"Robbin' the Cradle" was the sole hit for
Tony Bellus, who may hold the distinction of being the only accordion-wielding teen idol. "Robbin' the Cradle" reached the Top 25 in America and charted even higher in Canada, prompting cover versions by
Ray Smith and
Jody Reynolds.
Bellus' label, NRC, tried to further capitalize on the success of the single by having
Bellus cut a full-length album in 1959; the result was the label's most commercially successful album. The album cover is a camp classic, showing
Bellus gazing penetratingly at a somewhat crazed-looking young girl holding a toy. The dozen songs on the LP adhere to the cradle-robbing theme with covers of pop standards and new compositions that mention young love or the word "baby," such as "Baby Face," "Yes Sir, That's My Baby," and "When My Baby Smiles at Me."
Ronnie Isle, a songwriter and occasional recording artist, contributes three songs to the album, including "Young Girls," a number
Marvin Rainwater cut for MGM the same year. In
Bellus' interpretation, "Young Girls" receives a very unusual instrumental arrangement consisting of a snare drum and an acoustic guitar.
Bellus' accordion appears from time to time, but is used only for coloration --
Robbin' the Cradle couldn't accurately be described as accordion-powered rock & roll. Several of
Bellus' NRC labelmates, including
Jerry Reed,
Ray Stevens, and
Joe South, play on the record, and it's fun to try picking out their contributions as the album plays. NRC's CD reissue of
Robbin' the Cradle is mastered from the original tapes and vividly reproduces the original album art. A second volume containing
Bellus' non-album singles for NRC as well as later recordings is rumored to be in the works.