Name: The Gilbert & Sullivan Collection by Sir Malcolm Sargent/pro Arte Orchestra/soloists
Brand: Sir Malcolm Sargent/Pro Arte Orchestra/Soloists
SKU: 724357386951
Price: 9.9 USD
Availability: OnlineOnly
Rating: 3 (497 reviews)

1. The Mikado or The Town of Titipu: Overture (Allegro moderato - Andante comodo - Allegro con brio)

by Pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Christopher Parker
Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard
Lawrence Collingwood; Production
Remastering Engineer: John Holland; Production

2. The Mikado or The Town of Titipu, Act 1: No. 2b, Song with Chorus, "A Wand'ring Minstrel I" (Nanki-Poo, Nobles)

by Richard Lewis/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Richard Lewis/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: David Bicknell
Raymond Leppard; Production

3. The Mikado or The Town of Titipu, Act 1: No. 3, Song and Chorus, "Our Great Mikado, virtuous man" (Pish-Tush, Nobles)

by John Cameron/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: John Cameron/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: David Bicknell
Raymond Leppard; Production

4. The Mikado or The Town of Titipu, Act 1: No. 4, Song, "Young man, despair" (Pooh-Bah, Nanki-Poo, Pish-Tush)

by Ian Wallace/richard Lewis/john Cameron/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Ian Wallace/richard Lewis/john Cameron/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
Ian Wallace; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

5. The Mikado or The Town of Titipu, Act 1: No. 5, Chorus with Song, "Behold the Lord High Executioner!" (Nobles, Ko-Ko)

by Sir Geraint Evans/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Geraint Evans; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: David Bicknell
Raymond Leppard; Production

6. The Mikado or The Town of Titipu, Act 1: No. 5a, Song, "As some day it may happen" (Ko-Ko, Nobles)

by Sir Geraint Evans/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Geraint Evans; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: David Bicknell
Raymond Leppard; Production

7. The Mikado or The Town of Titipu, Act 1: No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls)

by Elsie Morison/jeannette Sinclair/marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/jeannette Sinclair/marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Contralto: Marjorie Thomas; Performer
Soprano: Elsie Morison
Jeannette Sinclair; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: David Bicknell
Raymond Leppard; Production

8. The Mikado or The Town of Titipu, Act 1: No. 9, Duet, "Were you not to Ko-Ko plighted" (Nanki-Poo, Yum-Yum)

by Richard Lewis/elsie Morison/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Richard Lewis/elsie Morison/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

9. The Mikado or The Town of Titipu, Act 1: No. 10, Trio, "I am so proud" (Pooh-Bah, Ko-Ko, Pish-Tush)

by Ian Wallace/sir Geraint Evans/marjorie Thomas/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Ian Wallace/sir Geraint Evans/marjorie Thomas/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
Ian Wallace
Geraint Evans; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

10. The Mikado or The Town of Titipu, Act 2: No. 13, Song, "The sun, whose rays are all ablaze" (Yum-Yum)

by Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Soprano: Elsie Morison; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

11. The Mikado or The Town of Titipu, Act 2: No. 15, Trio, "Here's a how-de-do!" (Yum-Yum, Nanki-Poo, Ko-Ko)

by Elsie Morison/richard Lewis/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/richard Lewis/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Geraint Evans; Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

12. The Mikado or The Town of Titipu, Act 2: No. 16, Entrance of Mikado, "Miya sama … From every kind of man obedience I expect" (Girls, Nobles, Mikado, Katisha)

by Owen Brannigan/monica Sinclair/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Owen Brannigan/monica Sinclair/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Bass (vocal): Owen Brannigan; Performer
Contralto: Monica Sinclair; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: David Bicknell
Raymond Leppard; Production

13. The Mikado or The Town of Titipu, Act 2: No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles)

by Owen Brannigan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Owen Brannigan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Bass (vocal): Owen Brannigan; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: David Bicknell
Raymond Leppard; Production

14. The Mikado or The Town of Titipu, Act 2: No. 18, Trio and Chorus, "The criminal cried" (Ko-Ko, Nobles, Pitti-Sing, Pooh-Bah)

by Sir Geraint Evans/marjorie Thomas/ian Wallace/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/marjorie Thomas/ian Wallace/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Ian Wallace
Geraint Evans; Performer
Contralto: Marjorie Thomas; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: David Bicknell
Raymond Leppard; Production

15. The Mikado or The Town of Titipu, Act 2: No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha)

by Owen Brannigan/marjorie Thomas/ian Wallace/sir Geraint Evans/monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Owen Brannigan/marjorie Thomas/ian Wallace/sir Geraint Evans/monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Ian Wallace
Geraint Evans; Performer
Bass (vocal): Owen Brannigan; Performer
Contralto: Monica Sinclair
Marjorie Thomas; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

16. The Mikado or The Town of Titipu, Act 2: No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)

by Richard Lewis/elsie Morison/marjorie Thomas/ian Wallace/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Richard Lewis/elsie Morison/marjorie Thomas/ian Wallace/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Ian Wallace
Geraint Evans; Performer
Contralto: Marjorie Thomas; Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

17. The MIkado (or The Town of Titipu) - Alone and yet alive!...Hearts do not break!

by Sir Malcolm Sargent/pro Arte Orchestra/owen Brannigan/richard Lewis

Primary Artist: Sir Malcolm Sargent/pro Arte Orchestra/owen Brannigan/richard Lewis; Main Performer
Lead Vocals: Richard Lewis
Sir Malcolm Sargent
Pro Arte Orchestra
Owen Brannigan; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer

18. The Mikado or The Town of Titipu, Act 2: No. 22, Song, "On a tree by a river a little tom-tit" (Ko-Ko)

by Sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Geraint Evans; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

19. The Mikado or The Town of Titipu, Act 2: No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko)

by Monica Sinclair/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Monica Sinclair/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: Geraint Evans; Performer
Contralto: Monica Sinclair; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Producer: David Bicknell
Raymond Leppard; Production

20. The Mikado or The Town of Titipu, Act 2: No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)

by Marjorie Thomas/sir Geraint Evans/richard Lewis/elsie Morison/owen Brannigan/ian Wallace/john Cameron/jeannette Sinclair/monica Sinclair/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Marjorie Thomas/sir Geraint Evans/richard Lewis/elsie Morison/owen Brannigan/ian Wallace/john Cameron/jeannette Sinclair/monica Sinclair/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
Ian Wallace
Geraint Evans; Performer
Bass (vocal): Owen Brannigan; Performer
Contralto: Monica Sinclair
Marjorie Thomas; Performer
Soprano: Elsie Morison
Jeannette Sinclair; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Harold Davidson; Production
Director: Peter Gellhorn; Production
Producer: David Bicknell
Raymond Leppard; Production

21. Trial by Jury: When I, good friends, was called to the Bar (Judge, Others)

by George Baker/glyndebourne Chorus/peter Gellhorn/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/glyndebourne Chorus/peter Gellhorn/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron
Bernard Turgeon
George Baker; Performer
Bass: Owen Brannigan (bass); Performer
Bass Baritone: George Baker; Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus
Peter Gellhorn
George Baker; Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Ronald Kinloch Anderson
Colin Graham; Production
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Edward Huntley; Production
Remastering Engineer: John Holland; Production

22. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: I'm called Little Buttercup (Buttercup)

by Monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry; Production
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Remastering Engineer: John Holland; Production

23. HMS Pinafore (or the Lass that Loved a Sailor) -My gallant crew...I am the Captain of the Pinafore

by Sir Malcolm Sargent/pro Arte Orchestra

Primary Artist: Sir Malcolm Sargent/pro Arte Orchestra; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry; Production

24. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Sorry her lot who loves too well (Josephine)

by Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Boy Soprano: Elsie Morison; Performer
Soprano: Elsie Morison; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production

25. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: When I was a lad I served a term (Sir Joseph, Relatives, Sailors)

by George Baker/glyndebourne Chorus/peter Gellhorn/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/glyndebourne Chorus/peter Gellhorn/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus
Peter Gellhorn
George Baker; Performer
Tenor: Richard Lewis; Performer
Conductor: Sir Malcolm Sargent; Conductor
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Bass Baritone: George Baker; Performer
Soprano: Elsie Morison; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production

1. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Fair moon to thee I sing (Captain Corcoran)

by John Cameron/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: John Cameron/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
John Cameron; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Bass Baritone: John Cameron; Performer
Soprano: Elsie Morison; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production

2. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Things are seldom what they seem (Buttercup, Captain Corcoran)

by Monica Sinclair/john Cameron/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Monica Sinclair/john Cameron/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
John Cameron; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Bass Baritone: John Cameron; Performer
Soprano: Elsie Morison; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production

3. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: The hours creep on apace (Josephine)

by Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Boy Soprano: Elsie Morison; Performer
Soprano: Elsie Morison; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production

4. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine)

by George Baker/john Cameron/elsie Morison/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/john Cameron/elsie Morison/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
John Cameron
Elsie Morison
George Baker; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Bass Baritone: John Cameron
George Baker; Performer
Boy Soprano: Elsie Morison; Performer
Soprano: Elsie Morison; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production

5. The Pirates of Penzance or The Slave of Duty, Act 1: No. 3, Song, "Oh, better far to live and die" (Pirate King, Pirates)

by James Milligan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: James Milligan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: James Milligan; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

6. The Pirates of Penzance or The Slave of Duty, Act 1: No. 7, Air and Chorus, "Oh, is there not one maiden breast?" (Frederic, Mabel, Girls)

by Richard Lewis/elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Richard Lewis/elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

7. The Pirates of Penzance or The Slave of Duty, Act 1: No. 8, Air, "Poor wand'ring one" (Mabel, Girls)

by Elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Soprano: Elsie Morison; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

8. The Pirates of Penzance or The Slave of Duty, Act 1: No. 13, Song with Chorus, "I am the very model of a modern Major-General" (Major-General, Girls, Pirates)

by George Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: George Baker; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

9. The Pirates of Penzance or The Slave of Duty, Act 2: No. 17, Chorus with Soli, "When the foeman bears his steel" (Sergeant of Police, Mabel, Edith, Policemen, Girls)

by Owen Brannigan/elsie Morison/heather Harper/george Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Owen Brannigan/elsie Morison/heather Harper/george Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Bass (vocal): Owen Brannigan; Performer
Soprano: Elsie Morison
Heather Harper; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

10. The Pirates of Penzance or The Slave of Duty, Act 2: "Ah, leave me not to pine" (Mabel, Frederic)

by Elsie Morison/richard Lewis/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/richard Lewis/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Soprano: Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

11. The Pirates of Penzance or The Slave of Duty, Act 2: No. 24, Song and Chorus, "When a felon's not engaged" (Sergeant, Policemen)

by Owen Brannigan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Owen Brannigan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Bass (vocal): Owen Brannigan; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

12. The Pirates of Penzance or The Slave of Duty, Act 2: No. 26, Chorus, "With cat-like tread" (Pirates, Policemen, Samuel)

by Glyndebourne Festival Chorus

Primary Artist: James Milligan/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Baritone: John Cameron; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Balance Engineer: Francis Dillnutt; Production
Director: Peter Gellhorn; Production
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production

13. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: The soldiers of our Queen (Dragoons, Colonel Calverley)

by John Shaw/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: John Shaw/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus
John Shaw; Performer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
John Shaw
George Baker; Performer
Bass: Trevor Anthony (bass); Performer
Bass Baritone: John Shaw; Performer
Tenor: Alexander Young; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry
Malcolm Walker; Production
Remastering Engineer: John Holland; Production

14. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: Am I alone and unobserved? (Bunthorne)

by George Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus
George Baker; Performer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
John Shaw
George Baker; Performer
Bass: Trevor Anthony (bass); Performer
Bass Baritone: George Baker; Performer
Tenor: Alexander Young; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry
Malcolm Walker; Production
Remastering Engineer: John Holland; Production

15. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: Sad is that woman's lot (Jane)

by Monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
John Shaw
George Baker; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Bass: Trevor Anthony (bass); Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Tenor: Alexander Young; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry
Malcolm Walker; Production
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Remastering Engineer: John Holland; Production

16. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: A magnet hung in a hardware shop (Grosvenor, Maidens)

by John Cameron/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: John Cameron/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus
John Cameron; Performer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
John Shaw
George Baker; Performer
Bass: Trevor Anthony (bass); Performer
Bass Baritone: John Cameron; Performer
Tenor: Alexander Young; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry
Malcolm Walker; Production
Remastering Engineer: John Holland; Production

17. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: Love is a plaintive song (Patience)

by Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Elsie Morison; Performer
Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry
Malcolm Walker; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
John Shaw
George Baker; Performer
Bass: Trevor Anthony (bass); Performer
Boy Soprano: Elsie Morison; Performer
Tenor: Alexander Young; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production

18. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: So go to him and say to him (Jane, Bunthorne)

by Monica Sinclair/george Baker/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Monica Sinclair/george Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
George Baker; Performer
Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry
Malcolm Walker; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
John Shaw
George Baker; Performer
Bass: Trevor Anthony (bass); Performer
Bass Baritone: George Baker; Performer
Tenor: Alexander Young; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production

19. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: When I go out of door (Bunthorne, Grosvenor)

by George Baker/john Cameron/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/john Cameron/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
John Cameron
George Baker; Performer
Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry
Malcolm Walker; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
John Shaw
George Baker; Performer
Bass: Trevor Anthony (bass); Performer
Bass Baritone: John Cameron
George Baker; Performer
Tenor: Alexander Young; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production

20. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: After much debate internal (Duke, Bunthorne, All)

by Alexander Young/george Baker/john Shaw/trevor Anthony/john Cameron/elsie Morison/marjorie Thomas/monica Sinclair/elizabeth Harwood/heather Harper/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Alexander Young/george Baker/john Shaw/trevor Anthony/john Cameron/elsie Morison/marjorie Thomas/monica Sinclair/elizabeth Harwood/heather Harper/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Conductor: Sir Malcolm Sargent; Conductor
Alto: Monica Sinclair
Marjorie Thomas; Performer
Bass Baritone: John Cameron
John Shaw
George Baker; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Baritone: John Cameron
John Shaw
George Baker; Performer
Conductor: Sir Malcolm Sargent; Conductor
Bass: Trevor Anthony
Trevor Anthony (bass); Performer
Boy Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Elizabeth Harwood
Glyndebourne Chorus
John Cameron
John Shaw
Elsie Morison
Heather Harper
George Baker
Trevor Anthony; Performer
Soprano: Elizabeth Harwood
Elsie Morison
Heather Harper; Performer
Producer: Peter Andry
Malcolm Walker; Production
Tenor: Alexander Young; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Remastering Engineer: John Holland; Production

21. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: When I went to the Bar as a very young man (Lord Chancellor)

by George Baker/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
Ian Wallace (bass); Performer
Bass Baritone: George Baker; Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
George Baker; Performer
Soprano: Elsie Morison
Heather Harper
April Cantelo; Performer
Tenor: Alexander Young; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Audio Engineer: Harold Davidson; Production

22. Iolanthe (or, The Peer and the Peri) - Finale Act 1 (The lady of my love....)

by Sir Malcolm Sargent/pro Arte Orchestra

Primary Artist: Sir Malcolm Sargent/pro Arte Orchestra; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer

1. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When all night long a chap remains (Sentry Song) (Private Willis)

by Owen Brannigan/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Owen Brannigan/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Owen Brannigan; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan
Owen Brannigan (bass)
Ian Wallace (bass); Performer
Soprano: Elsie Morison
Heather Harper
April Cantelo; Performer
Tenor: Alexander Young; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production

2. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When Britain really ruled the waves (Mountararat, Fairies, Peers)

by Ian Wallace/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Ian Wallace/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus
Ian Wallace; Performer
Conductor: Sir Malcolm Sargent; Conductor
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
Ian Wallace (bass); Performer
Bass Baritone: Ian Wallace; Performer
Soprano: Elsie Morison
Heather Harper
April Cantelo; Performer
Tenor: Alexander Young; Performer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Harold Davidson; Production

3. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When you're lying awake with a dismal headache (Nightmare Song) (Lord Chancellor)

by George Baker/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
Ian Wallace (bass); Performer
Bass Baritone: George Baker; Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
George Baker; Performer
Soprano: Elsie Morison
Heather Harper
April Cantelo; Performer
Tenor: Alexander Young; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Audio Engineer: Harold Davidson; Production

4. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: If you go in, you're sure to win (Tolloller, Mountararat, Lord Chancellor)

by Alexander Young/ian Wallace/george Baker/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Alexander Young/ian Wallace/george Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Ronald Kinloch Anderson; Production
Remastering Engineer: John Holland; Production
Baritone: John Cameron
George Baker; Performer
Bass: Owen Brannigan (bass)
Ian Wallace (bass); Performer
Bass Baritone: Ian Wallace
George Baker; Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Ian Wallace
George Baker; Performer
Soprano: Elsie Morison
Heather Harper
April Cantelo; Performer
Tenor: Alexander Young; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Audio Engineer: Harold Davidson; Production

5. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: My boy, you may take it from me (Robin)

by George Baker/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Pamela Bowden; Performer
Conductor: Sir Malcolm Sargent; Conductor
Baritone: George Baker; Performer
Bass: Owen Brannigan (bass)
Harold Blackburn (bass)
Joseph Rouleau (bass); Performer
Conductor: Sir Malcolm Sargent; Conductor
Orchestra: Pro Arte Orchestra; Ensemble
Bass Baritone: George Baker; Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
George Baker; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Producer: Ronald Kinloch Anderson; Production
Soprano: Elizabeth Harwood
Elsie Morison; Performer
Composer: Arthur Sullivan; Composer
Audio Engineer: Christopher Parker; Production
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Remastering Engineer: John Holland; Production

6. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: The battle's roar is over (Richard, Rose)

by Richard Lewis/elsie Morison/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Richard Lewis/elsie Morison/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Conductor: Sir Malcolm Sargent; Conductor
Alto: Monica Sinclair
Pamela Bowden; Performer
Baritone: George Baker; Performer
Bass: Owen Brannigan (bass)
Harold Blackburn (bass)
Joseph Rouleau (bass); Performer
Boy Soprano: Elsie Morison; Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Elsie Morison; Performer
Soprano: Elizabeth Harwood
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Christopher Parker; Production
Producer: Ronald Kinloch Anderson; Production
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Remastering Engineer: John Holland; Production

7. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: In sailing o'er life's ocean wide (Rose, Richard, Robin)

by Elsie Morison/richard Lewis/george Baker/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Elsie Morison/richard Lewis/george Baker/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Alto: Monica Sinclair
Pamela Bowden; Performer
Conductor: Sir Malcolm Sargent; Conductor
Baritone: George Baker; Performer
Bass: Owen Brannigan (bass)
Harold Blackburn (bass)
Joseph Rouleau (bass); Performer
Conductor: Sir Malcolm Sargent; Conductor
Producer: Ronald Kinloch Anderson; Production
Bass Baritone: George Baker; Performer
Boy Soprano: Elsie Morison; Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Elsie Morison
George Baker; Performer
Soprano: Elizabeth Harwood
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Audio Engineer: Christopher Parker; Production
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Remastering Engineer: John Holland; Production

8. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: You understand? (Richard, Sir Despard)

by Richard Lewis/owen Brannigan/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Richard Lewis/owen Brannigan/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Alto: Monica Sinclair
Pamela Bowden; Performer
Baritone: George Baker; Performer
Bass: Owen Brannigan
Owen Brannigan (bass)
Harold Blackburn (bass)
Joseph Rouleau (bass); Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Owen Brannigan; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Producer: Ronald Kinloch Anderson; Production
Soprano: Elizabeth Harwood
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Audio Engineer: Christopher Parker; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer

9. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: When the night wind howls (Roderic, Ancestors)

by Joseph Rouleau/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Joseph Rouleau/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Alto: Monica Sinclair
Pamela Bowden; Performer
Baritone: George Baker; Performer
Bass: Joseph Rouleau
Owen Brannigan (bass)
Harold Blackburn (bass)
Joseph Rouleau (bass); Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus
Joseph Rouleau; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Producer: Ronald Kinloch Anderson; Production
Soprano: Elizabeth Harwood
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Audio Engineer: Christopher Parker; Production
Remastering Engineer: John Holland; Production
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer

10. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: My eyes are fully open (Robin, Margaret, Sir Despard)

by George Baker/pamela Bowden/owen Brannigan/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: George Baker/pamela Bowden/owen Brannigan/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Conductor: Sir Malcolm Sargent; Conductor
Alto: Monica Sinclair
Pamela Bowden; Performer
Baritone: George Baker; Performer
Bass: Owen Brannigan
Owen Brannigan (bass)
Harold Blackburn (bass)
Joseph Rouleau (bass); Performer
Conductor: Sir Malcolm Sargent; Conductor
Orchestra: Pro Arte Orchestra; Ensemble
Bass Baritone: George Baker; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
George Baker
Owen Brannigan; Performer
Soprano: Elizabeth Harwood
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Audio Engineer: Christopher Parker; Production
Producer: Ronald Kinloch Anderson; Production
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Remastering Engineer: John Holland; Production

11. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: There grew a little flower (Hannah, Roderic)

by Monica Sinclair/joseph Rouleau/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Monica Sinclair/joseph Rouleau/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Alto: Monica Sinclair
Pamela Bowden; Performer
Baritone: George Baker; Performer
Bass: Joseph Rouleau
Owen Brannigan (bass)
Harold Blackburn (bass)
Joseph Rouleau (bass); Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Joseph Rouleau; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Producer: Ronald Kinloch Anderson; Production
Soprano: Elizabeth Harwood
Elsie Morison; Performer
Tenor: Richard Lewis; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Audio Engineer: Christopher Parker; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer

12. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: We're called gondolieri (Marco, Giuseppe)

by Richard Lewis/john Cameron/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Richard Lewis/john Cameron/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
John Cameron; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Alto: Helen Watts
Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Bass Baritone: John Cameron; Performer
Soprano: Elsie Morison
Lavinia Renton
Stella Hitchens
Edna Graham; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Choir Director: Peter Gellhorn; Conductor
Composer: Arthur Sullivan; Composer
Choir Director: Peter Gellhorn; Conductor
Audio Engineer: Edward Huntley; Production
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production

13. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: From the sunny Spanish shore (Duke, Duchess, Casilda, Luiz)

by Sir Geraint Evans/monica Sinclair/edna Graham/alexander Young/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/monica Sinclair/edna Graham/alexander Young/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Sir Geraint Evans
Edna Graham; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Helen Watts
Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Bass Baritone: Sir Geraint Evans; Performer
Boy Soprano: Edna Graham; Performer
Soprano: Elsie Morison
Lavinia Renton
Stella Hitchens
Edna Graham; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Edward Huntley; Production

14. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: I stole the Prince (Don Alhambra, Casilda, Luiz, Duke, Duchess)

by Owen Brannigan/edna Graham/alexander Young/sir Geraint Evans/monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Owen Brannigan/edna Graham/alexander Young/sir Geraint Evans/monica Sinclair/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Sir Geraint Evans
Owen Brannigan
Edna Graham; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Alto: Helen Watts
Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron; Performer
Bass: Owen Brannigan
Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Bass Baritone: Sir Geraint Evans; Performer
Boy Soprano: Edna Graham; Performer
Soprano: Elsie Morison
Lavinia Renton
Stella Hitchens
Edna Graham; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Choir Director: Peter Gellhorn; Conductor
Composer: Arthur Sullivan; Composer
Choir Director: Peter Gellhorn; Conductor
Audio Engineer: Edward Huntley; Production
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production

15. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: When a merry maiden marries (Tessa, Chorus)

by Marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Helen Watts
Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus; Performer
Soprano: Elsie Morison
Lavinia Renton
Stella Hitchens
Edna Graham; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry; Production
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Edward Huntley; Production
Remastering Engineer: John Holland; Production

16. The Gondoliers 'The King of Barataria', Act II: Take a pair of sparkling eyes (Marco)

by Richard Lewis

Primary Artist: Richard Lewis
Pro Arte Orchestra
Sir Malcolm Sargent; Main Performer
Baritone: John Cameron; Performer
Bass (vocal): Owen Brannigan; Performer
Bass Baritone: James Milligan; Performer
Contralto: Helen Watts
Monica Sinclair
Marjorie Thomas; Performer
Soprano: Elsie Morison
Lavinia Renton
Stella Hitchens
Edna Graham; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Director: Peter Gellhorn; Production

17. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: Dance a cachucha, fandango, bolero (Chorus)

by Glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent
Glyndebourne Chorus; Main Performer
Alto: Helen Watts
Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus; Performer
Soprano: Elsie Morison
Lavinia Renton
Stella Hitchens
Edna Graham; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry; Production
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Edward Huntley; Production
Remastering Engineer: John Holland; Production

18. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: There lived a king (Don Alhambra, Marco, Giuseppe)

by Owen Brannigan/richard Lewis/john Cameron/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Owen Brannigan/richard Lewis/john Cameron/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
John Cameron
Owen Brannigan; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Alto: Helen Watts
Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron; Performer
Bass: Owen Brannigan
Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Bass Baritone: John Cameron; Performer
Soprano: Elsie Morison
Lavinia Renton
Stella Hitchens
Edna Graham; Performer
Choir/chorus: Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Choir Director: Peter Gellhorn; Conductor
Composer: Arthur Sullivan; Composer
Choir Director: Peter Gellhorn; Conductor
Audio Engineer: Edward Huntley; Production
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production

19. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: I am a courtier grave and serious (Casilda, Duchess, Marco, Giuseppe, Duke)

by Edna Graham/monica Sinclair/richard Lewis/john Cameron/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Edna Graham/monica Sinclair/richard Lewis/john Cameron/sir Geraint Evans/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Sir Geraint Evans
John Cameron
Edna Graham; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production
Composer: Arthur Sullivan; Composer
Alto: Helen Watts
Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Cameron; Performer
Bass: Owen Brannigan (bass)
James Milligan (bass-bariton); Performer
Bass Baritone: Sir Geraint Evans
John Cameron; Performer
Boy Soprano: Edna Graham; Performer
Soprano: Elsie Morison
Lavinia Renton
Stella Hitchens
Edna Graham; Performer
Choir/chorus: Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Audio Engineer: Edward Huntley; Production

20. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I: I have a song to sing, O! (Elsie, Point, Crowd)

by Sir Geraint Evans/elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Baritone: John Carol Case
John Cameron
Denis Dowling; Performer
Bass: Owen Brannigan (bass); Performer
Bass Baritone: Sir Geraint Evans; Performer
Boy Soprano: Elsie Morison; Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus
Sir Geraint Evans
Elsie Morison; Performer
Soprano: Elsie Morison
Doreen Hume; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production

21. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I: How say you maiden (Lieutenant, Point, Elsie)

by Denis Dowling/sir Geraint Evans/elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Denis Dowling/sir Geraint Evans/elsie Morison/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Baritone: John Carol Case
John Cameron
Denis Dowling; Performer
Bass: Owen Brannigan (bass); Performer
Bass Baritone: Sir Geraint Evans
Denis Dowling; Performer
Boy Soprano: Elsie Morison; Performer
Choir Director: Peter Gellhorn; Conductor
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus
Sir Geraint Evans
Elsie Morison
Denis Dowling; Performer
Soprano: Elsie Morison
Doreen Hume; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Choir Director: Peter Gellhorn; Conductor
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production

22. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I: Were I thy bride (Phoebe)

by Marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Marjorie Thomas/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Baritone: John Carol Case
John Cameron
Denis Dowling; Performer
Bass: Owen Brannigan (bass); Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus; Performer
Soprano: Elsie Morison
Doreen Hume; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry; Production
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Composer: Arthur Sullivan; Composer
Remastering Engineer: John Holland; Production

23. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act II: A private buffoon is a light-hearted loon (Point)

by Sir Geraint Evans/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Sir Geraint Evans/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Baritone: John Carol Case
John Cameron
Denis Dowling; Performer
Bass: Owen Brannigan (bass); Performer
Bass Baritone: Sir Geraint Evans; Performer
Choir Director: Peter Gellhorn; Conductor
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
Glyndebourne Chorus
Sir Geraint Evans; Performer
Soprano: Elsie Morison
Doreen Hume; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Choir Director: Peter Gellhorn; Conductor
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production

24. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act II: Comes the pretty young bride (All)

by Denis Dowling/richard Lewis/john Cameron/alexander Young/sir Geraint Evans/owen Brannigan/john Carol Case/elsie Morison/marjorie Thomas/monica Sinclair/doreen Hume/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent

Primary Artist: Denis Dowling/richard Lewis/john Cameron/alexander Young/sir Geraint Evans/owen Brannigan/john Carol Case/elsie Morison/marjorie Thomas/monica Sinclair/doreen Hume/glyndebourne Chorus/pro Arte Orchestra/sir Malcolm Sargent; Main Performer
Alto: Monica Sinclair
Marjorie Thomas; Performer
Composer: Arthur Sullivan; Composer
Conductor: Sir Malcolm Sargent; Conductor
Conductor: Sir Malcolm Sargent; Conductor
Baritone: John Carol Case
John Cameron
Denis Dowling; Performer
Bass: Owen Brannigan
Owen Brannigan (bass); Performer
Bass Baritone: John Carol Case
Sir Geraint Evans
John Cameron
Denis Dowling; Performer
Boy Soprano: Elsie Morison
Doreen Hume; Performer
Lead Vocals: Sir Malcolm Sargent
Pro Arte Orchestra
John Carol Case
Glyndebourne Chorus
Sir Geraint Evans
John Cameron
Elsie Morison
Denis Dowling
Owen Brannigan
Doreen Hume; Performer
Soprano: Elsie Morison
Doreen Hume; Performer
Tenor: Richard Lewis
Sir Geraint Evans
Alexander Young; Performer
Choir/chorus: Glyndebourne Chorus
Peter Gellhorn
Glyndebourne Festival Chorus; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Orchestra: Pro Arte Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Librettist: W. S. Gilbert; Composer
Lyricist: W. S.gilbert; Composer
Audio Engineer: Harold Davidson; Production
Producer: Peter Andry; Production
Remastering Engineer: John Holland; Production

The Gilbert & Sullivan Collection

Product information

Release options

Volume 1

Volume 2

Volume 3

Volume 1

1. The Mikado or The Town of Titipu: Overture (Allegro moderato - Andante comodo - Allegro con brio)

2. The Mikado or The Town of Titipu, Act 1: No. 2b, Song with Chorus, "A Wand'ring Minstrel I" (Nanki-Poo, Nobles)

3. The Mikado or The Town of Titipu, Act 1: No. 3, Song and Chorus, "Our Great Mikado, virtuous man" (Pish-Tush, Nobles)

4. The Mikado or The Town of Titipu, Act 1: No. 4, Song, "Young man, despair" (Pooh-Bah, Nanki-Poo, Pish-Tush)

5. The Mikado or The Town of Titipu, Act 1: No. 5, Chorus with Song, "Behold the Lord High Executioner!" (Nobles, Ko-Ko)

6. The Mikado or The Town of Titipu, Act 1: No. 5a, Song, "As some day it may happen" (Ko-Ko, Nobles)

7. The Mikado or The Town of Titipu, Act 1: No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls)

8. The Mikado or The Town of Titipu, Act 1: No. 9, Duet, "Were you not to Ko-Ko plighted" (Nanki-Poo, Yum-Yum)

9. The Mikado or The Town of Titipu, Act 1: No. 10, Trio, "I am so proud" (Pooh-Bah, Ko-Ko, Pish-Tush)

10. The Mikado or The Town of Titipu, Act 2: No. 13, Song, "The sun, whose rays are all ablaze" (Yum-Yum)

11. The Mikado or The Town of Titipu, Act 2: No. 15, Trio, "Here's a how-de-do!" (Yum-Yum, Nanki-Poo, Ko-Ko)

12. The Mikado or The Town of Titipu, Act 2: No. 16, Entrance of Mikado, "Miya sama … From every kind of man obedience I expect" (Girls, Nobles, Mikado, Katisha)

13. The Mikado or The Town of Titipu, Act 2: No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles)

14. The Mikado or The Town of Titipu, Act 2: No. 18, Trio and Chorus, "The criminal cried" (Ko-Ko, Nobles, Pitti-Sing, Pooh-Bah)

15. The Mikado or The Town of Titipu, Act 2: No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha)

16. The Mikado or The Town of Titipu, Act 2: No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)

17. The MIkado (or The Town of Titipu) - Alone and yet alive!...Hearts do not break!

18. The Mikado or The Town of Titipu, Act 2: No. 22, Song, "On a tree by a river a little tom-tit" (Ko-Ko)

19. The Mikado or The Town of Titipu, Act 2: No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko)

20. The Mikado or The Town of Titipu, Act 2: No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)

21. Trial by Jury: When I, good friends, was called to the Bar (Judge, Others)

22. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: I'm called Little Buttercup (Buttercup)

23. HMS Pinafore (or the Lass that Loved a Sailor) -My gallant crew...I am the Captain of the Pinafore

24. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Sorry her lot who loves too well (Josephine)

25. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: When I was a lad I served a term (Sir Joseph, Relatives, Sailors)

Volume 2

1. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Fair moon to thee I sing (Captain Corcoran)

2. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Things are seldom what they seem (Buttercup, Captain Corcoran)

3. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: The hours creep on apace (Josephine)

4. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine)

5. The Pirates of Penzance or The Slave of Duty, Act 1: No. 3, Song, "Oh, better far to live and die" (Pirate King, Pirates)

6. The Pirates of Penzance or The Slave of Duty, Act 1: No. 7, Air and Chorus, "Oh, is there not one maiden breast?" (Frederic, Mabel, Girls)

7. The Pirates of Penzance or The Slave of Duty, Act 1: No. 8, Air, "Poor wand'ring one" (Mabel, Girls)

8. The Pirates of Penzance or The Slave of Duty, Act 1: No. 13, Song with Chorus, "I am the very model of a modern Major-General" (Major-General, Girls, Pirates)

9. The Pirates of Penzance or The Slave of Duty, Act 2: No. 17, Chorus with Soli, "When the foeman bears his steel" (Sergeant of Police, Mabel, Edith, Policemen, Girls)

10. The Pirates of Penzance or The Slave of Duty, Act 2: "Ah, leave me not to pine" (Mabel, Frederic)

11. The Pirates of Penzance or The Slave of Duty, Act 2: No. 24, Song and Chorus, "When a felon's not engaged" (Sergeant, Policemen)

12. The Pirates of Penzance or The Slave of Duty, Act 2: No. 26, Chorus, "With cat-like tread" (Pirates, Policemen, Samuel)

13. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: The soldiers of our Queen (Dragoons, Colonel Calverley)

14. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: Am I alone and unobserved? (Bunthorne)

15. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: Sad is that woman's lot (Jane)

16. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: A magnet hung in a hardware shop (Grosvenor, Maidens)

17. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: Love is a plaintive song (Patience)

18. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: So go to him and say to him (Jane, Bunthorne)

19. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: When I go out of door (Bunthorne, Grosvenor)

20. Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: After much debate internal (Duke, Bunthorne, All)

21. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: When I went to the Bar as a very young man (Lord Chancellor)

22. Iolanthe (or, The Peer and the Peri) - Finale Act 1 (The lady of my love....)

Volume 3

1. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When all night long a chap remains (Sentry Song) (Private Willis)

2. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When Britain really ruled the waves (Mountararat, Fairies, Peers)

3. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When you're lying awake with a dismal headache (Nightmare Song) (Lord Chancellor)

4. Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: If you go in, you're sure to win (Tolloller, Mountararat, Lord Chancellor)

5. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: My boy, you may take it from me (Robin)

6. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: The battle's roar is over (Richard, Rose)

7. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: In sailing o'er life's ocean wide (Rose, Richard, Robin)

8. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: You understand? (Richard, Sir Despard)

9. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: When the night wind howls (Roderic, Ancestors)

10. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: My eyes are fully open (Robin, Margaret, Sir Despard)

11. Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: There grew a little flower (Hannah, Roderic)

12. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: We're called gondolieri (Marco, Giuseppe)

13. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: From the sunny Spanish shore (Duke, Duchess, Casilda, Luiz)

14. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: I stole the Prince (Don Alhambra, Casilda, Luiz, Duke, Duchess)

15. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I: When a merry maiden marries (Tessa, Chorus)

16. The Gondoliers 'The King of Barataria', Act II: Take a pair of sparkling eyes (Marco)

17. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: Dance a cachucha, fandango, bolero (Chorus)

18. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: There lived a king (Don Alhambra, Marco, Giuseppe)

19. The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: I am a courtier grave and serious (Casilda, Duchess, Marco, Giuseppe, Duke)

20. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I: I have a song to sing, O! (Elsie, Point, Crowd)

21. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I: How say you maiden (Lieutenant, Point, Elsie)

22. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I: Were I thy bride (Phoebe)

23. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act II: A private buffoon is a light-hearted loon (Point)

24. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act II: Comes the pretty young bride (All)