When John Parish, PJ Harvey's producer, takes the time to sit down behind the console to work on a record, people tend to take notice. To see why, take a look at Party, Aldous Harding's second album, which we might swiftly (or hastily?) categorise as cerebral folk: it is neurasthenic, and spellbinding. Only, behind these reductive labels, the young New Zealander commands a much broader musical spectrum. On the model of the Living The Classics/Party series: on the former track, Harding is gentle and almost evanescent, before mutating on the latter into a baleful imp. No effects, no instrumental chicanery is needed to win the crowd's ear. Because even if we can see that she knows the classics (Kate Bush, Joan Baez, Linda Perhacs, Joni Mitchell, Vashti Bunyan...), it is the very personal tone of her voice and her songs that makes this second album an impressive moment of intimacy and revelation... © MZ/Qobuz