The duo's long-awaited debut album is one of the most assured, propulsive full-lengths the dance world had seen since
Daft Punk's
Homework. A set of incredibly diverse tracks,
Remedy is indebted to the raw American house of
Todd Terry and
Masters at Work, and even shares the NuYoricans' penchant for Latin vibes (especially on the horn-driven "Bingo Bango" and the opener, "Rendez-Vu," which trades a bit of salsa wiggle with infectious vocoderized disco). True,
Ratcliffe and
Buxton do sound more like an American production team than a pair of Brixton boys would -- they get props (and vocal appearances) from several of the best American house producers out there including
DJ Sneak,
Erick Morillo, and
Benji Candelario. And "U Can't Stop Me" is an R&B production that could probably have gotten airplay in major rap markets across the U.S. Elsewhere,
Buxton and
Ratcliffe chew up and spit out mutated versions of hip-hop, ragga, Latin, R&B, soul, and garage -- the varied sound that defined the worldwide house scene of the late '90s.