Originally Mr. Clarke was first released in 1980 on
Brad Osborne's Bronx-based Clocktower label, and it is
Osborn's involvement that gives this unsung little gem its unique sound. The basic instrumental and vocal tracks were recorded in Jamaica, most likely under the guidance of producer
Bunny Lee (although singer
Johnny Clarke himself may have supervised the sessions) and featured veteran studio pros like
Glen Adams,
Sly & Robbie,
Tommy McCook,
Earl "Chinna" Smith and
Winston Wright (more or less the
Aggrovators). The raw tracks were then taken to New York, where
Osborn overdubbed flute, additional vocals and percussion and oversaw the final mixes. The end result was a wonderfully cohesive sequence that featured light, airy and yet active arrangements, full of well-placed and effective horn charts, all of which perfectly framed
Clarke's sweet, soulful and elegantly unhurried vocals, making
Originally Mr. Clarke that rarest of reggae artifacts -- an album that sounds like it was meant to be an album and not just a collection of singles. Two of
Clarke's better-known songs are included, "Blood Dunza" and "Every Knee Shall Bow," as well as the heartfelt and wistful "Moving on to Zion," which examines the urge to leave Jamaica and contains some of the best lyrics
Clarke ever wrote.