Name: Pas de Deux by Various Artists
Brand: Various Artists
SKU: 5099964863559
Price: 9.9 USD
Availability: OnlineOnly
Rating: 3 (462 reviews)

1. Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet]

by London Festival Ballet Orchestra, Terence Kern

Primary Artist: London Festival Ballet Orchestra
Terence Kern; Main Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Riccardo Drigo; Composer
Conductor: Terence Kern; Conductor

2. Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro)

by London Festival Ballet Orchestra, Terence Kern

Primary Artist: London Festival Ballet Orchestra
Terence Kern; Main Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Adolphe Adam
Riccardo Drigo; Composer
Conductor: Terence Kern; Conductor

3. Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro)

by London Festival Ballet Orchestra, Terence Kern

Primary Artist: London Festival Ballet Orchestra
Terence Kern; Main Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Adolphe Adam
Riccardo Drigo; Composer
Conductor: Terence Kern; Conductor

4. Le Corsaire: Pas-de-deux - No. 4, Coda (Allegro moderato)

by London Festival Ballet Orchestra, Terence Kern

Primary Artist: London Festival Ballet Orchestra
Terence Kern; Main Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Adolphe Adam
Riccardo Drigo; Composer
Conductor: Terence Kern; Conductor

5. Don Quixote, Act 3: I. Entrée

by Robert Irving, Royal Philharmonic Orchestra

Primary Artist: Royal Philharmonic Orchestra
Robert Irving; Main Performer
Orchestra: Royal Philharmonic Orchestra; Ensemble
Composer: Léon Minkus
Ludwig Minkus; Composer
Conductor: Robert Irving; Conductor

6. Don Quixote, Act 3: II. Adage

by Robert Irving, Royal Philharmonic Orchestra

Primary Artist: Royal Philharmonic Orchestra
Robert Irving; Main Performer
Orchestra: Royal Philharmonic Orchestra; Ensemble
Composer: Léon Minkus
Ludwig Minkus; Composer
Conductor: Robert Irving; Conductor

7. Don Quixote, Act 3: III. Basilio's solo

by Robert Irving, Royal Philharmonic Orchestra

Primary Artist: Royal Philharmonic Orchestra
Robert Irving; Main Performer
Orchestra: Royal Philharmonic Orchestra; Ensemble
Composer: Léon Minkus
Ludwig Minkus; Composer
Conductor: Robert Irving; Conductor

8. Don Quixote, Act 3: IV. Kitri's solo

by Robert Irving, Royal Philharmonic Orchestra

Primary Artist: Royal Philharmonic Orchestra
Robert Irving; Main Performer
Orchestra: Royal Philharmonic Orchestra; Ensemble
Composer: Léon Minkus
Ludwig Minkus; Composer
Conductor: Robert Irving; Conductor

9. Don Quixote, Act 3: V. Coda

by Robert Irving, Royal Philharmonic Orchestra

Primary Artist: Royal Philharmonic Orchestra
Robert Irving; Main Performer
Orchestra: Royal Philharmonic Orchestra; Ensemble
Composer: Léon Minkus
Ludwig Minkus; Composer
Conductor: Robert Irving; Conductor

10. La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 5, Pas de deux

by Sydney Symphony Orchestra/john Lanchbery

Primary Artist: Sydney Symphony Orchestra/john Lanchbery
John Lanchbery
Sydney Symphony Orchestra; Main Performer
Orchestra: Sydney Symphony Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ludwig Minkus; Composer
Conductor: John Lanchbery; Conductor
Balance Engineer: Paul Mcgrath
Brendan Frost
Graham Eastway; Production
Producer: David Harvey; Production

11. La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 7, Solor's Solo

by Sydney Symphony Orchestra/john Lanchbery

Primary Artist: Sydney Symphony Orchestra/john Lanchbery
John Lanchbery
Sydney Symphony Orchestra; Main Performer
Orchestra: Sydney Symphony Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ludwig Minkus; Composer
Conductor: John Lanchbery; Conductor
Balance Engineer: Paul Mcgrath
Brendan Frost
Graham Eastway; Production
Producer: David Harvey; Production

12. La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 10, Pas de deux - Nikiya's Solo

by Sydney Symphony Orchestra/john Lanchbery

Primary Artist: Sydney Symphony Orchestra/john Lanchbery
John Lanchbery
Sydney Symphony Orchestra; Main Performer
Orchestra: Sydney Symphony Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ludwig Minkus; Composer
Conductor: John Lanchbery; Conductor
Balance Engineer: Paul Mcgrath
Brendan Frost
Graham Eastway; Production
Producer: David Harvey; Production

13. La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 13, Finale

by Sydney Symphony Orchestra/john Lanchbery

Primary Artist: Sydney Symphony Orchestra/john Lanchbery
John Lanchbery
Sydney Symphony Orchestra; Main Performer
Orchestra: Sydney Symphony Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ludwig Minkus; Composer
Conductor: John Lanchbery; Conductor
Balance Engineer: Paul Mcgrath
Brendan Frost
Graham Eastway; Production
Producer: David Harvey; Production

14. Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 7, Their Friends (Pas de deux)

by Elizabethan Trust Melbourne Orchestra/john Lanchbery

Primary Artist: Elizabethan Trust Melbourne Orchestra/john Lanchbery; Main Performer
Orchestra: Elizabethan Trust Melbourne Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ludwig Minkus; Composer
Conductor: John Lanchbery; Conductor
Producer: Brian Culverhouse; Production

15. Giselle (1996 Remastered Version), Act I, No.5, Peasant pas de deux (Burgmuller): Entrance

by Terence Kern/london Festival Ballet Orchestra

Primary Artist: Terence Kern/london Festival Ballet Orchestra; Main Performer
Lead Vocals: London Festival Ballet Orchestra
Terrence Kern; Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Adolphe Adam; Composer
Conductor: Terence Kern
Terrence Kern; Conductor

16. Giselle (1996 Remastered Version), Act I, No.5, Peasant pas de deux (Burgmuller): Adagio

by Terence Kern/london Festival Ballet Orchestra

Cello: Matthew Sharp; Performer
Choir/chorus: Tenebrae; Ensemble
Primary Artist: Terence Kern/london Festival Ballet Orchestra; Main Performer
Composer: Ola Gjeilo
Adolphe Adam; Composer
Lyricist: Charles Anthony Silvestri; Composer
Guitar: Kristian Kvalvaag; Performer
Chorus Master: Nigel Short; Conductor
Conductor: Thomas Gould
Terrence Kern
Terence Kern; Conductor
Contractor: Gareth Griffiths; Production
Coordinator: Joanne Baines; Production
Creative Director: Niall O'rourke; Production
Editing: Dave Rowell; Production
Engineer: David Hinitt; Production
Executive Producer: Alexander Van Ingen; Production
Lead Vocals: Terrence Kern
London Festival Ballet Orchestra; Performer
Piano: Ola Gjeilo; Performer
Viola: Jon Thorne; Performer
Violin: Hannah Dawson; Performer
Orchestra: Ciaran Mccabe
London Festival Ballet Orchestra; Ensemble
Liner Note Translation: Daniel Fesquet; Production
Liner Notes: Ola Gjeilo; Production
Photography: Trey Ratcliff; Production
Recording Producer: Alexander Van Ingen; Production

17. Giselle, Act 1: No. 5 Variation I

by Terence Kern

Primary Artist: Terence Kern; Main Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Adolphe Adam; Composer
Conductor: Terence Kern; Conductor

18. Giselle, Act 1: No. 5 Variation II

by Terence Kern

Primary Artist: Terence Kern; Main Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Adolphe Adam; Composer
Conductor: Terence Kern; Conductor

19. Giselle (1996 Remastered Version), Act I, No.5, Peasant pas de deux (Burgmuller): Variation III

by Terence Kern/london Festival Ballet Orchestra

Arranger: Maurice Ravel; Composer
Primary Artist: Terence Kern/london Festival Ballet Orchestra; Main Performer
Composer: Jean-yves Daniel-lesur
Adolphe Adam; Composer
Conductor: Robert Hollingworth
Terrence Kern
Terence Kern; Conductor
Ensemble: I Fagiolini; Ensemble
Piano: Anna Markland-crookes; Performer
Creative Director: Niall O'rourke; Production
Orchestra: London Festival Ballet Orchestra; Ensemble
Engineer: Andrew Mellor; Production
Lead Vocals: Terrence Kern
London Festival Ballet Orchestra; Performer
Executive Producer: Alexander Van Ingen; Production
Language Coach: Catherine Pierron; Production
Liner Note Translation: Dennis Collins; Production
Liner Notes: Pierre Bernacna
I Fagiolini; Production
Photography: Matt Brodie; Production
Product Manager: Niall O'rourke; Production
Recording Editor: Andrew Mellor; Production
Recording Producer: Adrian Peacock; Production
Text: Guillaume Apollinaire; Production
Text Translation: Pierre Sciama; Production

20. Giselle, Act 2: No. 15 Pas de deux (Giselle & Albrecht)

by Terence Kern

Primary Artist: Terence Kern; Main Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Adolphe Adam; Composer
Conductor: Terence Kern; Conductor

21. Giselle (1996 Remastered Version), Act II, No.15: Albrecht's Variation

by Terence Kern/london Festival Ballet Orchestra

Primary Artist: Terence Kern/london Festival Ballet Orchestra; Main Performer
Lead Vocals: London Festival Ballet Orchestra
Terrence Kern; Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Adolphe Adam; Composer
Conductor: Terence Kern
Terrence Kern; Conductor

22. Giselle (1996 Remastered Version), Act II, No.15: Giselle's Variation

by Terence Kern/london Festival Ballet Orchestra

Primary Artist: Terence Kern/london Festival Ballet Orchestra; Main Performer
Lead Vocals: London Festival Ballet Orchestra
Terrence Kern; Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Adolphe Adam; Composer
Conductor: Terence Kern
Terrence Kern; Conductor

23. Giselle (1996 Remastered Version), Act II, No.15: Coda

by Terence Kern/london Festival Ballet Orchestra

Primary Artist: Terence Kern/london Festival Ballet Orchestra; Main Performer
Lead Vocals: London Festival Ballet Orchestra
Terrence Kern; Performer
Orchestra: London Festival Ballet Orchestra; Ensemble
Composer: Adolphe Adam; Composer
Conductor: Terence Kern
Terrence Kern; Conductor

24. La Fille mal gardée, Act I, 16. 'Fanny Elssler' Pas de deux:: (a) Introduction

by Royal Liverpool Philharmonic Orchestra, Barry Wordsworth

Primary Artist: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Main Performer
Lead Vocals: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Performer
Orchestra: Royal Liverpool Philharmonic Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ferdinand Hérold; Composer
Conductor: Barry Wordsworth; Conductor
Producer: Brian B. Culverhouse
Brian Culverhouse; Production

25. La Fille mal gardée, Act I, 16. 'Fanny Elssler' Pas de deux:: (b) Girl's Solo

by Royal Liverpool Philharmonic Orchestra, Barry Wordsworth

Primary Artist: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Main Performer
Lead Vocals: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Performer
Orchestra: Royal Liverpool Philharmonic Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ferdinand Hérold; Composer
Conductor: Barry Wordsworth; Conductor
Producer: Brian B. Culverhouse
Brian Culverhouse; Production

26. La Fille mal gardée, Act I, 16. 'Fanny Elssler' Pas de deux:: (c) Adage

by Royal Liverpool Philharmonic Orchestra, Barry Wordsworth

Primary Artist: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Main Performer
Lead Vocals: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Performer
Orchestra: Royal Liverpool Philharmonic Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ferdinand Hérold; Composer
Conductor: Barry Wordsworth; Conductor
Producer: Brian B. Culverhouse
Brian Culverhouse; Production

27. La Fille mal gardée, Act I, 16. 'Fanny Elssler' Pas de deux:: (d) Man's Solo

by Royal Liverpool Philharmonic Orchestra, Barry Wordsworth

Primary Artist: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Main Performer
Lead Vocals: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Performer
Orchestra: Royal Liverpool Philharmonic Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ferdinand Hérold; Composer
Conductor: Barry Wordsworth; Conductor
Producer: Brian B. Culverhouse
Brian Culverhouse; Production

28. La Fille mal gardée, Act I, 16. 'Fanny Elssler' Pas de deux:: (e) Coda

by Royal Liverpool Philharmonic Orchestra, Barry Wordsworth

Primary Artist: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Main Performer
Lead Vocals: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Performer
Orchestra: Royal Liverpool Philharmonic Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ferdinand Hérold; Composer
Conductor: Barry Wordsworth; Conductor
Producer: Brian B. Culverhouse
Brian Culverhouse; Production

29. La Fille mal gardée, Act II: 29. Pas de deux

by Royal Liverpool Philharmonic Orchestra, Barry Wordsworth

Primary Artist: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Main Performer
Orchestra: Royal Liverpool Philharmonic Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ferdinand Hérold; Composer
Conductor: Barry Wordsworth; Conductor

30. La Fille mal gardée, Act II: 30. Finale

by Royal Liverpool Philharmonic Orchestra, Barry Wordsworth

Primary Artist: Royal Liverpool Philharmonic Orchestra
Barry Wordsworth; Main Performer
Orchestra: Royal Liverpool Philharmonic Orchestra; Ensemble
Arranger: John Lanchbery; Composer
Composer: Ferdinand Hérold; Composer
Conductor: Barry Wordsworth; Conductor
Producer: Brian Culverhouse; Production

31. Les Sylphides: Waltz in C-Sharp Minor, Op. 64 No. 2 (Orch. Douglas)

by Robert Irving, Philharmonia Orchestra

Primary Artist: Philharmonia Orchestra
Robert Irving; Main Performer
Orchestra: Philharmonia Orchestra; Ensemble
Arranger: Roy Douglas; Composer
Composer: Frédéric Chopin
Frederic Chopin; Composer
Conductor: Robert Irving; Conductor

32. The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (a) Duet between Carelis and Eleonore

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

33. The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (b) Variation I

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Edvard Helsted
Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

34. The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (c) Variation II

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Edvard Helsted
Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

35. The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (d) Variation III

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Edvard Helsted
Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

36. The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (e) Coda

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Edvard Helsted
Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

37. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 1, Entr‚e (Introduction - Polka)

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Edvard Helsted
Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

38. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Edvard Helsted
Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

39. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 3, Variation I (based on a Waltz from Adolphe Adam's "Le Diable … quatre")

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Edvard Helsted
Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

40. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 4, Variation II

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Edvard Helsted
Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

41. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 5, Variation III

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Edvard Helsted
Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

42. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 6, Coda

by Copenhagen Philharmonic Orchestra/ole Schmidt

Primary Artist: Copenhagen Philharmonic Orchestra/ole Schmidt; Main Performer
Orchestra: Copenhagen Philharmonic Orchestra; Ensemble
Composer: Edvard Helsted
Holger Paulli
Holger Simon Paulli; Composer
Conductor: Ole Schmidt; Conductor

1. Swan Lake, Op. 20, TH 12, Act 2: No. 13, V. Andante - Andante non troppo - Allegro

by Philharmonia Orchestra, John Lanchbery, Christopher Warren-green, Robert Truman

Featured Artist: Christopher Warren-green
Robert Truman; Main Performer
Primary Artist: Philharmonia Orchestra
John Lanchbery; Main Performer
Cello: Robert Truman; Performer
Violin: Christopher Warren-green; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: John Lanchbery; Conductor
Producer: John Fraser; Production

2. Swan Lake, Op.20, Act I, 5. Pas de deux: I. Tempo di valse

by Philharmonia Orchestra, John Lanchbery

Primary Artist: Philharmonia Orchestra
John Lanchbery; Main Performer
Lead Vocals: John Lanchbery
Philharmonia Orchestra; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: John Lanchbery; Conductor
Producer: John Fraser; Production
Produced By: John Fraser; Other
Produced By: John Fraser; Other

3. Swan Lake, Op.20, Act I, 5. Pas de deux: II. Andante - Allegro - Molto più mosso (Christopher Warren-Green, violin)

by Philharmonia Orchestra, John Lanchbery

Primary Artist: Philharmonia Orchestra
John Lanchbery; Main Performer
Lead Vocals: John Lanchbery
Philharmonia Orchestra; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: John Lanchbery; Conductor
Producer: John Fraser; Production
Produced By: John Fraser; Other
Produced By: John Fraser; Other

4. Swan Lake, Op.20, Act I, 5. Pas de deux: III. Tempo di valse

by Philharmonia Orchestra, John Lanchbery

Primary Artist: Philharmonia Orchestra
John Lanchbery; Main Performer
Lead Vocals: John Lanchbery
Philharmonia Orchestra; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: John Lanchbery; Conductor
Producer: John Fraser; Production
Produced By: John Fraser; Other
Produced By: John Fraser; Other

5. Swan Lake, Op.20, Act I, 5. Pas de deux: IV. Coda (Allegro molto vivace)

by Philharmonia Orchestra, John Lanchbery

Primary Artist: Philharmonia Orchestra
John Lanchbery; Main Performer
Lead Vocals: John Lanchbery
Philharmonia Orchestra; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: John Lanchbery; Conductor
Producer: John Fraser; Production
Produced By: John Fraser; Other
Produced By: John Fraser; Other

6. The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15a, Pas d'action. Scene of Aurora and Désiré

by André Previn

Primary Artist: Andre Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Recording Producer: Christopher Bishop; Production

7. The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15b, Pas d'action. Aurora's Variation

by André Previn

Primary Artist: Andre Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Recording Producer: Christopher Bishop; Production

8. The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15c, Pas d'action. Coda

by André Previn

Primary Artist: Andre Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Recording Producer: Christopher Bishop; Production

9. The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28a, Pas de deux. Entrance

by André Previn

Primary Artist: Andre Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Recording Producer: Christopher Bishop; Production

10. The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28b, Pas de deux. Adagio

by André Previn

Primary Artist: Andre Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Recording Producer: Christopher Bishop; Production

11. The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28c, Pas de deux. Variation I "Prince Désiré"

by André Previn

Primary Artist: Andre Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Recording Producer: Christopher Bishop; Production

12. The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28d, Pas de deux. Variation II "Aurora"

by André Previn

Primary Artist: Andre Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Recording Producer: Christopher Bishop; Production

13. The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28e, Pas de deux. Coda

by André Previn

Primary Artist: Andre Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Recording Producer: Christopher Bishop; Production

14. The Nutcracker (Ballet), Op. 71, TH 14, Act 2 Tableau 3: No. 14, Pas de deux, (a) La fée-dragée et le prince Orgeat (Andante maestoso)

by André Previn, London Symphony Orchestra

Primary Artist: Andre Previn
London Symphony Orchestra; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Producer: Christopher Bishop; Production

15. The Nutcracker (Ballet), Op. 71, TH 14, Act 2 Tableau 3: No. 14, Pas de deux, (b) Variation I. Tarantelle (Tempo di Tarantella)

by André Previn, London Symphony Orchestra

Primary Artist: Andre Previn
London Symphony Orchestra; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Producer: Christopher Bishop; Production

16. The Nutcracker, Op.71 (1992 Remastered Version), Act II, Pas de deux (The Prince and the Sugar-Plum Fairy): Variation II (Dance of the Sugar-Plum Fairy) - Coda

by André Previn, London Symphony Orchestra

Lead Vocals: André Previn; Performer
Primary Artist: Andre Previn
London Symphony Orchestra; Main Performer
Vocals: London Symphony Orchestra; Performer
Orchestra: London Symphony Orchestra
London Symphony Orchestra (lso); Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Producer: Christopher Bishop; Production
Produced By: Christopher Bishop; Other
Produced By: Christopher Bishop; Other

17. The Nutcracker (Ballet), Op. 71, TH 14, Act 2 Tableau 3: No. 15, Valse finale et Apothéose (Tempo di Valse - Molto meno)

by André Previn, London Symphony Orchestra

Primary Artist: Andre Previn
London Symphony Orchestra; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: André Previn; Conductor
Balance Engineer: Christopher Parker; Production
Producer: Christopher Bishop; Production

18. Tatiana's Bedroom: Apparition of Onegin - Pas De Deux (Onegin Ballet Suite No 11 & 12)

by Sydney Symphony Orchestra

Primary Artist: Sydney Symphony Orchestra; Main Performer
Arranger: Kurt-heinz Stolze; Composer
Recorder: Barry Smith; Performer
Composer: Pyotr Ilyich Tchaikovsky; Composer
Conductor: John Lanchbery; Conductor
Engineer: Barry Smith; Production
Mastering: Eric Clapham; Production
Mastering Engineer: Eric Clapham; Production
Producer: Eric Clapham; Production
Produced & Engineered By: Eric Clapham; Other
Produced & Engineered By: Eric Clapham; Other

19. Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 19, Balcony Scene

by André Previn, London Symphony Orchestra (lso)

Primary Artist: London Symphony Orchestra/andré Previn
André Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Sergei Prokofiev; Composer
Conductor: André Previn; Conductor

20. Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 20, Romeo's Variation

by André Previn, London Symphony Orchestra (lso)

Primary Artist: London Symphony Orchestra/andré Previn
André Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Sergei Prokofiev; Composer
Conductor: André Previn; Conductor

21. Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 21, Love Dance

by André Previn, London Symphony Orchestra (lso)

Primary Artist: London Symphony Orchestra/andré Previn
André Previn; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Sergei Prokofiev; Composer
Conductor: André Previn; Conductor

22. Cinderella, Op. 87, Act 2: No. 36, The Prince and Cinderella (Adagio)

by André Previn, London Symphony Orchestra

Primary Artist: Andre Previn
London Symphony Orchestra; Main Performer
Orchestra: London Symphony Orchestra; Ensemble
Composer: Sergei Prokofiev; Composer
Conductor: André Previn; Conductor

23. Graduation Ball (1964 Remastered Version): Romantic Pas de deux

by Philharmonia Orchestra, Sir Charles Mackerras

Primary Artist: Philharmonia Orchestra
Sir Charles Mackerras; Main Performer
Lead Vocals: Sir Charles Mackerras
Philharmonia Orchestra; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Arranger: Antal Dorati; Composer
Composer: Johann Strauss Ii; Composer
Conductor: Sir Charles Mackerras; Conductor
Producer: Ronald Kinloch Anderson
Peter Andry; Production

24. The Lady and the Fool - Suite: VI. Pas de deux

by London Philharmonic Orchestra, Sir Charles Mackerras

Primary Artist: Sir Charles Mackerras
London Philharmonic Orchestra; Main Performer
Orchestra: London Philharmonic Orchestra; Ensemble
Arranger: Sir Charles Mackerras; Composer
Composer: Giuseppe Verdi; Composer
Conductor: Sir Charles Mackerras; Conductor

Pas de Deux

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Volume 1

Volume 2

Volume 1

1. Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet]

2. Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro)

3. Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro)

4. Le Corsaire: Pas-de-deux - No. 4, Coda (Allegro moderato)

5. Don Quixote, Act 3: I. Entrée

6. Don Quixote, Act 3: II. Adage

7. Don Quixote, Act 3: III. Basilio's solo

8. Don Quixote, Act 3: IV. Kitri's solo

9. Don Quixote, Act 3: V. Coda

10. La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 5, Pas de deux

11. La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 7, Solor's Solo

12. La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 10, Pas de deux - Nikiya's Solo

13. La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 13, Finale

14. Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 7, Their Friends (Pas de deux)

15. Giselle (1996 Remastered Version), Act I, No.5, Peasant pas de deux (Burgmuller): Entrance

16. Giselle (1996 Remastered Version), Act I, No.5, Peasant pas de deux (Burgmuller): Adagio

17. Giselle, Act 1: No. 5 Variation I

18. Giselle, Act 1: No. 5 Variation II

19. Giselle (1996 Remastered Version), Act I, No.5, Peasant pas de deux (Burgmuller): Variation III

20. Giselle, Act 2: No. 15 Pas de deux (Giselle & Albrecht)

21. Giselle (1996 Remastered Version), Act II, No.15: Albrecht's Variation

22. Giselle (1996 Remastered Version), Act II, No.15: Giselle's Variation

23. Giselle (1996 Remastered Version), Act II, No.15: Coda

24. La Fille mal gardée, Act I, 16. 'Fanny Elssler' Pas de deux:: (a) Introduction

25. La Fille mal gardée, Act I, 16. 'Fanny Elssler' Pas de deux:: (b) Girl's Solo

26. La Fille mal gardée, Act I, 16. 'Fanny Elssler' Pas de deux:: (c) Adage

27. La Fille mal gardée, Act I, 16. 'Fanny Elssler' Pas de deux:: (d) Man's Solo

28. La Fille mal gardée, Act I, 16. 'Fanny Elssler' Pas de deux:: (e) Coda

29. La Fille mal gardée, Act II: 29. Pas de deux

30. La Fille mal gardée, Act II: 30. Finale

31. Les Sylphides: Waltz in C-Sharp Minor, Op. 64 No. 2 (Orch. Douglas)

32. The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (a) Duet between Carelis and Eleonore

33. The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (b) Variation I

34. The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (c) Variation II

35. The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (d) Variation III

36. The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (e) Coda

37. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 1, Entr‚e (Introduction - Polka)

38. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage

39. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 3, Variation I (based on a Waltz from Adolphe Adam's "Le Diable … quatre")

40. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 4, Variation II

41. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 5, Variation III

42. Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 6, Coda

Volume 2

1. Swan Lake, Op. 20, TH 12, Act 2: No. 13, V. Andante - Andante non troppo - Allegro

2. Swan Lake, Op.20, Act I, 5. Pas de deux: I. Tempo di valse

3. Swan Lake, Op.20, Act I, 5. Pas de deux: II. Andante - Allegro - Molto più mosso (Christopher Warren-Green, violin)

4. Swan Lake, Op.20, Act I, 5. Pas de deux: III. Tempo di valse

5. Swan Lake, Op.20, Act I, 5. Pas de deux: IV. Coda (Allegro molto vivace)

6. The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15a, Pas d'action. Scene of Aurora and Désiré

7. The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15b, Pas d'action. Aurora's Variation

8. The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15c, Pas d'action. Coda

9. The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28a, Pas de deux. Entrance

10. The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28b, Pas de deux. Adagio

11. The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28c, Pas de deux. Variation I "Prince Désiré"

12. The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28d, Pas de deux. Variation II "Aurora"

13. The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28e, Pas de deux. Coda

14. The Nutcracker (Ballet), Op. 71, TH 14, Act 2 Tableau 3: No. 14, Pas de deux, (a) La fée-dragée et le prince Orgeat (Andante maestoso)

15. The Nutcracker (Ballet), Op. 71, TH 14, Act 2 Tableau 3: No. 14, Pas de deux, (b) Variation I. Tarantelle (Tempo di Tarantella)

16. The Nutcracker, Op.71 (1992 Remastered Version), Act II, Pas de deux (The Prince and the Sugar-Plum Fairy): Variation II (Dance of the Sugar-Plum Fairy) - Coda

17. The Nutcracker (Ballet), Op. 71, TH 14, Act 2 Tableau 3: No. 15, Valse finale et Apothéose (Tempo di Valse - Molto meno)

18. Tatiana's Bedroom: Apparition of Onegin - Pas De Deux (Onegin Ballet Suite No 11 & 12)

19. Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 19, Balcony Scene

20. Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 20, Romeo's Variation

21. Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 21, Love Dance

22. Cinderella, Op. 87, Act 2: No. 36, The Prince and Cinderella (Adagio)

23. Graduation Ball (1964 Remastered Version): Romantic Pas de deux

24. The Lady and the Fool - Suite: VI. Pas de deux

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