Name: Les Voix Du Ciel (Angel Voices) by Various Artists
Brand: Various Artists
SKU: 724356207257
Price: 9.9 USD
Availability: OnlineOnly
Rating: 3 (252 reviews)

1. Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere

by Orchestra Of The Age Of Enlightenment

Primary Artist: David Daniels
Orchestra Of The Age Of Enlightenment
Sir Roger Norrington; Main Performer
Lead Vocals: Orchestra Of The Age Of Enlightenment
Roger Norrington; Performer
Vocals: David Daniels; Performer
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Composer: George Frideric Handel; Composer
Composer: George Frideric Handel; Composer
Conductor: Sir Roger Norrington
Roger Norrington; Conductor
Conductor: Roger Norrington
Sir Roger Norrington; Conductor
Producer: John Fraser; Production
Produced By: John Fraser; Other

2. Serse, HWV 40, Act 1: "Ombra mai fu" (Serse)

by Orchestra Of The Age Of Enlightenment

Primary Artist: David Daniels
Orchestra Of The Age Of Enlightenment
Sir Roger Norrington; Main Performer
Countertenor: David Daniels; Performer
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Composer: George Frideric Handel; Composer
Composer: George Frideric Handel; Composer
Conductor: Sir Roger Norrington; Conductor
Conductor: Sir Roger Norrington; Conductor

3. Tamerlano: A dispetto d'un volto ingrato

by Orchestra Of The Age Of Enlightenment

Primary Artist: David Daniels
Orchestra Of The Age Of Enlightenment
Sir Roger Norrington; Main Performer
Lead Vocals: Orchestra Of The Age Of Enlightenment
Roger Norrington; Performer
Vocals: David Daniels; Performer
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Composer: George Frideric Handel; Composer
Composer: George Frideric Handel; Composer
Conductor: Sir Roger Norrington
Roger Norrington; Conductor
Conductor: Roger Norrington
Sir Roger Norrington; Conductor
Audio Engineer: Arne Akselberg; Production
Editor: Simon Kiln; Production
Executive Producer: Alain Lanceron; Production
Producer: John Fraser; Production

4. Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice)

by David Daniels

Primary Artist: David Daniels; Main Performer
Vocals: David Daniels; Performer
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Composer: Christoph Willibald Gluck; Composer
Composer: Christoph Willibald Gluck; Composer
Conductor: Harry Bicket; Conductor
Conductor: Harry Bicket; Conductor

5. Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo)

by David Daniels

Primary Artist: David Daniels; Main Performer
Vocals: David Daniels; Performer
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Composer: Christoph Willibald Gluck; Composer
Composer: Christoph Willibald Gluck; Composer
Conductor: Harry Bicket; Conductor
Conductor: Harry Bicket; Conductor

6. Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a

by Derek Lee Ragin

Primary Artist: Stephen Stubbs/derek Lee Ragin
Derek Lee Ragin
Stephen Stubbs; Main Performer
Countertenor: Derek Lee Ragin; Performer
Ensemble: Teatro Lirico; Ensemble
Orchestra: Teatro Lirico; Ensemble
Orchestra: Teatro Lirico; Ensemble
Composer: Antonio Vivaldi; Composer
Composer: Antonio Vivaldi; Composer
Conductor: Stephen Stubbs; Conductor
Conductor: Stephen Stubbs; Conductor
Balance Engineer: Hartwig Paulsen; Production
Producer: Gerd Berg
Michael Stille; Production
Recording Producer: Gerd Berg
Michael Stille; Production

7. Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus)

by Julia Gooding/james Bowman/christopher Robson/david Wilson-johnson/choir Of The Age Of Enlightenment/orchestra Of The Age Of Enlightenment/gustav Leon

Featured Artist: Choir Of The Age Of Enlightenment
James Bowman; Main Performer
Primary Artist: Julia Gooding/james Bowman/christopher Robson/david Wilson-johnson/choir Of The Age Of Enlightenment/orchestra Of The Age Of Enlightenment/gustav Leonhardt; Main Performer
Countertenor: James Bowman; Performer
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Composer: Henry Purcell; Composer
Composer: Henry Purcell; Composer
Conductor: Gustav Leonhardt; Conductor
Conductor: Gustav Leonhardt; Conductor
Balance Engineer: Mike Clements; Production
Executive Producer: Edward Kershaw; Production
Producer: Nicholas Parker
Edward Kershaw; Production
Vocal & Instrumental Ensemble: Choir And Orchestra Of The Age Of Enlightement; Other

8. Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor)

by James Bowman

Featured Artist: Christopher Robson; Main Performer
Primary Artist: James Bowman; Main Performer
Countertenor: James Bowman
Christopher Robson; Performer
Orchestra: Orchestra Of The Age Of Enlightement
Orchestra Of The Age Of Enlightenment; Ensemble
Orchestra: Orchestra Of The Age Of Enlightement; Ensemble
Composer: Henry Purcell; Composer
Composer: Henry Purcell; Composer
Conductor: Gustav Leonhardt; Conductor
Conductor: Gustav Leonhardt; Conductor
Balance Engineer: Mike Clements; Production
Executive Producer: Edward Kershaw; Production
Producer: Nicholas Parker
Edward Kershaw; Production

9. Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor)

by Julia Gooding/james Bowman/christopher Robson/david Wilson-johnson/choir Of The Age Of Enlightenment/orchestra Of The Age Of Enlightenment/gustav Leon

Featured Artist: James Bowman; Main Performer
Primary Artist: Julia Gooding/james Bowman/christopher Robson/david Wilson-johnson/choir Of The Age Of Enlightenment/orchestra Of The Age Of Enlightenment/gustav Leonhardt; Main Performer
Countertenor: James Bowman; Performer
Ensemble: Orchestra Of The Age Of Enlightement; Ensemble
Orchestra: Orchestra Of The Age Of Enlightenment; Ensemble
Orchestra: Orchestra Of The Age Of Enlightement; Ensemble
Composer: Henry Purcell; Composer
Composer: Henry Purcell; Composer
Conductor: Gustav Leonhardt; Conductor
Conductor: Gustav Leonhardt; Conductor
Balance Engineer: Mike Clements; Production
Executive Producer: Edward Kershaw; Production
Producer: Nicholas Parker
Edward Kershaw; Production

10. Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692

by Elisabeth Joyé

Featured Artist: Elisabeth Joyé; Main Performer
Primary Artist: Gérard Lesne/steve Dugardin/la Canzona
Gérard Lesne
La Canzona
Steve Dugardin; Main Performer
Alto: Gerard Lesne; Performer
Audio Engineer: Nicolas Bartholomée; Production
Countertenor: Gerard Lesne; Performer
Producer: Alain Lanceron
Michel Bernard; Production
Author: Charles Sedley; Production
Lead Vocals: La Canzona; Performer
Musician: Philippe Pierlot
Sébastien Marq
Vincent Dumestre
Pierre Hamon
Elisabeth Joyé; Performer
Viol: Philippe Pierlot; Performer
Vocals: Gerard Lesne
Steve Dugardin; Performer
Composer: Henry Purcell; Composer
Lute: Vincent Dumestre; Performer
Organ: Elisabeth Joyé; Performer
Recorder: Sébastien Marq
Pierre Hamon; Performer
Lyricist: Charles Sedley; Composer
Composer: Henry Purcell; Composer
Assistant Engineer: Frédéric Briant (musica Numeris); Production
Editor: Hugues Deschaux; Production

11. In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328

by Greg Hamon

Featured Artist: La Canzona; Main Performer
Primary Artist: Gérard Lesne/steve Dugardin/pierre Hamon/sébastien Marq
Gérard Lesne
Pierre Hamon
Steve Dugardin
Sébastien Marq; Main Performer
Alto: Gerard Lesne; Performer
Lead Vocals: Greg Hamon; Performer
Lute: Vincent Dumestre; Performer
Recorder: Greg Hamon
Sébastien Marq
Pierre Hamon; Performer
Composer: Henry Purcell; Composer
Countertenor: Gerard Lesne; Performer
Musician: Philippe Pierlot
Vincent Dumestre; Performer
Viol: Philippe Pierlot; Performer
Vocals: Gerard Lesne
Steve Dugardin
Sébastien Marq; Performer
Composer: Henry Purcell; Composer
Assistant Engineer: Frédéric Briant (musica Numeris); Production
Audio Engineer: Nicolas Bartholomée; Production
Editor: Hugues Deschaux; Production
Producer: Alain Lanceron
Michel Bernard; Production
Recording: Greg Hamon; Production

12. Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!"

by Gérard Lesne

Primary Artist: Gérard Lesne
Il Seminario Musicale; Main Performer
Lead Vocals: Gerard Lesne; Performer
Ensemble: Il Seminario Musicale; Ensemble
Orchestra: Il Seminario Musicale; Ensemble
Composer: Du Buisson; Composer
Composer: Du Buisson; Composer
Producer: Michel Bernard; Production

13. If women could be fair

by Michael Chance/christopher Wilson

Primary Artist: Michael Chance/christopher Wilson; Main Performer
Lead Vocals: Christopher Wilson; Performer
Lute: Christopher Wilson; Performer
Musician: William Hunt
Richard Boothby
Richard Campbell
Christopher Wilson
Wendy Gillespie
Julia Hodgson; Performer
Viol: William Hunt
Richard Boothby
Richard Campbell
Wendy Gillespie
Julia Hodgson; Performer
Vocals: Michael Chance; Performer
Ensemble: Fretwork; Ensemble
Orchestra: Fretwork; Ensemble
Composer: William Byrd; Composer
Composer: William Byrd; Composer
Producer: Nicholas Parker; Production

14. Julius Caesar: Deep within my bosom burning

by Charles Mackerras

Primary Artist: Sir Charles Mackerras; Main Performer
Vocals: Sir Charles Mackerras; Performer
Composer: George Frideric Handel; Composer
Composer: George Frideric Handel; Composer
Conductor: Sir Charles Mackerras; Conductor
Conductor: Sir Charles Mackerras; Conductor

15. Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto)

by René Jacobs/rachel Yakar/ulrik Cold/rita Dams/james Bowman/jill Gomez/max Van Egmond/il Complesso Barocco/alan Curtis

Primary Artist: René Jacobs/rachel Yakar/ulrik Cold/rita Dams/james Bowman/jill Gomez/max Van Egmond/il Complesso Barocco/alan Curtis
René Jacobs; Main Performer
Countertenor: René Jacobs; Performer
Orchestra: Il Complesso Barocco; Ensemble
Orchestra: Il Complesso Barocco; Ensemble
Composer: George Frideric Handel; Composer
Lyricist: George Frideric Handel; Composer
Conductor: Alan Curtis; Conductor
Conductor: Alan Curtis; Conductor
Balance Engineer: Johann-nikolaus Matthes; Production
Producer: Gerd Berg; Production
Author: George Frideric Handel; Production

16. The Choice of Hercules: Yet I can hear that dulcet lay

by Sir Philip Ledger

Featured Artist: Philip Ledger
Academy Of St. Martin In The Fields; Main Performer
Primary Artist: James Bowman/sir Philip Ledger/academy Of St Martin-in-the-fields
James Bowman; Main Performer
Vocals: James Bowman; Performer
Orchestra: Academy Of St. Martin-in-the-fields; Ensemble
Orchestra: Academy Of St. Martin In The Fields; Ensemble
Composer: George Frideric Handel; Composer
Composer: George Frideric Handel; Composer
Conductor: Philip Ledger
Sir Philip Ledger; Conductor
Conductor: Sir Philip Ledger
Philip Ledger; Conductor

17. Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido)

by Sophie Daneman

Primary Artist: Sophie Daneman/daniel Taylor/adrian Thompson/catherine Robbin/robin Blaze/christopher Purves/raglan Baroque Players/nicholas Kraemer; Main Performer
Conductor: Nicholas Kraemer; Conductor
Baritone: Christopher Purves; Performer
Bass: Judith Evans; Performer
Bass Baritone: Christopher Purves; Performer
Bassoon: Philip Turbett
Alistair Mitchell; Performer
Boy Soprano: Sophie Daneman
Catherine Robbin; Performer
Cello: Helen Gough
Richard Tunnicliffe
Timothy Kraemer; Performer
Flute: Rachel Beckett; Performer
Harpsichord: Paul Nicholson
Nicholas Kraemer; Performer
Orchestra: Raglan Baroque Players; Ensemble
Horn: Andrew Clark
Susan Dent; Performer
Concert Master: Alison Bury; Production
Keyboard: Maurice B. Cochrane; Performer
Lead Vocals: Christopher Purves
Nicholas Kraemer
Sophie Daneman
Catherine Robbin
Raglan Baroque Players; Performer
Lute: Kasia Elsner; Performer
Mezzo-soprano: Catherine Robbin; Performer
Musician: Andrew Clark
Helen Gough
Fenella Barton
Paul Nicholson
Annette Isserlis
Nicholas Kraemer
Susan Dent
Gail Hennessy
Anthony Robson
Richard Tunnicliffe
Rachel Beckett
Leon King
Susan Carpenter-jacobs
Clare Salaman
Philip Turbett
Timothy Kraemer
Marion Scott
Rachel Isserlis
Sarah Bealby-wright
Ellen O'dell
Marc Cooper
Rosemary Nalden
Judith Evans
Alistair Mitchell
Kasia Elsner; Performer
Oboe: Gail Hennessy
Anthony Robson; Performer
Recorder: Gail Hennessy
Marion Scott; Performer
Soprano: Sophie Daneman; Performer
Viola: Annette Isserlis
Leon King
Rosemary Nalden; Performer
Violin: Fenella Barton
Susan Carpenter-jacobs
Clare Salaman
Rachel Isserlis
Sarah Bealby-wright
Ellen O'dell
Marc Cooper; Performer
Vocals: Robin Blaze
Adrian Thompson
Daniel Taylor
Dominic Kraemer; Performer
Composer: George Frideric Handel; Composer
Orchestra: Raglan Baroque Players; Ensemble
Audio Engineer: Mike Clements; Production
Ensemble: Raglan Baroque Players; Ensemble
Librettist: Antonio Salvi; Composer
Assistant Engineer: Gareth Bowsher; Production
Director: Marco Canepa; Production
Executive Producer: Ron Gonsalves; Production
Producer: Stephen Johns; Production
Lyricist: Antonio Salvi; Composer
Composer: George Frideric Handel; Composer
Conductor: Nicholas Kraemer; Conductor

18. Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido)

by Sophie Daneman

Primary Artist: Sophie Daneman/daniel Taylor/adrian Thompson/catherine Robbin/robin Blaze/christopher Purves/raglan Baroque Players/nicholas Kraemer; Main Performer
Conductor: Nicholas Kraemer; Conductor
Baritone: Christopher Purves; Performer
Bass: Judith Evans; Performer
Bass Baritone: Christopher Purves; Performer
Bassoon: Philip Turbett
Alistair Mitchell; Performer
Boy Soprano: Sophie Daneman
Catherine Robbin; Performer
Cello: Helen Gough
Richard Tunnicliffe
Timothy Kraemer; Performer
Flute: Rachel Beckett; Performer
Harpsichord: Paul Nicholson
Nicholas Kraemer; Performer
Orchestra: Raglan Baroque Players; Ensemble
Horn: Andrew Clark
Susan Dent; Performer
Concert Master: Alison Bury; Production
Keyboard: Maurice B. Cochrane; Performer
Lead Vocals: Christopher Purves
Nicholas Kraemer
Sophie Daneman
Catherine Robbin
Raglan Baroque Players; Performer
Lute: Kasia Elsner; Performer
Mezzo-soprano: Catherine Robbin; Performer
Musician: Andrew Clark
Helen Gough
Fenella Barton
Paul Nicholson
Annette Isserlis
Nicholas Kraemer
Susan Dent
Gail Hennessy
Anthony Robson
Richard Tunnicliffe
Rachel Beckett
Leon King
Susan Carpenter-jacobs
Clare Salaman
Philip Turbett
Timothy Kraemer
Marion Scott
Rachel Isserlis
Sarah Bealby-wright
Ellen O'dell
Marc Cooper
Rosemary Nalden
Judith Evans
Alistair Mitchell
Kasia Elsner; Performer
Oboe: Gail Hennessy
Anthony Robson; Performer
Recorder: Gail Hennessy
Marion Scott; Performer
Soprano: Sophie Daneman; Performer
Viola: Annette Isserlis
Leon King
Rosemary Nalden; Performer
Violin: Fenella Barton
Susan Carpenter-jacobs
Clare Salaman
Rachel Isserlis
Sarah Bealby-wright
Ellen O'dell
Marc Cooper; Performer
Vocals: Robin Blaze
Adrian Thompson
Daniel Taylor
Dominic Kraemer; Performer
Composer: George Frideric Handel; Composer
Orchestra: Raglan Baroque Players; Ensemble
Audio Engineer: Mike Clements; Production
Ensemble: Raglan Baroque Players; Ensemble
Librettist: Antonio Salvi; Composer
Assistant Engineer: Gareth Bowsher; Production
Director: Marco Canepa; Production
Executive Producer: Ron Gonsalves; Production
Producer: Stephen Johns; Production
Lyricist: Antonio Salvi; Composer
Composer: George Frideric Handel; Composer
Conductor: Nicholas Kraemer; Conductor

19. Arminio, ACT II: Con quel sangue dipinta vedrai

by Vivica Genaux/geraldine Mcgreevy/dominique Labelle/manuela Custer/luigi Petroni/sytse Buwalda/riccardo Ristori/il Complesso Barocco/alan Curtis

Primary Artist: Vivica Genaux/geraldine Mcgreevy/dominique Labelle/manuela Custer/luigi Petroni/sytse Buwalda/riccardo Ristori/il Complesso Barocco/alan Curtis
Vivica Genaux; Main Performer
Conductor: Alan Curtis; Conductor
Orchestra: Il Complesso Barocco; Ensemble
Composer: George Frideric Handel; Composer
Composer: George Frideric Handel; Composer
Bass: Riccardo Ristori
Riccardo Ristori (bass); Performer
Boy Soprano: Vivica Genaux
Manuela Custer
Geraldine Mcgreevy
Dominique Labelle; Performer
Lead Vocals: Vivica Genaux
Labelle
Alan Curtis
Manuela Custer
Il Complesso Barocco
Geraldine Mcgreevy
Dominique Labelle
Riccardo Ristori; Performer
Mezzo-soprano: Vivica Genaux
Manuela Custer; Performer
Soprano: Labelle
Geraldine Mcgreevy
Dominique Labelle; Performer
Tenor: Luigi Petroni
Sytse Buwalda; Performer
Ensemble: Il Complesso Barocco; Ensemble
Orchestra: Il Complesso Barocco; Ensemble
Conductor: Alan Curtis; Conductor
Audio Engineer: Valter B. Neri; Production
Coordinator: Guido Burchi; Production
Director: Alan Curtis; Production
Producer: Wolfgang Stengel; Production
Produced By: Wolfgang Stengel; Other

20. The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice

by Terence Weil

Featured Artist: Terence Weil
Basil Lam; Main Performer
Primary Artist: Alfred Deller/string Orchestra/terence Weil/basil Lam; Main Performer
Cello: Terence Weil; Performer
Harpsichord: Basil Lam; Performer
Vocals: Alfred Deller; Performer
Composer: Henry Purcell; Composer
Composer: Henry Purcell; Composer
Producer: Olive Bromhall; Production

1. St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt)

by Philippe Herreweghe

Featured Artist: Philippe Herreweghe; Main Performer
Primary Artist: Philippe Herreweghe/andreas Scholl; Main Performer
Vocals: Andreas Scholl; Performer
Composer: Johann Sebastian Bach; Composer
Composer: Johann Sebastian Bach; Composer
Conductor: Philippe Herreweghe; Conductor
Conductor: Philippe Herreweghe; Conductor

2. Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto)

by Gérard Lesne

Primary Artist: Véronique Gens
Gérard Lesne
Il Seminario Musicale; Main Performer
Countertenor: Gerard Lesne; Performer
Ensemble: Il Seminario Musicale; Ensemble
Orchestra: Il Seminario Musicale; Ensemble
Composer: Giovanni Battista Pergolesi; Composer
Composer: Giovanni Battista Pergolesi; Composer

3. Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto)

by Ghent

Featured Artist: Collegium Vocale Gent; Main Performer
Primary Artist: Charles Brett
Orchestra Of Collegium Vocale
Ghent
Philippe Herreweghe; Main Performer
Bass: Peter Kooy; Performer
Boy Soprano: Barbara Schlick
Catherine Patriasz; Performer
Lead Vocals: Philippe Herreweghe
Orchestra Of Collegium Vocale; Performer
Performer: Orchestra Of Collegium Vocale; Performer
Soprano: Barbara Schlick
Catherine Patriasz; Performer
Vocals: Howard Crook
Charles Brett; Performer
Choir/chorus: Chorus Of Collegium Vocale; Ensemble
Composer: Johann Sebastian Bach; Composer
Composer: Johann Sebastian Bach; Composer
Conductor: Philippe Herreweghe; Conductor
Conductor: Philippe Herreweghe; Conductor
Producer: Pere Casulleras; Production
Ghent: Chorus Of Collegium Vocale
Orchestra Of Collegium Vocale; Other
Performed By: Orchestra Of Collegium Vocale; Other
Produced By: Pere Casulleras; Other

4. Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto)

by Ghent

Primary Artist: Charles Brett
Orchestra Of Collegium Vocale
Ghent
Philippe Herreweghe; Main Performer
Countertenor: Charles Brett; Performer
Choir/chorus: Collegium Vocale; Ensemble
Orchestra: Orchestra Of Collegium Vocale
Orchestra Of Collegium Vocale, Ghent; Ensemble
Orchestra: Orchestra Of Collegium Vocale, Ghent; Ensemble
Composer: Johann Sebastian Bach; Composer
Composer: Johann Sebastian Bach; Composer
Conductor: Philippe Herreweghe; Conductor
Conductor: Philippe Herreweghe; Conductor
Producer: Pere Casulleras; Production
Ghent: Orchestra Of Collegium Vocale
Collegium Vocale; Other

5. Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto)

by Michael Chance

Primary Artist: Philippe Herreweghe; Main Performer
Countertenor: Michael Chance; Performer
Orchestra: Orchestra Of Collegium Vocale
Orchestra Of Collegium Vocale, Ghent; Ensemble
Orchestra: Orchestra Of Collegium Vocale, Ghent; Ensemble
Composer: Johann Sebastian Bach; Composer
Composer: Johann Sebastian Bach; Composer
Conductor: Philippe Herreweghe; Conductor
Conductor: Philippe Herreweghe; Conductor
Balance Engineer: Heinz Wildhagen; Production
Producer: Heinz Wildhagen; Production
Ghent: Orchestra Of Collegium Vocale; Other

6. Magnificat in D Major, BWV 243: IX. Esurientes implevit bonis

by Greta De Reyghere/rené Jacobs/christoph Prégardien/peter Lika/nederlands Kamerkoor/la Petite Bande/sigiswald Kuijken

Featured Artist: La Petite Bande; Main Performer
Primary Artist: Greta De Reyghere/rené Jacobs/christoph Prégardien/peter Lika/nederlands Kamerkoor/la Petite Bande/sigiswald Kuijken; Main Performer
Countertenor: René Jacobs; Performer
Ensemble: La Petite Bande; Ensemble
Orchestra: La Petite Bande; Ensemble
Composer: Johann Sebastian Bach; Composer
Composer: Johann Sebastian Bach; Composer
Conductor: Sigiswald Kuijken; Conductor
Conductor: Sigiswald Kuijken; Conductor
Producer: Simon Foster
Heinz Wildhagen; Production

7. Cantata, Vergnügte Ruh, beliebte Seelenlust, BWV 170: "Mir ekelt mehr zu leben"

by René Jacobs/linde Consort/hans-martin Linde

Primary Artist: René Jacobs/linde Consort/hans-martin Linde
René Jacobs; Main Performer
Countertenor: René Jacobs; Performer
Ensemble: Linde Consort; Ensemble
Orchestra: Linde Consort; Ensemble
Composer: Johann Sebastian Bach; Composer
Composer: Johann Sebastian Bach; Composer
Conductor: Hans-martin Linde; Conductor
Conductor: Hans-martin Linde; Conductor
Engineer: Johann-nikolaus Matthes; Production
Producer: Gerd Berg; Production

8. Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott

by René Jacobs

Featured Artist: Linde Consort
Hans-martin Linde; Main Performer
Primary Artist: René Jacobs/linde Consort/hans-martin Linde
René Jacobs; Main Performer
Countertenor: René Jacobs; Performer
Vocals: René Jacobs; Performer
Ensemble: Linde Consort; Ensemble
Orchestra: Linde Consort; Ensemble
Composer: Johann Sebastian Bach; Composer
Composer: Johann Sebastian Bach; Composer
Conductor: Hans-martin Linde; Conductor
Director: Hans-martin Linde; Production
Producer: Gerd Berg; Production

9. Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David)

by Philip Ledger

Primary Artist: Sir Philip Ledger
Philip Ledger; Main Performer
Countertenor: Paul Esswood; Performer
Orchestra: English Chamber Orchestra; Ensemble
Orchestra: English Chamber Orchestra; Ensemble
Composer: George Frideric Handel; Composer
Composer: George Frideric Handel; Composer
Conductor: Sir Philip Ledger
Philip Ledger; Conductor
Conductor: Sir Philip Ledger; Conductor
Producer: John Willan; Production

10. Saul: Your works, oh king

by Philip Ledger

Primary Artist: Paul Esswood/english Chamber Orchestra/sir Philip Ledger; Main Performer
Vocals: English Chamber Orchestra
Philip Ledger
Paul Esswood; Performer
Orchestra: English Chamber Orchestra; Ensemble
Orchestra: English Chamber Orchestra; Ensemble
Composer: George Frideric Handel; Composer
Composer: George Frideric Handel; Composer
Conductor: Philip Ledger
Sir Philip Ledger; Conductor
Conductor: Philip Ledger
Sir Philip Ledger; Conductor
Producer: John Willan
John Willlan; Production

11. Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto)

by Timothy Wilson/taverner Players/andrew Parrott

Primary Artist: Timothy Wilson/taverner Players/andrew Parrott; Main Performer
Countertenor: Timothy Wilson; Performer
Orchestra: Taverner Players; Ensemble
Orchestra: Taverner Players; Ensemble
Composer: George Frideric Handel; Composer
Composer: George Frideric Handel; Composer
Conductor: Andrew Parrott; Conductor
Conductor: Andrew Parrott; Conductor
Balance Engineer: Mike Hatch; Production
Producer: Simon Woods; Production

12. He was despised (alto) from Messiah HWV56

by Philharmonia Orchestra

Featured Artist: Philharmonia Orchestra
George Weldon; Main Performer
Primary Artist: Alfred Deller/philharmonia Orchestra/george Weldon; Main Performer
Vocals: Alfred Deller; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Orchestra: Philharmonia Orchestra; Ensemble
Composer: George Frideric Handel; Composer
Composer: George Frideric Handel; Composer
Conductor: George Weldon; Conductor
Conductor: George Weldon; Conductor

13. Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele)

by Philippe Jaroussky

Primary Artist: Gérard Lesne
Il Seminario Musicale
Mark Padmore
Peter Harvey
Philippe Jaroussky
Virginie Pochon; Main Performer
Countertenor: Philippe Jaroussky; Performer
Ensemble: Il Seminario Musicale; Ensemble
Orchestra: Il Seminario Musicale; Ensemble
Composer: Alessandro Scarlatti; Composer
Composer: Alessandro Scarlatti; Composer
Conductor: Gerard Lesne; Conductor
Conductor: Gérard Lesne; Conductor
Executive Producer: Alain Lanceron; Production
Producer: Etiénne Collard; Production

14. I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti

by Gérard Lesne

Primary Artist: Gérard Lesne/il Seminario Musicale/michael Chance
Gérard Lesne
Il Seminario Musicale
Michael Chance; Main Performer
Alto: Gerard Lesne; Performer
Vocals: Michael Chance
Gerard Lesne
Il Seminario Musicale; Performer
Ensemble: Il Seminario Musicale; Ensemble
Orchestra: Il Seminario Musicale; Ensemble
Composer: Johann Adolf Hasse; Composer
Composer: Johann Adolf Hasse; Composer

15. I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato

by Gérard Lesne

Primary Artist: Gérard Lesne/il Seminario Musicale/michael Chance
Gérard Lesne
Il Seminario Musicale
Michael Chance; Main Performer
Alto: Gerard Lesne; Performer
Vocals: Michael Chance
Gerard Lesne
Il Seminario Musicale; Performer
Ensemble: Il Seminario Musicale; Ensemble
Orchestra: Il Seminario Musicale; Ensemble
Composer: Johann Adolf Hasse; Composer
Composer: Johann Adolf Hasse; Composer

16. Miserere: VI. Redde mihi laetitiam (Haute-contre)

by Peter Harvey

Primary Artist: Dominique Visse/gilles Ragon/peter Harvey/les Pages De La Chapelle/olivier Schneebeli/la Grande Ecurie Et La Chambre Du Roy/jean-claude Malgoire; Main Performer
Vocals: Gilles Ragon
Dominique Visse; Performer
Orchestra: La Grande Écurie Et La Chambre Du Roy; Ensemble
Composer: André Campra; Composer
Composer: André Campra; Composer
Assistant: Ysabelle Van Wersch-cot; Production
Editor: Ysabelle Van Wersch-cot; Production
Producer: Michel Garcin; Production
Conductor: Jean-claude Malgoire; Conductor
Bass Baritone: Peter Harvey; Performer
Lead Vocals: Jean-claude Malgoire
Peter Harvey
Oliver Schneebeli
Les Pages De La Chapelle
La Chambre Du Roy; Performer
Performer: La Chambre Du Roy; Performer
Choir/chorus: Les Pages De La Chapelle
Olivier Schneebeli; Ensemble
Orchestra: La Grande Écurie Et La Chambre Du Roy; Ensemble
Conductor: Jean-claude Malgoire; Conductor
Audio Engineer: Georges Kisselhof; Production
Director: Oliver Schneebeli
Olivier Schneebeli; Production
Performed By: La Grande Écurie Et La Chambre Du Roy; Other

Les Voix Du Ciel (Angel Voices)

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Volume 1

Volume 2

Volume 1

1. Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere

2. Serse, HWV 40, Act 1: "Ombra mai fu" (Serse)

3. Tamerlano: A dispetto d'un volto ingrato

4. Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice)

5. Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo)

6. Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a

7. Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus)

8. Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor)

9. Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor)

10. Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692

11. In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328

12. Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!"

13. If women could be fair

14. Julius Caesar: Deep within my bosom burning

15. Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto)

16. The Choice of Hercules: Yet I can hear that dulcet lay

17. Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido)

18. Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido)

19. Arminio, ACT II: Con quel sangue dipinta vedrai

20. The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice

Volume 2

1. St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt)

2. Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto)

3. Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto)

4. Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto)

5. Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto)

6. Magnificat in D Major, BWV 243: IX. Esurientes implevit bonis

7. Cantata, Vergnügte Ruh, beliebte Seelenlust, BWV 170: "Mir ekelt mehr zu leben"

8. Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott

9. Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David)

10. Saul: Your works, oh king

11. Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto)

12. He was despised (alto) from Messiah HWV56

13. Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele)

14. I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti

15. I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato

16. Miserere: VI. Redde mihi laetitiam (Haute-contre)

Technical Specifications