Allowing
Peter Rowan and
Tony Rice to front a small acoustic band is a shortcut to creating a bluegrass-folk supergroup. Few bluegrass-folk vocalists achieve
Rowan's rich, resonant delivery, and while he's certainly a "good" singer, he maintains weathered edges that make him a good (read "authentic") folksinger.
Rice's guitar style, equally melodic and nimble, warmly wraps itself around
Rowan's vocals. These winning attributes, however, only begin to explain the carefully woven tapestry of
Quartet, a richly realized folk recording. Both bassist/vocalist Bryn Davies and mandolinist/vocalist Sharon Gilchrist add considerably to the spaciousness of the sound and intricate interplay between the four musicians. Davies and Gilchrist's vocal harmony likewise supplies an additional emotional layer on "Dust Bowl Children" and "To Live Is to Fly." While the songs have been carefully selected, the content of individual lyrics seem to matter less than the tone of
Rowan's vocals, the harmony,
Rice's lead lines, and the mix of acoustic instruments.
Quartet, then, is more about creating an entwined sound with a solid bottom end than lyrical content, and the songs are simply vehicles for that sound.
Quartet starts stronger than it ends, but the early material is very strong. While both
Rice and
Rowan seem more intent in refining earlier stylistic innovations than creating new ones,
Quartet's progressive acoustic vision remains fresh and vital.