Recorded for a label that also issued
Philip Glass'
Einstein on the Beach, the awkwardly titled
Space Minds, New Worlds, Survival of America represented
Leroy Jenkins' first venture into a field where contemporary classical and jazz were beginning to merge, a more modern Third Stream. His quintet on the title suite includes
Musica Elettronica Viva veteran
Richard Teitelbaum on synthesizer, and also gives us one of trombonist
George Lewis' first recorded forays into electronics. The piece uses extensive improvised passages, but both the written material and the rhythms employed are relatively distant from a jazz feel, though with
Jenkins a strong blues affinity is never far beneath the surface. Much of it actually prefigures pianist
Anthony Davis' work with his Episteme ensemble of a few years later, and one wonders if his experience with
Jenkins was critical to his future development. The four subsequent tracks are acoustic, without
Teitelbaum and with
Lewis confined to trombone. They range through a similarly semi-classical landscape with a bit of jazzy emphasis on pieces like "Kick Back Stomp." But the true highlight of the session is the final song, "Through the Ages Jehovah," an utterly gorgeous melody that's reiterated by the violin and trombone over sumptuous accompaniment by
Davis and Cyrille. It's one of those melodies that could go on forever; its brevity is its only fault.
Space Minds... is a fine album, one of
Jenkins' best outside of the
Revolutionary Ensemble, and an excellent introduction to his world. ~ Brian Olewnick