From the archives of Decca Records U.K. comes the
Blues Scene (1999). This 25-track anthology covers the label's copious contributions to the 1960s renaissance of rhythm & blues-influenced rock. The movement would ultimately seed heavy metal supergroups such as
Cream,
Led Zeppelin and the seminal incarnation of
Fleetwood Mac. Fittingly, the revolving-door personnel of
John Mayall's assorted Bluesbreakers are particularly worthy of note. They not only commence and conclude this compilation, but more importantly,
Mayall also provided an entrée for a host of promising young talent such as
Peter Green,
John McVie,
Mick Fleetwood,
Eric Clapton, and
Aynsley Dunbar all of whom would eventually become internationally recognized icons. Among the Bluesbreaker's offerings presented here are the powerful instrumental "Curly," as well as "The Supernatural," which boasts the distinctive fretwork of
Peter Green, "Steppin' Out" featuring
Eric Clapton, and an incendiary early live take of "I Need Your Love." Another interesting facet is the wide spectrum of American legends whose association with Deccabrought their music to new generations and audiences. Selections from
Eddie Boyd ("Key to the Highway," "Blue Coat Man," and "Dust My Broom"),
Otis Spann ("Pretty Girls Everywhere"), as well as
Champion Jack Dupree ("24 Hours," "Barrel House Women," and "Third Degree") are among the highlights. In the case of the latter title,
Dupree had a little help from both
Mayall and
Clapton on this 1966 recording. The label also heralded artists such as
Alexis Korner ("Early in the Morning" and "Night Time Is the Right Time") and
Savoy Brown ("Taste & Try Before You Buy," "Train to Nowhere," and "Train to Nowhere") who would have a much stronger impact in Europe than in the States. As such,
Blues Scene (1999) is a worthwhile assessment of Decca's vaults, and a valuable primer for the novice. Interested parties should also note the other entries in this series -- including the
R&B Scene (1999) and the
Northern Soul Scene (1999).