Shinichi Atobe has remained an elusive figure ever since his debut EP quietly appeared on Chain Reaction in 2001, and even though he's become more prolific since Demdike Stare began releasing his music on their DDS imprint in 2014, there's still hardly any biographical information about the artist available. Though his music has retained an enigmatic quality, his sound has greatly expanded, with the dubby washes and jazzy minimal techno of his early releases giving way to much warmer deep house on albums like 2020's Yes. Accordingly, his album covers have shifted from single colors and minimal text to sunny outdoor photographs. 2022's Love of Plastic contains some of his happiest, most charming material, particularly "Love of Plastic 1," which has melodic chords seemingly emulating city pop from the '80s, not unlike electro and techno producers pilfering from Italo-disco during the 2000s. "Love of Plastic 8" sounds closer to deep space techno, with a fast, steady tick and a rapid, glimmering synth sequence, as well as unpredictable beat switches that are sure to confuse DJs. Other tracks are strewn with fragmented clicks and whirrs, giving the impression of driving through a bright landscape that's slowly crumbling. "Severina"'s progressive house chords lend the track some suspense, and the song is completed with the type of bells that Pantha du Prince can't get enough of. Atobe's entire discography is worth investigating, but Love of Plastic contains some of the unconventional artist's most approachable tracks, making it a fitting entry point for the uninitiated.