On his fourth album for Capitol Records, 1964's
Summer Surf,
Dick Dale seemed to be aiming for a glossier and more elaborate sound, and the production shows the occasional influences of
Phil Spector and
Brian Wilson, then the reigning titans of West Coast studiocraft. With banks of vocal choruses on several tunes, additional percussion fancying up the arrangements, and no fear of horns and keyboards,
Summer Surf was the most polished
Dick Dale set to date, and on tunes like the Spanish guitar exercise "Spanish Kiss" and the Hebrew-flavored "The Star (Of David),"
Dale's ambitions paid off -- although not exactly rock & roll, they are compelling and absorbing instrumentals that find the guitarist expanding his boundaries. Similarly, "Banzai Washout" marries
Dale's trademark guitar attack to a big studio band, and this time the concept works like a charm. However, for every successful experiment on
Summer Surf, there are some severe miscalculations, such as the groan-inducing novelty tune "Mama's Gone Surfin'," the curious gospel-influenced "Glory Wave," and
Dale's wobbly trumpet-led cover of "Never on Sunday." (Just as significantly, these three songs make little if any room for
Dale's guitar work.) And many of the other tracks are simply dull, hardly disastrous but not much to write home about, either.
Summer Surf proved to be
Dale's last studio album for Capitol, and since then he's preferred to work with independent labels where he's allowed to follow his own muse on his own terms, a lesson that seems especially valuable after listening to this album.