Kicking off with the great title track, a slow-chugging anthem with a sharp Magnuson lead and lyric, along with guest vocals from none other than
the B-52s'
Fred Schneider,
Pussy pumps up Magnuson's vicious, intelligent feminism to an even higher level than before. From the barbed "What If..." and "Women Tied Up in Knots" to her incredible spoken word "What Kind of Man Reads Playboy" and more, she's on a very artistic rampage. Style, performance, sass, and rage combine brilliantly throughout. In general,
Bongwater, with Licht back on drums in place of
Sleep's rhythm boxes, continue as before, incorporating a more creepy sweetness at points. "Great Radio" is a standout, the group performing a slow, drony, and druggy piece with gentle power, while other songs like "I Need a New Tape" mix up the zoned psychedelic hush of past albums once again. Covers again crop up, both quite striking.
The Weavers' folk standard "Kisses Sweeter Than Wine" gets a lovely, haunting take, with guest banjo from roots music legend
Peter Stampfel, while
Dudley Moore's hilariously dismissive "Bedazzled," from the mid-'60s film of the same name, is tailor-made for a crackerjack Magnuson spotlight vocal. Throughout
Pussy, pop culture is roasted over a slow fire in a multitude of ways. "Nick Cave Dolls," besides concluding with Magnuson's breathy, delicious whine about wanting one of said items, slips in everything from references to Hollywood and Dorothy Stratten to some of the notorious profane tapes of
Buddy Rich abusing his band. The absolute hands-down winner comes right at the end, the lengthy "Folk Song." Tackling everything from wannabe rebels to corporate and political idiocy from the top on down -- not to mention a ripping dissection of then-recent hit-movie Pretty Woman that spares absolutely nobody -- Magnuson is in excelsis throughout. ~ Ned Raggett