Maybe things were simpler in the '70s, when the birth of what we now call contemporary jazz or pop instrumental really occurred. Long before anyone gave much thought to what to call it, there was one thing we could count on: the fact that a bunch of solid jazz players from Buffalo with a funny band name could dish it up and make it fun. In an industry where the latest sonic trends emerge and disappear in brief flashes of expectation and disappointment,
Spyro Gyra's constantly evolving musical vision has made them the most consistent, popular, and enduring of all contemporary jazz ensembles. While their previous effort, the stirring
Dreams Beyond Control, aimed for an expansive array of sounds and colors in larger settings,
Love & Other Obsessions featured a more focused direction and a definite leaning towards modern R&B and African influences. In an effort to keep things fresh,
Beckenstein also chose this time to work with more outside arrangers like
Russell Ferrante,
Chieli Minucci (of
Special EFX),
Alex Acuña, and
Scott Kreitzer, who contributed the collection's two vocal pieces. Vocals aside, and despite the revised listing of
Dave Samuels as a contributing player rather than full-time group member,
Spyro is at its best when doing what it does best: adding a practiced oomph to a picture perfect hummability, darting through a few island paradises, returning to the city for the Big Apple vibe, and improvising and rocking where it counts. Most
Spyro Gyra collections get off to a trademark rocking start, but this time out,
Beckenstein aimed to begin with a smoother mood swing, full of breezy and even romantic subtleties. The saxman's own "Lost and Found" sets such a tone, and founding member
Jeremy Wall keeps the hot silk dripping on "Ariana." Then the real fun begins, highlighted by the hooky, playful, decidedly African meets the Caribbean vibe of "Serengeti" (vintage
Samuels, naturally), a soulful strut through the diverse humanity along New York's "Third Street," and the aptly titled "Group Therapy." This one is perhaps the disc's most fascinating work, a spontaneous jam session in which each member of the band works out his musical emotions and aggressions in a fun, free-form setting. Everything goes here, from
Tom Schuman's spacy synth soloing to
Beckenstein gushing some monstrous soprano licks. ~ Jonathan Widran