)

9. Aria: Venga pur (Mitridate, re di Ponto)

10. Ebben si vada .... lo ti lascio, T. 250/2: "lo ti lascio"

11. Aureliano in Palmira, Act 2 Scene 6: No. 14, Recitativo e Cavatina, "Dolci silvestri orrori … Perché mai le luci aprimmo" (Arsace)

Technical Specifications

La Voix Des Anges

Product information

Release options

Volume 1

Volume 2

Volume 1

1. L'Orfeo, favola in musica, SV 318, Prologue: "Hor mentre i canti alterno" (La Musica)

2. La Resurrezione, HWV 47, Pt. 1: No. 10, Duetto, "Dolci, chiodi, amate spine" (Maddalena, Cleofe)

3. La Resurrezione, HWV 47, Pt. 1: No. 14, Aria, "Ho un non so che nel cor" (Maddalena)

4. Giulio Cesare in Egitto, HWV 17, Act 3 Scene 4: No. 26, Recitativo accompagnato ed Aria, "Dall'ondoso periglio … Aure, deh, per pieta" (Giulio Cesare)

5. La Passione di Gesù Cristo Signor Nostro (La Passion de Jésus-Christ Notre Seigneur): Aria: Giacché mi tremi in seno (Pietro)

6. La fida ninfa, RV 714, Act 2: "Destin nemico .... Destin avaro" (Morasto)

7. Bajazet, RV 703, Act 2 Scene 7: No. 15, Aria, "Sposa, son disprezzata" (Irene)

8. Bajazet, RV 703, Act 3 Scene 4: No. 21, Aria, "Spesso tra vaghe rose" (Andronico)

9. Bajazet, RV 703, Act 2 Scene 2: No. 10, Aria, "Anch' il mar par che sommerga" (Idaspe)

10. Ariodante, HWV 33, Act 2 Scene 3: No. 23, Aria, "Scherza infida! in grembo al drudo" (Ariodante)

11. Alcina - Opera in three acts HWV34, Act II, Scene 3: Aria: Mi lusinga il dolce affetto (Ruggiero)

12. Serse, HWV 40, Act 3: "Crude furie degl'orridi abissi" (Serse)

13. Serse: Atto primo, Scena 1 - Accompagnato: Frondi tenere - Arioso: Ombra mai fu

14. La Clemenza di Tito K621

Volume 2

1. Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio)

2. Admeto, rè di Tessaglia, HWV 22, Act 1 Scene 9: No. 12, Aria, "Se l'arco avessi e i strali" (Trasimede)

3. Quivi tra questi solitarii orrori / Ah, si, morro (Recitativo & Aria des Admeto, Act 2, Scene 8) from 'Admeto, re di Tessaglia'

4. Fernando, rè di Castiglia, HWV 30, Act 2 Scene 13: No. 21, Aria, "In mille dolci modi" (Fernando)

5. La clemenza di Tito: "Se mai senti" (Sextus)

6. Faramondo - Atto terzo - Scena 4 - Recitativo: Ritorna pur, ritorna - Scena 5 - Aria: Voglio che sia l'indegno

7. Serse - Acte I - Récit : Frondi tenere e belle - Aria : Ombra mai fu

8. Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo)

9. Aria: Venga pur (Mitridate, re di Ponto)

10. Ebben si vada .... lo ti lascio, T. 250/2: "lo ti lascio"

11. Aureliano in Palmira, Act 2 Scene 6: No. 14, Recitativo e Cavatina, "Dolci silvestri orrori … Perché mai le luci aprimmo" (Arsace)

Technical Specifications