Capping a journey of some 15 years with Deutsche Grammophon, conductor
Pierre Boulez completes his survey of the
Mahler symphonies with this 2010 release. It is fitting, perhaps, that this final disc should include works from the antipodes of
Mahler's career. First begun in 1884, Des Knaben Wunderhorn is a collection of songs written much in the same vein as
Schubert and
Schumann songs, favoring
Mahler's much-loved folk-like style. On the opposite end is the Adagio from Symphony No. 10. Though
Mahler only completed sketches for this movement, several realization have been attempted since the composer's death. The version heard here, more than some, captures the unique textures
Mahler was able to achieve in his symphonic writing. For his final installment,
Boulez leads the
Cleveland Orchestra and is joined by mezzo
Magdalena Kozená and baritone
Christian Gerhaher.
Boulez, orchestra, and soloists capture the playfully folksy melodies without trivializing them. The highlight of the album, though, is the stark, ravishing beauty of the Symphony No. 10 Adagio. After listening to Wunderhorn, it became apparent to listeners just how far
Mahler came in his compositional language, with his progressive harmonies, fragmented melodies, and unique capability to wield a massive orchestra like a scalpel.
Boulez's vision for this movement is consistently forward-looking, carrying listeners along for the conclusion of his long voyage. Even listeners who have not invested in previous installments would do well to add this disc to their collections, both for the magnificent realization of the Adagio, and
Boulez's insightful reading of it.