Following in the footsteps of
EMI's 1996 compilation Naughty Rhythms and Castle's 2007 set Goodbye Nashville, Hello Camden Town: A Pub Rock Anthology, Grapefruit's 2020 triple-disc collection
Surrender to the Rhythm: London Pub Rock Scene of the Seventies chronicles the raucous, lager-soaked rockers who paved the way for punk. Where the
Will Birch-compiled Naughty Rhythms provided an essential primer, relying heavily on the genre's biggest names, the David Wells-produced Surrender to the Rhythm casts a wide net, bringing in a bunch of rarities and oddities while only lightly touching upon
Eggs Over Easy,
Ducks Deluxe,
Chilli Willi & the Red Hot Peppers,
Kilburn & the High Roads,
Dr. Feelgood, and
Brinsley Schwarz, the band who recorded the song that gave this collection its name. Its expansive definition of pub rock makes Surrender to the Rhythm an unpredictable, even surprising, listen for those steeped in pub rock lore but that means this audience is also likely to nitpick; they'll wonder why
Mott the Hoople, who were never on the pub circuit, are here, and perhaps think that
Squeeze's "Goodbye Girl" is a bit too New Wave for this beery lot. Wells justifies his inclusions in his fine liner notes, but the sequencing often makes its own logic: in this context,
the Jam's manic run through "Slow Down" -- a
Larry Williams number the trio learned from
the Beatles -- seems directly connected to the menacing R&B riffs of
Dr. Feelgood. Most of Surrender to the Rhythm isn't nearly as familiar as any of these aforementioned artists. The set is filled with unreleased songs, early mixes, private press, live tracks, and deep cuts, not to mention a fair number of acts that made little impression at the time. Despite the relative prominence of cover of
the Band and a handful of cuts in a similarly mellow country-rock vein, this leans toward the harder, messier side of pub rock, and that's the distinction and appeal of
Surrender to the Rhythm: London Pub Rock Scene of the Seventies: It's the graduate course on pub rock. ~ Stephen Thomas Erlewine