Although she was already a veteran songwriter and recording artist,
Wanda de Sah was pegged as "the new thing" by American marketing executives during her stint in
Sergio Mendes' first pop incarnation, Brazil '65. Although that group wasn't popular -- it was actually a new collective, Brazil '66, that gained fame -- she was soon signed by Capitol for a record and assigned to arranger
Jack Marshall (who had played guitar on many sessions and written the chart for
Peggy Lee's "Fever" as well as The Munsters theme). The material came from the Brazilian songbook, at least the parts of it already familiar to Americans (including some Brazil '65 songs as well as
Jobim and
Getz/
Gilberto standards). Although
Astrud Gilberto is a touchpoint for
Wanda de Sah, she didn't have the same candle power; her singing is more subdued and slightly more intricate, but no more melodic or winsome. The arrangements are about as good as could be expected from a Capitol studio group in the mid-'60s -- cool and professional, and surprisingly in-tune with the Brazilian "touch." ~ John Bush