By 2006, the smooth jazz genre's obsession with cover songs was reaching a somewhat ridiculous fever pitch, but the success of recordings like
Kirk Whalum's
The Babyface Songbook and
Rick Braun's Yours Truly proved that listeners loved them. With the intensely likeable, high-spirited, super swinging
Body and Soul Sessions, the French born funk-jazz keyboardist whips up an all-cover collection even the biggest skeptic can enjoy. This is due not only to the lively, imaginative arrangements, but also the long awaited opportunity to hear
Saisse -- who often favors big swirls of sound, bold sonic textures, and wild. trippy effects -- strip down and play melodies and improvisations straightforwardly on piano and Fender Rhodes. There are a few subtle synth washes here and there -- most notably, on a graceful cover of
Bill Withers' "Lovely Day," but these are in perfect service to his gorgeous piano runs and the cool rhythms of acoustic bassist
David Finck and drummer
Scooter Warner. The song selection is pretty fascinating as well, with a gorgeous rendition of the title track being the only true jazz standard. Otherwise, the trio is balancing pure, playful '60s and '70s pop and soul (the ultra-retro "Do It Again," "September," "Lady Madonna," "We're All Alone") with inspired oddities like "Harley Davidson" (giving a joyous
Ramsey Lewis vibe to a clapalong composed by Frenchman
Serge Gainsbourg) and "The Dolphin." In his liner notes, vibes master
Gary Burton laments the fact that
Saisse once upon a time chose piano over vibes as his primary instrument -- to the delight of thousands of fans worldwide. This new trio format finally gives
Saisse a chance to just do his thing without the burden of creating a sonic circus around it. ~ Jonathan Widran