By the time of
Melodies, keyboardist
Jan Hammer had largely shed his more experimental tendencies and settled into a comfortable, R&B-based fusion groove. The tracks on
Melodies tend to be between two-and-a-half and four-and-a-half minutes -- just about the length of most pop songs -- and so some hardcore jazz listeners might be dismayed at the relative lack of boundary-stretching, even though that isn't really the point of this music.
Melodies doesn't quite catch fire as often as some of its predecessors --
Like Children and Oh, Yeah?, for example -- but its best moments are catchy, accessible, and funky.