This collection conveniently brings together many of
Stravinsky's short pieces, which are occasionally found as filler on other discs or not at all. Count it as a considerable bonus that these often misplaced miniatures receive lively interpretations here, by one of the world's best chamber ensembles. These compositions are valuable for the insights they give of
Stravinsky's varied stylistic developments. His neo-Classical period is well-represented. However, some earlier experiments are included, namely the Pieces (3) for string quartet and the Suites (2), in which the composer struggled to find new directions. The Fanfare for a New Theatre, coming late in
Stravinsky's career, is the slightest of the selections, but interesting for being his last work associated with ballet. The
Orpheus Chamber Orchestra adjusts well to the changing styles and approaches each piece with the right balance of seriousness and mischief. Especially engaging are the Tango, the Octet, and the Ragtime for 11 instruments, where the musicians are allowed a bit more room to stretch out. The closing track, Scherzo à la Russe, reminiscent of the "Shrove-tide Fair" in Petrushka, receives the most boisterous performance. The recorded sound is excellent, capturing all the subtle timbral nuances that make this music ingratiating.