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(C) 1966 Smithsonian Folkways Recordings
Title
Pop.
Time
Introduction: Demonstration of The"Dulciless" "Finger Exercise" View on Youtube
05:28
Tuning the Dulcimer: The Phenomenon of "Beating" View on Youtube
05:35
Tuning by Harmonics: The "Classical" Style of Playing (Drink to Me Only with Thine Eyes, Study in Counterpoint) View on Youtube
07:56
The "Bagpipe" Tuning and the Puill Technique (Macpherson's Lament, Flop-Eared Mule) View on Youtube
06:13
The "Finger Style" Of Playing (In the Good Old Colony Days) View on Youtube
04:01
Six Modal Tunings for the Traditional Dulcimer View on Youtube
06:11
The "Double-Thumbing" Technique (If He's Gone, Let Him Go, Buckdancer's Choice) View on Youtube
06:08
The "three-Pairs-of-Strings" Dulcimer (Frankie and Johnny, Two Sisters) View on Youtube
04:05
The Double Dulcimer (The Ash Grove, Lady, Come and See, Babylon Is Fallen) View on Youtube
07:47
The Double Psaltery (Jesu, Joy of Man's Desiring) View on Youtube
02:25
by Howie Mitchell
Introduction: Demonstration of The"Dulciless" "Finger Exercise"
Tuning the Dulcimer: The Phenomenon of "Beating"
Tuning by Harmonics: The "Classical" Style of Playing (Drink to Me Only with Thine Eyes, Study in Counterpoint)
The "Bagpipe" Tuning and the Puill Technique (Macpherson's Lament, Flop-Eared Mule)
The "Finger Style" Of Playing (In the Good Old Colony Days)
Six Modal Tunings for the Traditional Dulcimer
The "Double-Thumbing" Technique (If He's Gone, Let Him Go, Buckdancer's Choice)
The "three-Pairs-of-Strings" Dulcimer (Frankie and Johnny, Two Sisters)
The Double Dulcimer (The Ash Grove, Lady, Come and See, Babylon Is Fallen)
The Double Psaltery (Jesu, Joy of Man's Desiring)
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