English folk outfit Mumford & Sons' full-length debut owes more than a cursory nod to bands like the
Waterboys, the
Pogues, and
the Men They Couldn’t Hang. The group's heady blend of biblical imagery, pastoral introspection, and raucous, pub-soaked heartache may be earnest to a fault, but when the wildly imperfect
Sigh No More is firing on all cylinders, as is the case with stand-out cuts like "The Cave," "Winter Winds," and "Little Lion Man," it’s hard not to get swept up in the rapture. Like their London underground folk scene contemporaries
Noah & the Whale,
Johnny Flynn, and
Laura Marling, Mumford & Sons' take on British folk is far from traditional. There's a deep vein of 21st century Americana that runs through the album, suggesting a healthy diet of
Fleet Foxes,
Arcade Fire,
Sufjan Stevens,
Blitzen Trapper, and
Marah. That melding of styles, along with some solid knob-twiddling from
Arcade Fire/
Coldplay producer
Markus Dravs, helps to keep the record from completely sinking into the quicksand of its myriad slow numbers -- tracks like "I Gave You All," "Thistle & Weeds," and "After the Storm" are pretty and plain enough, but they neuter a band this spirited.
Sigh No More is an impressive debut, but one that impresses more for its promise of the future than it does its wildly inconsistent place in the present. [An LP version was also released.] ~ James Christopher Monger