From the opening notes of "Where the Light Gets Lost" it's easy to hear the route that
Charles Watson and
Rebecca Taylor have taken this time around. In contrast to the retro-soul with modern polish of
Complete Surrender -- a style more suited to
Taylor's heart-on-sleeve songwriting --
One Day All of This Won't Matter was recorded utilizing a full band. The organic, earthy rumble of
Matthew E. White's production style and in-house band results in a heartfelt jam session. Where the more overt hooks are missing, they're replaced with an amicable atmosphere, albeit one that risks sounding defeated in places.