Before he was in
the Tourists and long before he was in
the Eurythmics,
Dave Stewart was in
Platinum Weird, a mid-'70s band that influenced
Fleetwood Mac, especially vocalist
Stevie Nicks, who was entranced by the emotional and mysterious Erin Grace,
Weird's lead singer, who was in a
Lindsey Buckingham/
Nicks-type relationship with
Stewart, right up till she disappeared into rock mythology. A documentary television special was made and then aired on VH1 right as a bunch of fan sites appeared on the Net. Says right here on the back of the disc that these are
Weird's lost recordings from back in 1974, but one listen to
Make Believe and it's obvious these aren't lost recordings but rather a hoax that has much more to do with mashing
Keane,
Kelly Clarkson, and the later
Eurythmics albums together than reviving the
Fleetwood Mac sound. A lot of this has to do with Erin Grace, actually a pseudonym of
Kara DioGuardi, a strong vocalist and songwriter who has worked for
Paris Hilton,
Lindsay Lohan, and plenty of the American Idol winners and finalists.
DioGuardi does make an attempt to write outside of her usual style, but she's not trying to recapture the '70s at all. Instead, tracks like "Happiness" and "Goodbye My Love" sound like huge, modern Broadway-bound tunes, which makes some sense when you find out
DioGuardi and
Stewart first began working together as possible songwriters for the
the Pussycat Dolls, who were still a cabaret act rather than the dance-pop "group" they became. "Piccadilly Lane" is one of the few times
Make Believe sounds like it has a suitable-for-the-time
Beatles hangover, but the other high points -- the title track and "Picture Perfect" -- are straight 21st century pop/rock with
DioGuardi in full effect. The filler sounds like tracks
the Eurythmics or
Lohan haven't gotten to yet, with
DioGuardi pouring her heart into every song, whether the songs fully deserve it or not. In the end,
Stewart comes off as an incredibly bland eccentric for claiming this is more mysterious and wild than it is, while
DioGuardi steals the show with her inspired performance. The oversold hype sours what is simply a worthwhile, professional pop effort. ~ David Jeffries