In large part a reworking of
Jerry Goldsmith's rejected score for the sci-fi thriller Alien Nation,
The Russia House proves a far more potent effort than its mongrel pedigree may suggest. Despite the film's Soviet Union setting,
Goldsmith largely eschews Russian musical conventions in favor of a taut, suspenseful approach utterly American in its orientation. Combining sleek electronics with a jazz trio led by saxophonist
Branford Marsalis, the composer creates a series of mysterious, archly sophisticated themes simmering with tension. In short, with
The Russia House Goldsmith effectively updates the classic espionage formula for the digital era, composing a score as vital and innovative as any in his long and distinguished career. It's an unexpected and under-recognized masterpiece. ~ Jason Ankeny