British sound artists Adam Martin and
Mark Slater explore the freedoms of restriction with their
Nightports project, basing their compositions entirely on source material played by a single featured musician. Following a study of the possibilities of vintage pianos with
Matthew Bourne,
Nightports' second Leaf release was constructed entirely from the adventurous drumming of
Maxwell Hallett (aka
Betamax Killer), best known as a member of psych-jazz revolutionaries
the Comet Is Coming. The
Nightports duo spent a day in February of 2018 recording
Hallett's splashy, sprawling improvisations, then took a few months tearing the sounds apart and reconstructing them.
Nightports uncover hidden textures in
Hallett's playing, shaping them into drones and sculpting rifts of feedback. The result is far from being just a collection of wonky drum solos, but it doesn't attempt to trick the listener into believing that a full band is playing. Opener "Ritual" surrounds a procession of choppy drums with brassy grunts and digital crunch, resembling some sort of miniature cyborg marching ensemble. Other tracks such as "I'll Tell You What's Happening" and "Hidden" are transformed into sparse, alien dub, with clattering vibrations emanating from the calmly paced rhythms. "Frø" has a more staggered time signature, and the electronic processing brings out the tactile qualities in the drumming (it sounds like
Hallett is hitting several different types of surfaces) while covering it in fizz and fog. While the artists don't seem interested in amorphous free jazz splatter, they rip the rhythm apart quite thoroughly on the scattered, shaking "Fourteenth," which has an ambient bridge inserted in the middle; despite all of this, the rhythm remains persistent and never fully dissolves. The release amplifies the complexities of
Hallett's drumming, turning nuances into guiding forces and highlighting his strength and versatility.