Recorded at a single session on May 19, 1957, the simply titled
Quintet features one of bassist
Paul Chambers' rare outings as a bandleader, and it teams him with Detroiters
Donald Byrd (trumpet),
Tommy Flanagan (piano), and
Elvin Jones (drums), and Chicagoan
Clifford Jordan (tenor sax). It's a low-key affair, with the quintet running through a couple of standards ("Softly, as in a Morning Sunrise," "What's New"), a pair of compositions from
Chambers ("The Hand of Love," "Beauteous"), and two pieces by the prolific
Benny Golson ("Minor Run-Down," "Four Strings"). The
Golson tunes are the most striking, really, with "Minor Run-Down" starting things off with an easy, gliding swing, and "Four Strings" (an alternate take is also included here) gives
Chambers a chance to show off his abilities bowing the bass.
Jordan is impressive here as well, sounding a bit like
Dexter Gordon as he rounds out these tracks nicely on the tenor. Nothing is particularly innovative with this set, but these tracks don't push or pull against themselves, either, and there's a clear joy coming off of the floor as these musicians, all in the early phases of their careers, do what they do with comforting assurance.