Just when the first-generation British Invasion bands galloped ahead into pop art in 1966,
the Small Faces worked a heavy R&B groove on their 1966 debut. That's not to say that this group of four sharp-suited Mods was unaware of the times. If anything, no other British band of the mid-'60s were so keenly tuned into fashion, the four
Small Faces capturing the style and sound of dancing, pilled-up Mods better even than
the Who, possibly because the group could carry a groove better than
the Who as this tightly propulsive debut amply illustrates. Like many '60s debuts,
The Small Faces is split between covers, songs the label pushed on the band, and originals, some clearly interpolations of songs they'd been covering in clubs. "Come On Children" echoes
James Brown's "Think" and "You Need Loving" is based on
Willie Dixon's "You Need Love." Later,
Led Zeppelin would rework
the Small Faces' "You Need Loving" into "Whole Lotta Love" and while it's easy to hear how
Steve Marriott's raw-throated howl influenced
Robert Plant as much as
Marriott's heavy shards of guitar influenced
Jimmy Page, what's striking about
The Small Faces is that there is very little blues or rock & roll here: it's all hard-charging, driving R&B and soul, the emphasis all on the groove. By stressing the beat,
the Small Faces carry themselves over some slight songwriting -- the band's energetic interplay gets them through the rough spots between "It's Too Late," "What'Cha Gonna Do About It," and "Sha La La La Lee" -- and that concentration even pushes them into trailblazing territory, as on the lean, ominous pulse of "E Too D." Such moments keep
The Small Faces sounding fearless and fresh even when in other respects it is very much a record of its time. [Universal's 2012 deluxe edition contains the mono mix of the debut album and four bonus tracks -- non-LP A- and B-sides "I've Got Mine," "What's a Matter Baby," "Grow Your Own," and "Patterns" -- on the first disc, and a 14-track second disc that contains alternate versions and electronically processed stereo mixes of songs from the debut.] ~ Stephen Thomas Erlewine